The work, dating to Carracci's early career, is a manifest homage to Andrea Mantegna's Dead Christ, which he had perhaps seen in the Aldobrandini collection. Christ is portrayed lying in a contorted position, seen from his feet. Differently from Mantegna, Carracci did not paint the mourners at the side, and adopted a more realistic depiction of the body.
Sources
Gianfranco, Malafarina (1976). L'opera completa di Annibale Carracci. Milan: Rizzoli.
Annibale Carracci was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades.
Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which trompe-l'œil, perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two-dimensional or mostly flat ceiling surface above the viewer. It is frequently used to create the illusion of an open sky, such as with the oculus in Andrea Mantegna's Camera degli Sposi, or the illusion of an architectural space such as the cupola, one of Andrea Pozzo's frescoes in Sant'Ignazio, Rome. Illusionistic ceiling painting belongs to the general class of illusionism in art, designed to create accurate representations of reality.
Domine, quo vadis? is a 1602 painting by the Italian Baroque painter Annibale Carracci (1560–1609), depicting a scene from the apocrypha Acts of Peter. It is housed in the National Gallery, where it is given the title Christ appearing to Saint Peter on the Appian Way. The subject is a rare representation in art of the theme Quo vadis. Annibale Carracci was the founder of the Italian Baroque painting school, called Bolognese School. This painting is one of his best known works. Peter is depicted fleeing Rome to avoid crucifixion and has a vision of meeting Christ bearing his Cross. Peter asks Jesus "Quo vadis?" to which he replies, "Romam vado iterum crucifigi". Peter returns to Rome after this vision.
Alexander Day was a miniature painter and art dealer. Born in Britain, he worked chiefly in Rome.
The Adoration of the Shepherds is an oil-on-canvas painting by the Italian master Domenichino, executed c. 1607–1610. It has been in the National Gallery of Scotland in Edinburgh since 1971, and was previously in the Dulwich Picture Gallery in London.
Dead Christ may refer to:
Pietà is a c. 1600 oil on canvas painting by Annibale Carracci, the earliest surviving work by him on the subject, which was commissioned by Odoardo Farnese. It moved from Rome to Parma to Naples as part of the Farnese collection and is now in the National Museum of Capodimonte in Naples. It is one of many 16th century Bolognese paintings dedicated to the theme of the Pietà, and it is counted among Carracci's masterpieces.
Christ in Glory with Saints and Odoardo Farnese or 'Christ in Glory with Odoardo Farnese and Saints Peter, John the Evangelist, Mary Magdalene, Hermenegild and Edward is a painting by Annibale Carracci. Placed in the Eremo di Camldoli either early in its life or straight after its creation, at the end of the 17th century Ferdinando II de' Medici moved it to the Galleria Palatina in Florence, where it still hangs.
The Palazzo Sampieri frescoes are a set of paintings by Annibale, Agostino and Ludovico Carracci in the Palazzo Sampieri in Bologna. They form the last surviving collection of works by the three artists.
Christ and the Samaritan Woman or The Woman at the Well is a 1593-1594 oil on canvas painting by Annibale Carracci, painted as part of the same scheme as the Palazzo Sampieri frescoes. Several years later he also produced a much smaller autograph copy with variations, now in the Museum of Fine Arts, Budapest.
The Baptism of Christ is a painting by Annibale Carracci.
Christ Crowned with Thorns or Christ Mocked is a 1598-1600 oil on canvas painting by Annibale Carracci, now at the Pinacoteca Nazionale di Bologna.
Crucifixion with Saints or Crucifixion with Mourners and Saints Bernardino of Siena, Francis of Assisi and Petronius is a 1583 oil on canvas, now in the church of Santa Maria della Carità in Bologna. The work was originally sited in the Macchiavelli chapel in San Nicolò di San Felice, Bologna, next to Santa Maria della Carità, which was destroyed by bombing during the Second World War. It was then temporarily moved to the Soprintendenza di Bologna and finally to its current home.
Madonna and Child with Saints is a 1588 oil on canvas painting by Annibale Carracci, now in the Gemäldegalerie Alte Meister in Dresden. Signed and dated by the artist, it is also known as Madonna and Child with Saints Francis, Matthew and John the Baptist, Madonna and Child Enthroned with Saint Matthew and the St Matthew Madonna.
The Death of Saint Francis is the probable subject of two lost paintings by Annibale Carracci, both possibly dating to 1597-1598. One is known solely through a print and the other through a series of painted copies.
Madonna and Child in Glory over the City of Bologna is a c.1593 oil on canvas painting by Annibale Carracci, also known as The Virgin and Child in the Clouds or the Madonna of Bologna. It is now in Christ Church Picture Gallery in Oxford.
Pietà with Saints Clare, Francis and Mary Magdalene is a 1585 oil on canvas painting by Annibale Carracci, now in the Galleria nazionale di Parma.
Entombment of Christ is a c.1595 oil on copper painting by Annibale Carracci, now in the Metropolitan Museum of Art
Christ Appearing to Saint Anthony Abbot or The Temptation of Saint Anthony is a 1598-1600 oil on copper painting of Anthony the Great by Annibale Carracci. It was acquired in the 19th century by an English collector and bought in 1846 by the National Gallery, London, where it still hangs.
The Dead Christ Mourned is an oil painting on canvas of c. 1604 by Annibale Carracci. It was in the Orleans Collection before arriving in Great Britain in 1798. In 1913 it was donated to the National Gallery, London, which describes it as "perhaps the most poignant image in [its] collection of the pietà – the lamentation over the dead Christ following his crucifixion – and one of the greatest expressions of grief in Baroque art".
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