Other Afternoons | ||||
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Studio album by | ||||
Released | 1970 | |||
Recorded | August 15, 1969 | |||
Genre | Jazz | |||
Length | 37:50 | |||
Label | BYG Records | |||
Producer | Jean Georgakarakos, Jean-Luc Young | |||
Jimmy Lyons chronology | ||||
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Other Afternoons is an album by American jazz saxophonist Jimmy Lyons, recorded in 1969 and released in 1970 on the BYG label as part of their Actuel series. [1] His first recording as leader, it features Lyons on alto saxophone along with trumpeter Lester Bowie, bassist Alan Silva, and drummer Andrew Cyrille. (Lyons had played with Silva and Cyrille in Cecil Taylor's band.)
The album was recorded as part of a marathon week-long BYG session which also produced albums by artists such as Archie Shepp ( Yasmina, a Black Woman , Poem for Malcolm , and Blasé ), the Art Ensemble Of Chicago ( Message to Our Folks and Reese and the Smooth Ones ), Grachan Moncur III ( New Africa ), Alan Silva ( Luna Surface ), Dave Burrell ( Echo ), Andrew Cyrille ( What About? ), and Sunny Murray ( Homage to Africa and Sunshine ). [2] [3] [4]
Review scores | |
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Source | Rating |
AllMusic | [5] |
Tom Hull – on the Web | B+ [6] |
The Rolling Stone Jazz Record Guide | [7] |
In his AllMusic review, Eugene Chadbourne awarded the album 4.5 stars, stating "this album stands out as containing much superior playing, springing from what seems to be a fully realized conception of just where the music was going". He wrote: "The combination of Lyons with Lester Bowie is simply marvelous. The alto saxophonist's speciality is a kind of pungent yet unsentimental tone, kind of a thinking man's Charlie Parker, while trumpeter Bowie seems to pack every note, whether it is blasted or delicately blown, with deep pockets of potential comedy or melancholy. It is a perfect match of contrasts, made even more interesting by both players' reliance on space, in each case developed as an alternative to the amount of intense energy or sonic bombast being tossed up by other members of these players' regular associations, the Taylor group and the Art Ensemble of Chicago, respectively. From drummer Andrew Cyrille and bassist Alan Silva a listener might expect a certain kind of firepower as well as rhythmic developments being colored in terms of suggestions and impulses rather than firmly shoved in a pocket. These two master players are thrilling here in their adventurous attempts to give their friend Jimmy Lyons a whole new sound on his album." [5]
In a JazzTimes review written in 1970, Robert Levin stated that Other Afternoons "should make anyone who can get hold of it take serious notice—not only of [Lyons'] increasing mastery of the alto saxophone, but also of his newly revealed and exceptional talent as a composer. The album is highly charged and demonstrates Jimmy's capacity to play and write with a startling rhythmic energy, a strong sense of melody, and a near-to-excruciating lyricism." [8] Ethan Iverson called the album "an extraordinary document, one of the most poetic examples of the aggressive 'new thing' that dominated critical conversations of the era..." and wrote that it "goes from ancient to the future and back with rough finesse and measured joy... it's one of those LPs that just gets better and better with time." [3]
Writing for Red Bull Music Academy , Britt Robson commented: "Other Afternoons features the same personnel as the Cecil Taylor Unit, with one huge difference – the ivory blizzard of Taylor's piano arpeggios is replaced by the more restrained splats of trumpeter Lester Bowie. The added space in the mix enables the underrated talents of altoist Jimmy Lyons to stretch and blossom. He composes and arranges tunes featuring his furtive, gradually intensifying phrases, with well-timed nudges from Bowie." [4]
Lester Bowie was an American jazz trumpet player and composer. He was a member of the Association for the Advancement of Creative Musicians and co-founded the Art Ensemble of Chicago.
Andrew Charles Cyrille is an American avant-garde jazz drummer. Throughout his career, he has performed both as a leader and a sideman in the bands of Walt Dickerson and Cecil Taylor, among others. AllMusic biographer Chris Kelsey wrote: "Few free-jazz drummers play with a tenth of Cyrille's grace and authority. His energy is unflagging, his power absolute, tempered only by an ever-present sense of propriety."
Jimmy Lyons was an American alto saxophone player. He is best known for his long tenure in the Cecil Taylor Unit. Lyons was the only constant member of the band from the mid-1960s until his death. Taylor never worked with another musician as frequently as he did with Lyons. Lyons' playing, influenced by Charlie Parker, kept Taylor's avant-garde music tethered to the jazz tradition.
Conquistador! is a 1968 studio album recorded in 1966 by free jazz pianist Cecil Taylor, released by Blue Note Records.
Frank Wright was an American free jazz musician, known for his frantic style of playing the tenor saxophone. Critics often compare his music to that of Albert Ayler, although Wright "offers his honks and squawks with a phraseology derived from the slower, earthier funk of R&B and gospel music." According to AllMusic biographer Chris Kelsey, Wright "never recorded even a single record under his own name for a major label; he was 'underground' his entire career." In addition to tenor saxophone, Wright also played the soprano saxophone and bass clarinet.
Donald Moye, Jr., known as Famoudou Don Moye, is an American jazz percussionist and drummer. He is most known for his involvement with the Art Ensemble of Chicago and is noted for his mastery of African and Caribbean percussion instruments and rhythmic techniques.
The Jazz Composer's Orchestra is a 1968 album by the Jazz Composer's Orchestra recorded over a period of six months with Michael Mantler as composer, leader and producer. Many of the key figures in avant-garde jazz from the time contributed on the album including Don Cherry, Pharoah Sanders, Gato Barbieri, Larry Coryell, Roswell Rudd, and Carla Bley. The album's finale features a two-part concerto for Cecil Taylor and orchestra.
Yasmina, a Black Woman is a jazz album by Archie Shepp, recorded in 1969 in Paris for BYG Actuel. It features musicians from the Art Ensemble of Chicago. The first track, giving its title to the album, is a long free jazz piece by an 11-piece orchestra; in it, the references to Africa that Shepp had experimented with only a few weeks earlier in Algiers are to be found in the use of African percussion instruments, or the African incantations sung by Shepp himself at the beginning of the track. The other two pieces, a homage to Sonny Rollins written by trombonist Grachan Moncur III and a standard, played by a more traditional quintet and quartet respectively, are more reminiscent of the hard bop genre, although the fiery playing of the musicians, notably Shepp himself, gives them a definite avant-garde edge. It was originally issued on CD by Affinity, mastered from an incredibly noisy vinyl source and later reissued by Charly from the original master tapes.
Student Studies is a live album by Cecil Taylor recorded in November 1966 and released on the Japanese BYG label as an untitled 2-LP set in 1973. It features a performance by Taylor with Jimmy Lyons, Alan Silva and Andrew Cyrille. The album was first released on CD by the Affinity label as Student Studies, later rereleased on the Black Lion label as The Great Paris Concert, and then reissued a third time as Student Studies by Fuel 2000. None of the three CD issues use the original LP cover artwork.
The Great Concert of Cecil Taylor is a live album by Cecil Taylor recorded in St. Paul de Vence, Nice, on July 29, 1969, and released on the Prestige label in 1977 as a 3-LP set. The album was originally released as Nuits de la Fondation Maeght on the French Shandar label as a box set, consisting of three separate LPs in 1971. It features a performance by Taylor with Jimmy Lyons, Sam Rivers and Andrew Cyrille.
New Africa is an album by American trombonist Grachan Moncur III recorded in 1969 and released on the BYG Actuel label in the same year. It features alto saxophonist Roscoe Mitchell, pianist Dave Burrell, bassist Alan Silva and drummer Andrew Cyrille. Tenor saxophonist Archie Shepp performs on the final track.
Wildflowers: The New York Loft Jazz Sessions is a series of five albums recorded May 14–23, 1976 at Studio Rivbea, a loft jazz space in New York City, run by Sam Rivers and his wife Bea. The albums include performances by groups led by musicians such as Hamiet Bluiett, Anthony Braxton, Marion Brown, Dave Burrell, Andrew Cyrille, Oliver Lake, Jimmy Lyons, Ken McIntyre, Kalaparusha Maurice McIntyre, Roscoe Mitchell, David Murray, Sunny Murray, Sam Rivers, Leo Smith, Henry Threadgill, and Randy Weston. The recordings were originally released in 1977 on the Douglas and Casablanca labels as five separate LPs, and were reissued in 1999 by Knit Classics as a 3-CD set.
Luna Surface is an album by multi-instrumentalist Alan Silva, recorded on August 17, 1969 and released later that year on the BYG label as part of their Actuel series. His first recording as leader, it features Silva on violin along with a large ensemble known as the Celestrial Communication Orchestra.
Sunshine is an album by American free jazz drummer Sunny Murray, his third as a leader. It was recorded in Paris in August 1969, and released on the BYG Actuel label later that year. On the album, Murray is joined by Arthur Jones and Roscoe Mitchell on alto saxophone, Archie Shepp and Kenneth Terroade on tenor saxophone, Lester Bowie on trumpet, Dave Burrell on piano, and Malachi Favors and Alan Silva on bass.
Burnt Offering is a live album by American jazz saxophonist Jimmy Lyons and American jazz drummer Andrew Cyrille. It was recorded in May 1982 in Allentown, Pennsylvania, and released by the Black Saint label in 1991.
Something in Return is an album by American jazz saxophonist Jimmy Lyons and American jazz drummer Andrew Cyrille. It was recorded in February 1981 at Soundscape, New York City, and released by the Black Saint label in 1988.
Homage to Africa is an album by American free jazz drummer Sunny Murray. It was recorded in Paris in August 1969, and released on the BYG Actuel label in 1970. On the album, Murray is joined by saxophonists Roscoe Mitchell, Archie Shepp and Kenneth Terroade, trumpeter Lester Bowie, cornetist Clifford Thornton, trombonist Grachan Moncur III, vocalist Jeanne Lee, pianist Dave Burrell, bassist Alan Silva, and percussionists Malachi Favors, Earl Freeman, and Arthur Jones.
What About? is a solo percussion album by drummer Andrew Cyrille, his first recording under his own name. It was recorded in Paris in August 1969, and released on the BYG Actuel label later that year.
Ketchaoua is an album by multi-instrumentalist and composer Clifford Thornton. It was recorded in August 1969 at Studio Saravah in Paris, and was released by the Actuel label later that year. On the album, Thornton is heard on cornet, and is joined by saxophonists Arthur Jones and Archie Shepp, trombonist Grachan Moncur III, pianist Dave Burrell, bassists Beb Guérin and Earl Freeman, and drummers Sunny Murray and Claude Delcloo.
Seasons is a live, triple-LP album by multi-instrumentalist Alan Silva. It was recorded in December 1970 at ORTF Studio 104 in Paris, France, and was released in 1971 by BYG Records as part of their Actuel series. On the album, Silva is joined by a large ensemble known as the Celestrial Communication Orchestra.