Coronation of King George VI, London, England is a black and white photograph taken by French photographer Henri Cartier-Bresson, in 1937. Cartier-Bresson covered the coronation of King George VI, in London, on 12 May 1937, for the French Communist weekly Regards , focusing more on the people who were attending the official procession than in the event itself. [1] [2]
This photograph became one of the most famous of the series that he took while focusing on the people who were attending the procession. Many people had waited all night to see the event, and Cartier-Bresson in this picture shows a glimpse of the awaiting crowd on the steps of Trafalgar Square. Six people, two women and one man, at the left, and three men, at the right, with a small space between the two groups, are seated, while clearly expectant for the procession to come. A larger quantity of people are standing, some of them looking to the right, in the direction where the procession would come. A child with a cap stands between the two groups of seated people, looking at the camera. Looking down, there is a man who seems to have fallen asleep on a large pile of newspapers and litter lying in the ground. Cartier-Bresson explained: "People had waited all night in Trafalgar Square in order not to miss any part of the coronation ceremony of George VI... The next morning, one who was wearier than the others, had not yet wakened to see the ceremony for which he had kept such a late vigil." [3] [4]
There are prints of the photograph at the J. Paul Getty Museum, in Los Angeles, the Princeton University Art Museum, in Princeton, and the Museum of Fine Arts, in Houston. [5] [6] [7]
The coronation of the monarch of the United Kingdom is an initiation ceremony in which they are formally invested with regalia and crowned at Westminster Abbey. It corresponds to the coronations that formerly took place in other European monarchies, which have all abandoned coronations in favour of inauguration or enthronement ceremonies. A coronation is a symbolic formality and does not signify the official beginning of the monarch's reign; de jure and de facto his or her reign commences from the moment of the preceding monarch's death or abdication, maintaining legal continuity of the monarchy.
Henri Cartier-Bresson was a French artist and humanist photographer considered a master of candid photography, and an early user of 35mm film. He pioneered the genre of street photography, and viewed photography as capturing a decisive moment.
Street photography is photography conducted for art or inquiry that features unmediated chance encounters and random incidents within public places, usually with the aim of capturing images at a decisive or poignant moment by careful framing and timing. Although there is a difference between street and candid photography, it is usually subtle with most street photography being candid in nature and some candid photography being classifiable as street photography. Street photography does not necessitate the presence of a street or even the urban environment. Though people usually feature directly, street photography might be absent of people and can be of an object or environment where the image projects a decidedly human character in facsimile or aesthetic.
Martine Franck was a British-Belgian documentary and portrait photographer. She was a member of Magnum Photos for over 32 years. Franck was the second wife of Henri Cartier-Bresson and co-founder and president of the Henri Cartier-Bresson Foundation.
Dominique de Menil was a French-American art collector, philanthropist, founder of the Menil Collection and an heiress to the Schlumberger Limited oil-equipment fortune. She was awarded the National Medal of Arts in 1986.
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Louis Faurer was an American candid or street photographer. He was a quiet artist who never achieved the broad public recognition that his best-known contemporaries did; however, the significance and caliber of his work were lauded by insiders, among them Robert Frank, William Eggleston, and Edward Steichen, who included his work in the Museum of Modern Art exhibitions In and Out of Focus (1948) and The Family of Man (1955).
Fazal Sheikh is an artist who uses photographs to document people living in displaced and marginalized communities around the world.
John de Ménil was a Franco-American businessman, philanthropist, and art patron. He was the founding president of the International Foundation for Art Research (IFAR) in New York. With his wife, Dominique de Menil, he established the Menil Collection, a free museum designed by Renzo Piano and built in 1986 to preserve and exhibit their world-class contemporary art collection.
The coronation of George VI and his wife, Elizabeth, as king and queen of the United Kingdom and the Dominions of the British Commonwealth, Emperor and Empress consort of India took place at Westminster Abbey, London, on Wednesday 12 May 1937. George VI ascended the throne upon the abdication of his brother, Edward VIII, on 11 December 1936, three days before his 41st birthday. Edward's coronation had been planned for 12 May and it was decided to continue with his brother and sister-in-law's coronation on the same date.
Humanist Photography, also known as the School of Humanist Photography, manifests the Enlightenment philosophical system in social documentary practice based on a perception of social change. It emerged in the mid-twentieth-century and is associated most strongly with Europe, particularly France, where the upheavals of the two world wars originated, though it was a worldwide movement. It can be distinguished from photojournalism, with which it forms a sub-class of reportage, as it is concerned more broadly with everyday human experience, to witness mannerisms and customs, than with newsworthy events, though practitioners are conscious of conveying particular conditions and social trends, often, but not exclusively, concentrating on the underclasses or those disadvantaged by conflict, economic hardship or prejudice. Humanist photography "affirms the idea of a universal underlying human nature". Jean Claude Gautrand describes humanist photography as:
a lyrical trend, warm, fervent, and responsive to the sufferings of humanity [which] began to assert itself during the 1950s in Europe, particularly in France ... photographers dreamed of a world of mutual succour and compassion, encapsulated ideally in a solicitous vision.
Peter Johnston Galassi is an American writer, curator, and art historian working in the field of photography. His principal fields are photography and nineteenth-century French art.
Noma Copley was an American fine arts jeweler and art collector noted for her contributions to Surrealist practices and activities. From 1953 through 1968, she was married to William Copley and, with him, helped to acquire one of the largest collections of Surrealist paintings and sculpture in America. In 1954, they established the William and Noma Copley Foundation, a non-profit organization dedicated to fostering the creative arts. According to a 1975 article in New York Magazine, she "emerged from the Paris world of surrealist painters five years ago to become one of New York's most original jewelry designers."
Behind the Gare Saint-Lazare is a black and white photograph taken by French photographer Henri Cartier-Bresson in Paris in 1932. The photograph has been printed at variable dimensions; the print donated by Cartier-Bresson to the Museum of Modern Art is listed at 35.2 × 24.1 cm. It is one of his best known and more critically acclaimed photographs and became iconic of his style that attempted to capture the decisive moment in photography. The photograph was considered one of the 100 most influential pictures of all time by Time magazine.
Hyères, France is a black and white photograph taken by Henri Cartier-Bresson in 1932. It is one of the photographs from the year when he started taking photography more professionally. He took then many pictures in France and in other countries, like Italy, Spain, Morocco and Mexico, with his portable Leica camera.
Seville, Spain is a black and white photograph taken by Henri Cartier-Bresson in 1933. He traveled through Spain in 1933, a trip which he documented with many pictures. He took this photograph in Seville, and was one of several that he captured in the same location.
Gold Rush, Shanghai, also known by other titles like Gold Rush. The Last Days of Kuomintang, Shanghai, is a black and white photograph taken by Henri Cartier-Bresson in 1948.
Rue Mouffetard, Paris, is a black and white photograph taken by Henri Cartier-Bresson in a Paris street in 1954.
Juvisy, France, with the French title of Dimanche sur les Bords de Marne, Juvisy, is a black and white photograph taken by Henri Cartier-Bresson in 1938. The picture shows his influence and formation in painting and went to become one of his most known photographs.
Alberto Giacometti à la Galerie Maeght, Paris, France, 1961, or, in English, Alberto Giacometti at the Galerie Maeght, Paris, France, 1961, is a black and white photograph by French photographer Henri Cartier-Bresson, taken in 1961. The picture depicts his old friend of two decades, the Swiss sculptor Alberto Giacometti, as he appears to be setting up his own exhibition at the Galerie Maeght, in Paris.