In Jungian theory, the Cosmic Man is an archetypal figure that appears in creation myths of a wide variety of mythology. Generally, he is described as helpful or positive, and serves as a seed for the creation of the world. After death, parts of his body became physical parts of the universe. [1] [2] He also represents the oneness of human existence, or the universe. [3]
Cosmic Man is a symbol of Self in the Jungian archetypes and is part of the goal of individuation for the individual and the collective. The process of individuation in cosmic man is often part of creation but can take place after death. The Cosmic Man archetype combines masculine and feminine or Anima and Animus and thus can be viewed as hermaphroditic or bisexual. [4] [5] Physical features include a primordial cosmic giant that goes through the process of individuation. The process can include dismemberment, plant or animal qualities, and a quaternary structure. Cosmic Man contains aspects of an archaic identity. Ideas and emotional values are part of a collective unconscious agreement, creating a primordial bond between elements, plants, animals, and humans. [3]
In Aztec mythology, Tlaltecuhtli's fragmented body served as the foundation for the world in the Aztec creation myth of the fifth and final era.[ citation needed ]
In Chinese legend, Pangu is thought to have given the natural features of the Earth their form, and when he died his body became the Sacred Mountains of China. [6]
In Egyptian mythology, Atum is the first god who emerged from the primordial waters of Nun and created the world by giving birth to the gods Shu and Tefnut.[ citation needed ]
In Japanese mythology, Kotoamatsukami refers to a group of primordial, genderless deities that emerged at the moment of the universe's creation.[ citation needed ]
In Greek mythology, Phanes is a primordial, hermaphroditic deity who represents the first cosmic being, emerging from Chaos and embodying the generative principle of the universe. As the cosmic man, Phanes is seen as the source of creation, from whom all life and order originate.[ citation needed ]
In Hindu mythology, Purusha is a similar figure, who is considered the part of the individual which is immortal. [3] Found in North East India, Kujum-Chantu is a female cosmic giant who remained still. Her body formed the earth and solar system upon death. [7]
Gucumatz (also known as Kukulkan in some traditions) is a primordial creator deity in Maya mythology. In the Popol Vuh, Gucumatz creates the world and humanity from the primordial sea and mud, establishing the foundation for the cosmos and human existence.[ citation needed ]
In Mesopotamian mythology, the Cosmic Man archetype is exemplified by the god Marduk, who, after defeating the primordial chaos deity Tiamat, uses her body to create the world.[ citation needed ]
In Norse mythology, Ymir is the primeval, hermaphroditic giant whose body was the raw material for the creation of the cosmos, representing the initial state of chaos. After his death, the gods used his flesh to form the earth, his blood to create the seas, and his bones to make the mountains.[ citation needed ]
The Persian equivalent of Cosmic Man, Keyumars, released semen when he died, out of which came the first human couple.[ citation needed ] In Zoroastrian creation stories found in Persia, modern-day Iran, the primordial figure Gayōmart becomes earths metals and produces the first humans from Gold. [8] [5]
In some Polynesian traditions, Ta'aroa is a primordial deity who emerges from the cosmic egg and creates the world.[ citation needed ]
In Vietnamese mythology, Thần Trụ Trời is considered the primordial deity who created the world by erecting pillars to separate the heavens from the earth.[ citation needed ]
In some Jewish legends, Adam was created from dust from the four corners of the Earth, and, when bent down, his head was the East and his feet the West. In another legend, he contained the soul of everybody who would ever be born. [3] In the teachings of Kabbalah , such a primordial man is referred to as Adam Kadmon. In Mandaeism, the primordial man is known as Adam kasia, or "the hidden Adam." [9]
A creator deity or creator god is a deity responsible for the creation of the Earth, world, and universe in human religion and mythology. In monotheism, the single God is often also the creator. A number of monolatristic traditions separate a secondary creator from a primary transcendent being, identified as a primary creator.
In Norse mythology, Ymir, also called Aurgelmir, Brimir, or Bláinn, is the ancestor of all jötnar. Ymir is attested in the Poetic Edda, compiled in the 13th century from earlier traditional material, in the Prose Edda, written by Snorri Sturluson in the 13th century, and in the poetry of skalds. Taken together, several stanzas from four poems collected in the Poetic Edda refer to Ymir as a primeval being who was born from atter, yeasty venom that dripped from the icy rivers called the Élivágar, and lived in the grassless void of Ginnungagap. Ymir gave birth to a male and female from his armpits, and his legs together begat a six-headed being. The grandsons of Búri, the gods Odin, Vili and Vé, fashioned the Earth from his flesh, from his blood the ocean, from his bones the mountains, from his hair the trees, from his brains the clouds, from his skull the heavens, and from his eyebrows the middle realm in which mankind lives, Midgard. In addition, one stanza relates that the dwarfs were given life by the gods from Ymir's flesh and blood.
Mictlan is the underworld of Aztec mythology. Most people who die would travel to Mictlan, although other possibilities exist. Mictlan consists of nine distinct levels.
Nu or Nun, in ancient Egyptian religion, is the personification of the primordial watery abyss which existed at the time of creation and from which the creator sun god Ra arose.
Prajapati is a Vedic deity of Hinduism and he is a form of Brahma, the creator god.
In Orphic cosmogony Phanes or Protogonos is a primeval deity who was born from the cosmic egg at the beginning of creation. He is referred by various names, including Erikepaios "Power" and Metis "Thought".
In Mesopotamian religion, Tiamat is the primordial sea, mating with Abzû (Apsu), the groundwater, to produce the gods in the Babylonian epic Enûma Elish, which translates as "when on high." She is referred to as a woman, and has—at various points in the epic— a number of anthropomorphic features and theriomorphic features.
Pangu is a primordial being and creation figure in Chinese mythology and Taoism. According to the legend, Pangu separated heaven and earth, and his body later became geographic features such as mountains and roaring water.
The cosmic egg, world egg or mundane egg is a mythological motif found in the cosmogonies of many cultures and civilizations, including in Proto-Indo-European mythology. Typically, there is an egg which, upon "hatching", either gives rise to the universe itself or gives rise to a primordial being who, in turn, creates the universe. The egg is sometimes lain on the primordial waters of the Earth. Typically, the upper half of the egg, or its outer shell, becomes the heaven (firmament) and the lower half, or the inner yolk, becomes the Earth. The motif likely stems from simple elements of an egg, including its ability to offer nourishment and give rise to new life, as is reflected by the Latin proverb omne vivum ex ovo.
Chaos is the mythological void state preceding the creation of the universe in ancient near eastern cosmology and early Greek cosmology. It can also refer to an early state of the cosmos constituted of nothing but undifferentiated and indistinguishable matter.
Comparative mythology is the comparison of myths from different cultures in an attempt to identify shared themes and characteristics. Comparative mythology has served a variety of academic purposes. For example, scholars have used the relationships between different myths to trace the development of religions and cultures, to propose common origins for myths from different cultures, and to support various psychoanalytical theories.
Archetypal literary criticism is a type of analytical theory that interprets a text by focusing on recurring myths and archetypes in the narrative, symbols, images, and character types in literary works. As an acknowledged form of literary criticism, it dates back to 1934 when Classical scholar Maud Bodkin published Archetypal Patterns in Poetry.
In Greek and Roman mythology, the primordial deities are the first generation of gods and goddesses. These deities represented the fundamental forces and physical foundations of the world and were generally not actively worshipped, as they, for the most part, were not given human characteristics; they were instead personifications of places or abstract concepts.
Chinese creation myths are symbolic narratives about the origins of the universe, earth, and life. Myths in China vary from culture to culture. In Chinese mythology, the term "cosmogonic myth" or "origin myth" is more accurate than "creation myth", since very few stories involve a creator deity or divine will. Chinese creation myths fundamentally differ from monotheistic traditions with one authorized version, such as the Judeo-Christian Genesis creation narrative: Chinese classics record numerous and contradictory origin myths. Traditionally, the world was created on Chinese New Year and the animals, people, and many deities were created during its 15 days.
Jungian archetypes are a concept from psychology that refers to a universal, inherited idea, pattern of thought, or image that is present in the collective unconscious of all human beings. The psychic counterpart of instinct, archetypes are thought to be the basis of many of the common themes and symbols that appear in stories, myths, and dreams across different cultures and societies. Some examples of archetypes include those of the mother, the child, the trickster, and the flood, among others. The concept of the collective unconscious was first proposed by Carl Jung, a Swiss psychiatrist and psychoanalyst.
Macranthropy is an allegorical concept where the universe is portrayed as a giant human body, with various cosmic elements represented as body parts. This concept has historical roots in several ancient civilizations.
A cosmic ocean, primordial waters, or celestial river is a mythological motif that represents the world or cosmos enveloped by a vast primordial ocean. Found in many cultures and civilizations, the cosmic ocean exists before the creation of the earth. From the primordial waters the earth and the entire cosmos arose. The cosmic ocean represents or embodies chaos.
A vegetation deity is a nature deity whose disappearance and reappearance, or life, death and rebirth, embodies the growth cycle of plants. In nature worship, the deity can be a god or goddess with the ability to regenerate itself. A vegetation deity is often a fertility deity. The deity typically undergoes dismemberment, scattering, and reintegration, as narrated in a myth or reenacted by a religious ritual. The cyclical pattern is given theological significance on themes such as immortality, resurrection, and reincarnation. Vegetation myths have structural resemblances to certain creation myths in which parts of a primordial being's body generate aspects of the cosmos, such as the Norse myth of Ymir.
The Abzu or Apsu, also called engur, is the name for fresh water from underground aquifers which was given a religious fertilising quality in ancient near eastern cosmology, including Sumerian and Akkadian mythology. Lakes, springs, rivers, wells, and other sources of fresh water were thought to draw their water from the abzu. In Mesopotamian mythology, it is referred to as the primeval sea below the void space of the underworld (Kur) and the earth (Ma) above.
The Indo-European cosmogony refers to the creation myth of the reconstructed Proto-Indo-European mythology.