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Henri Cartier-Bresson was a French artist and humanist photographer considered a master of candid photography, and an early user of 35mm film. He pioneered the genre of street photography, and viewed photography as capturing a decisive moment.
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Martine Franck was a British-Belgian documentary and portrait photographer. She was a member of Magnum Photos for over 32 years. Franck was the second wife of Henri Cartier-Bresson and co-founder and president of the Henri Cartier-Bresson Foundation.
Dominique de Menil was a French-American art collector, philanthropist, founder of the Menil Collection and an heiress to the Schlumberger Limited oil-equipment fortune. She was awarded the National Medal of Arts in 1986.
Beaumont Newhall was an American curator, art historian, writer, photographer, and the second director of the George Eastman Museum. His book The History of Photography remains one of the most significant accounts in the field and has become a classic photographic history textbook. Newhall was the recipient of numerous awards and accolades for his accomplishments in the study of photo history.
Larry Towell is a Canadian photographer, poet, and oral historian. Towell is known for his photographs of sites of political conflict in the Ukraine, Nicaragua, El Salvador, Standing Rock and Afghanistan, among others. In 1988, Towell became the first Canadian member of Magnum Photos.
Louis Faurer was an American candid or street photographer. He was a quiet artist who never achieved the broad public recognition that his best-known contemporaries did; however, the significance and caliber of his work were lauded by insiders, among them Robert Frank, William Eggleston, and Edward Steichen, who included his work in the Museum of Modern Art exhibitions In and Out of Focus (1948) and The Family of Man (1955).
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Richard Nagler is an American businessman and photographer. Four monographs of his photography have been published. His photography has been exhibited in numerous museum and gallery exhibitions throughout the United States and Europe; and included in public and private collections. The work has also been featured in publications including: The New York Times, The Wall Street Journal, Artforum International, Artweek, The Los Angeles Times, Playboy Magazine and the San Francisco Chronicle. Nagler graduated from the University of Pennsylvania in 1969 magna cum laude/Phi Beta Kappa with a B. A. in politics and philosophy, and began his career in photography in the 1970s. Richard Nagler is also a book reviewer specializing in photography and other fine arts for The New York Journal of Books.
Humanist Photography, also known as the School of Humanist Photography, manifests the Enlightenment philosophical system in social documentary practice based on a perception of social change. It emerged in the mid-twentieth-century and is associated most strongly with Europe, particularly France, where the upheavals of the two world wars originated, though it was a worldwide movement. It can be distinguished from photojournalism, with which it forms a sub-class of reportage, as it is concerned more broadly with everyday human experience, to witness mannerisms and customs, than with newsworthy events, though practitioners are conscious of conveying particular conditions and social trends, often, but not exclusively, concentrating on the underclasses or those disadvantaged by conflict, economic hardship or prejudice. Humanist photography "affirms the idea of a universal underlying human nature". Jean Claude Gautrand describes humanist photography as:
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Hyères, France is a black and white photograph taken by Henri Cartier-Bresson in 1932. It is one of the photographs from the year when he started taking photography more professionally. He took then many pictures in France and in other countries, like Italy, Spain, Morocco and Mexico, with his portable Leica camera.
Seville, Spain is a black and white photograph taken by Henri Cartier-Bresson in 1933. He traveled through Spain in 1933, a trip which he documented with many pictures. He took this photograph in Seville, and was one of several that he captured in the same location.
Gold Rush, Shanghai, also known by other titles like Gold Rush. The Last Days of Kuomintang, Shanghai, is a black and white photograph taken by Henri Cartier-Bresson in 1948.
Rue Mouffetard, Paris, is a black and white photograph taken by Henri Cartier-Bresson in a Paris street in 1954.
Juvisy, France, with the French title of Dimanche sur les Bords de Marne, Juvisy, is a black and white photograph taken by Henri Cartier-Bresson in 1938. The picture shows his influence and formation in painting and went to become one of his most known photographs.
Alberto Giacometti à la Galerie Maeght, Paris, France, 1961, or, in English, Alberto Giacometti at the Galerie Maeght, Paris, France, 1961, is a black and white photograph by French photographer Henri Cartier-Bresson, taken in 1961. The picture depicts his old friend of two decades, the Swiss sculptor Alberto Giacometti, as he appears to be setting up his own exhibition at the Galerie Maeght, in Paris.
References
- ↑ Coronation of King George VI, London (1937), Invaluable
- ↑ Clément Chéroux, Discoveries: Henri Cartier-Bresson, Harry N. Abrams, 2008, p. 27
- ↑ Coronation of King George VI, London, England, Princeton University Art Museum
- ↑ Andrew Robinson, Sudden Genius?: The Gradual Path to Creative Breakthroughs, Oxford, Oxford University Press, 2010, p. 231
- ↑ J. Paul Getty Museum
- ↑ Coronation of King George VI, London, England, Princeton University Art Museum
- ↑ Museum of Fine Arts, Houston