Agostino Carracci was an Italian painter, printmaker, tapestry designer, and art teacher. He was, together with his brother, Annibale Carracci, and cousin, Ludovico Carracci, one of the founders of the Accademia degli Incamminati in Bologna. Intended to devise alternatives to the Mannerist style favored in the preceding decades, this teaching academy helped propel painters of the School of Bologna to prominence.
Annibale Carracci was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades.
Palazzo Farnese or Farnese Palace is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy.
Odoardo Farnese was an Italian nobleman, the second son of Alessandro Farnese, Duke of Parma and Maria of Portugal, known for his patronage of the arts. He became a Cardinal of the Roman Catholic Church in 1591, and briefly acted as regent of the Duchy of Parma and Piacenza for his nephew Odoardo from 1622 to 1626.
The Loves of the Gods is a monumental fresco cycle, completed by the Bolognese artist Annibale Carracci and his studio, in the Farnese Gallery which is located in the west wing of the Palazzo Farnese, now the French Embassy, in Rome. The frescoes were greatly admired at the time, and were later considered to reflect a significant change in painting style away from sixteenth century Mannerism in anticipation of the development of Baroque and Classicism in Rome during the seventeenth century.
Bartolomeo Schedoni was an Italian early Baroque painter from Modena.
Fishing is a painting by Italian artist Annibale Carracci, painted before 1595 and given to Louis XIV by Prince Camillo Pamphili in 1665. It is currently held and exhibited at the Louvre in Paris.
Hunting is a painting by Italian artist Annibale Carracci, painted before 1595 and given to Louis XIV by Prince Camillo Pamphili in 1665. It is currently held and exhibited at the Louvre in Paris.
The Vision of Saint Eustace is a painting by Annibale Carracci, showing saint Eustace and his vision of a crucifix between the horns of a stag whilst out hunting. The saint is set in one of the first landscapes by either of the Carracci brothers, showing how he was influenced by Venetian landscape painting until about 1598 after a stay in the city in 1587 and 1588. Specific influences include Titian's Penitent Saint Jerome (Louvre) and the naturalism of Jacopo Bassano. Critics argue the composition is based on two prints by Cornelis Cort, a Flemish printer - Penitent St Jerome and The Vision of Saint Eustace. These prints were in turn based on ideas by the Lombard painter Girolamo Muziano, who was also influenced by Venetian models. The dogs and some other details are drawn from Saint Eustace, an engraving by Albrecht Dürer of the same subject.
Pietà is a c. 1600 oil on canvas painting by Annibale Carracci, the earliest surviving work by him on the subject, which was commissioned by Odoardo Farnese. It moved from Rome to Parma to Naples as part of the Farnese collection and is now in the National Museum of Capodimonte in Naples. It is one of many 16th century Bolognese paintings dedicated to the theme of the Pietà, and it is counted among Carracci's masterpieces.
Christ in Glory with Saints and Odoardo Farnese or 'Christ in Glory with Odoardo Farnese and Saints Peter, John the Evangelist, Mary Magdalene, Hermenegild and Edward is a painting by Annibale Carracci. Placed in the Eremo di Camldoli either early in its life or straight after its creation, at the end of the 17th century Ferdinando II de' Medici moved it to the Galleria Palatina in Florence, where it still hangs.
Christ Crowned with Thorns or Christ Mocked is a 1598–1600 oil on canvas painting by Annibale Carracci, now at the Pinacoteca Nazionale di Bologna.
The Death of Saint Francis is the probable subject of two lost paintings by Annibale Carracci, both possibly dating to 1597-1598. One is known solely through a print and the other through a series of painted copies.
The Three Marys at the Tomb, The Three Marys or The Pious Women at Christ's Tomb is a 1598 oil on canvas painting by Annibale Carracci, now in the Hermitage Museum in Saint Petersburg, which acquired it in 1836.
Pietà with Saints Clare, Francis and Mary Magdalene is a 1585 oil on canvas painting by Annibale Carracci, now in the Galleria nazionale di Parma.
Saint Margaret of Antioch is a 1599 oil on canvas painting by Annibale Carracci, showing Margaret of Antioch. It hangs in Santa Caterina dei Funari church in Rome.
Mocking of Christ or Christ Crowned with Thorns is an oil on canvas painting by Annibale Carracci, probably produced in Rome in 1598–1600, between his work on the Camerino Farnese and his starting work on the Galleria Farnese frescoes. It is now in the Pinacoteca Nazionale di Bologna, which acquired it from a London art dealer.
Penitent Magdalene is a c. 1550 oil on canvas painting by Titian, now in the Museo di Capodimonte in Naples.
Portrait of Pope Paul III with Camauro is a 1545 – 1546 oil on canvas painting by Titian, now in the Museo nazionale di Capodimonte in Naples.
Portrait of Charles V or Portrait of a Man Wearing the Order of the Golden Fleece is a c. 1549 oil on canvas painting by Titian, now in the Museo di Capodimonte in Naples.
