Reception
Evan Haga of JazzTimes stated, "John Scofield’s latest project, a set of C&W standards, is full of surprises even if its concept might seem overdue for the guitarist, whose abiding love of American roots music is no secret. Rather than bend toward the idiom he’s exploring, as he did on the fruitful gospel exercise Piety Street, from 2009, here Scofield often pulls his chosen country classics into small-group postbop." [6] John Kelman of All About Jazz wrote, "The music is always what matters most, of course; but when it's possible to marry stellar playing with superb sound, the result is something as glorious for the ears as it is the head, the heart and the soul...all of which Country for Old Men possesses, in spades. And, beyond the lyrical, country-tinged ballads and fiery swingers, Country for Old Men saves its biggest surprises for its final minutes..." [1] John Fordham of The Guardian added, "Occasionally there’s a disconnect between the convivial lilt of some of these tunes and the jazz grooves, but Scofield at full jazz-improv pelt is always something to behold." [2]
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