Saint Roch Giving Alms is an oil on canvas painting by Annibale Carraci, commissioned between 1587 and 1588 by the Confraternity of San Rocco in Reggio Emilia, a body for whom he produced several works. His largest work on panel or canvas (as opposed to fresco), it is the crowning achievement of his career before his move to Rome. [1] Only completed in 1595, it is now in the Gemäldegalerie Alte Meister in Dresden, Germany.
The commission is dated by an 8 July 1595 letter to the commissioners from the artist stating it had been commissioned "seven years earlier" [2] and came at almost exactly the same time as the commission for an Assumption of the Virgin altarpiece, now also in Dresden. [3] It was intended for one of the long walls of the Confraternity's oratory, now destroyed, facing Saint Roch Healing Plague Victims, a c.1585 painting by Camillo Procaccini in an identical format, destroyed in the bombing of Dresden.
Antonio Allegri da Correggio, usually known as just Correggio, was the foremost painter of the Parma school of the High Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the 16th century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the 17th century and the Rococo art of the 18th century. He is considered a master of chiaroscuro.
Annibale Carracci was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades.
Philips Wouwerman was a Dutch painter of hunting, landscape and battle scenes.
Francesco Albani or Albano was an Italian Baroque painter who was active in Bologna (1591–1600), Rome (1600–1609), Bologna (1609), Viterbo (1609–1610), Bologna (1610), Rome (1610–1617), Bologna (1618–1660), Mantova (1621–1622), Roma (1623–1625) and Florence (1633).
Giovanni Battista Cima, also called Cima da Conegliano, was an Italian Renaissance painter, who mostly worked in Venice. He can be considered part of the Venetian school, though he was also influenced by Antonello da Messina, in the emphasis he gives to landscape backgrounds and the tranquil atmosphere of his works. Once formed his style did not change greatly. He mostly painted religious subjects, often on a small scale for homes rather than churches, but also a few, mostly small, mythological ones.
Giuseppe Maria Crespi, nicknamed Lo Spagnuolo, was an Italian late Baroque painter of the Bolognese School. His eclectic output includes religious paintings and portraits, but he is now most famous for his genre paintings.
The Gemäldegalerie Alte Meister in Dresden, Germany, displays around 750 paintings from the 15th to the 18th centuries. It includes major Italian Renaissance works as well as Dutch and Flemish paintings. Outstanding works by German, French, and Spanish painters of the period are also among the gallery's attractions.
The Nativity is a painting finished around 1529–1530 by the Italian painter Antonio da Correggio. It is housed in the Gemäldegalerie Alte Meister, Dresden.
The year 1530 in art involved some significant events and new works.
The Tribute Money is a panel painting in oils of 1516 by the Italian late Renaissance artist Titian, now in the Gemäldegalerie Alte Meister in Dresden, Germany. It depicts Christ and a Pharisee at the moment in the Gospels when Christ is shown a coin and says "Render unto Caesar the things that are Caesar's, and unto God the things that are God's". It is signed "Ticianus F.[ecit]", painted on the trim of the left side of the Pharisee's collar.
Dresden From the Right Bank of the Elbe Below the Augustus Bridge is an oil on canvas by the Italian urban landscape painter Bernardo Bellotto. Painted in 1748, it depicts the view of Dresden from the right bank of the River Elbe, including the Dresden Frauenkirche, the Dresden Cathedral, and the Augustus Bridge. One year earlier, he painted another piece titled Dresden From the Right Bank of the Elbe Above the Augustus Bridge, looking in the other direction from above the Augustus Bridge. Both of the paintings are in the permanent collection of the Gemäldegalerie Alte Meister. The paintings have proved invaluable in rebuilding parts of the city that were destroyed during the World War II.
The San Sebastiano Madonna is an oil on canvas painting by Correggio, dating to around 1524 and now in the Gemäldegalerie Alte Meister in Dresden. It measures 265 by 161 cm.
The Wedding Feast of Samson is a 1638 oil on canvas painting by Rembrandt. It was acquired for his collection in Dresden by Augustus II of Poland. It first appeared in that collection's inventory in 1722-1728 and is now in the Gemäldegalerie Alte Meister.
Portrait of a Lady in White is a c.1561 painting by Titian of an unknown gentlewoman dressed in white; it is now in the Gemäldegalerie Alte Meister in Dresden.
The Finding of Moses is an oil on canvas painting by Paolo Veronese, now in the Gemäldegalerie Alte Meister in Dresden and measuring 178 by 277 cm. It is one of at least eight works on the finding of Moses by him and his studio - another now in Lyon is thought to be the preparatory sketch for the Dresden work.
Christ and the Samaritan Woman or The Woman at the Well is a 1593-1594 oil on canvas painting by Annibale Carracci, painted as part of the same scheme as the Palazzo Sampieri frescoes. Several years later he also produced a much smaller autograph copy with variations, now in the Museum of Fine Arts, Budapest.
Madonna and Child with Saints is a 1588 oil on canvas painting by Annibale Carracci, now in the Gemäldegalerie Alte Meister in Dresden. Signed and dated by the artist, it is also known as Madonna and Child with Saints Francis, Matthew and John the Baptist, Madonna and Child Enthroned with Saint Matthew and the St Matthew Madonna.
The Death of Saint Francis is the probable subject of two lost paintings by Annibale Carracci, both possibly dating to 1597-1598. One is known solely through a print and the other through a series of painted copies.
Saint Margaret of Antioch is a 1599 oil on canvas painting by Annibale Carracci, showing Margaret of Antioch. It hangs in Santa Caterina dei Funari church in Rome.
Sleeping Venus with Cupid is an oil on canvas painting by the French artist Nicolas Poussin. It was completed in 1630 and is now part of the collection of the Gemäldegalerie Alte Meister in Dresden, Germany.
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