Lynn Rene Anderson, was an American country singer and television personality. She is most remembered for her signature recording crossover hit, "Rose Garden". The song was a number one hit in the United States and internationally. Additionally, Anderson had four number one singles and eighteen top ten hits on the Billboard country songs chart. She is regarded as one of country music's most significant performers.
Elizabeth Jane Anderson was an American country music singer-songwriter who was one in a wave of new-generation female vocalists in the genre during the 1960s to write and record her own songs on a regular basis. Writing in The New York Times Bill Friskics-Warren noted, "Like her contemporary Loretta Lynn, Ms. Anderson gave voice to female survivors; inhabiting their struggles in a soprano at times alluring, at times sassy."
"Mother, May I" is a song written and recorded by American country music artists Liz Anderson and Lynn Anderson. The song was recorded as a duet between mother and daughter. It was released as a single in 1968 via RCA Records.
The albums discography of American country music artist Lynn Anderson contains 37 studio albums, 21 compilation albums, two live albums, two video albums and three extended plays. She signed her first recording contract in 1966 with Chart Records. The following year, her debut studio album entitled Ride, Ride, Ride was released on the label. It was her first album to debut on the Billboard Top Country Albums chart, peaking at number 25. Her second studio effort, Promises, Promises, was issued in December 1967 and spent 48 weeks on the country albums chart before peaking at number one. The Chart label issued four more studio albums by Anderson until 1970. This included 1969's Songs That Made Country Girls Famous, which was a tribute to female country artists.
Promises, Promises is a studio album by American country music artist Lynn Anderson. It was released in December 1967 via Chart Records. It was co-produced by Lloyd Green and Slim Williamson. The album was Anderson's second studio album issued in her recording career and contained two singles that became top ten hits on the Billboard country chart. The album itself would also reach a high peaking positions on the Billboard country albums chart following its release.
Big Girls Don't Cry is a studio album by American country music artist Lynn Anderson. It was released in July 1968 via Chart Records and was produced by Slim Williamson. The record was Anderson's third studio recording issued during her career and contained a total of 12 tracks. The title track was spawned as a single from the project and became a major hit on the country charts. The album itself would also reach peak positions on music publication charts.
With Love, from Lynn is a studio album released by American country artist Lynn Anderson. It was released in March 1969 via Chart Records and was produced by Slim Williamson. Her fourth studio release, With Love from Lynn contained 12 tracks. Two of these tracks were singles that became major hits for Anderson between 1968 and 1969. The album itself was successful after charting on the Billboard country albums survey.
At Home with Lynn is a studio album by American country artist Lynn Anderson. It was released in July 1969 on Chart Records and was produced by Slim Williamson. It was Anderson's fifth studio recording in her music career and contained a total of 12 tracks. At Home with Lynn was one of three studio albums she issued in 1969 and it spawned two singles. The second single, "That's a No No," became a major hit on the American and Canadian country charts in 1969. The album itself would also reach peak positions.
Uptown Country Girl is a studio album by American country artist Lynn Anderson. It was released in February 1970 on Chart Records and was produced by Slim Williamson. It was Anderson's seventh studio release in her recording career and contained a total of ten tracks. Two tracks were released as singles. Both "He'd Still Love Me" and "I've Been Everywhere" became major hits on the Billboard country chart between 1969 and 1970.
Stay There 'Til I Get There is a studio album by American country artist Lynn Anderson. It was released in May 1970 on Columbia Records and was produced by Glenn Sutton. The album was Anderson's eighth studio recording as a music artist and was her first album for the Columbia label. The album's title track was released as a single and became her fifth top ten hit on the Billboard country chart. The album itself would also chart on a similar country survey.
No Love at All is a studio album by American country artist Lynn Anderson. It was released in August 1970 on Columbia Records and was produced by Glenn Sutton. No Love at All was Anderson's ninth studio recording as a music artist and the second released on the Columbia label. The album's only single, the title track, became a major hit on the Billboard country chart. The album itself also reached peak positions on a similar survey.
I'm Alright is a studio album by American country artist Lynn Anderson. It was released in September 1970 on Chart Records and was produced by Slim Williamson. I'm Alright was Anderson's tenth studio recording and her final studio release for the Chart label. It included two singles that became major radio hits in 1970. Both "Rocky Top" and the title track reached the Billboard country charts that year.
Songs My Mother Wrote is a compilation album by American country artist Lynn Anderson. It was released in June 1970 via Chart Records and was produced by Slim Williamson. The album was Anderson's second compilation released in her music career. The album was a collection of recordings composed by her mother and songwriter, Liz Anderson. Twelve tracks were included on the record in its original release.
Lynn Anderson's Greatest Hits, Vol. 1 is a compilation album by American country artist Lynn Anderson. It was released in January 1971 via Chart Records and was produced by Slim Williamson. The package was Anderson's third compilation released in her music career and contained previous hits recordings she had for the Chart label in the 1960s. Ten tracks were included in the album's release.
Cowgirl II is a studio album by American country artist Lynn Anderson. It was released on January 28, 2010, via Showboat Records. The project was co-produced by Casey Anderson, Liz Anderson and Mark Moseley. The project was Anderson's second album of western music and the 36th studio release of her career. The album featured tracks mostly written by her mother.
Flower of Love is a compilation album by American country artist Lynn Anderson. It was released in November 1973 via Pickwick Records and was produced by Slim Williamson. It was her first compilation release for the Pickwick label and included songs Anderson had first recorded at Chart Records during her years at the label.
It Makes You Happy is a compilation album by American country artist Lynn Anderson. It was released in 1974 via Pickwick Records and was produced by Slim Williamson. The album contained Anderson's previously-released material from the Chart record label. It was the second album released on the Pickwick budget label and nine tracks were included.
Encore is a compilation album by American country artist Lynn Anderson. It was released in June 1981 via Columbia Records. It combined sessions originally produced in sessions by Steve Gibson, Glenn Sutton and David Wolfert. Encore contained a mixture of recordings previously issued on Anderson's studio albums in the 1970s. It was her fourth compilation release for the Columbia label.
"Even Cowgirls Get the Blues" is a song written by Rodney Crowell. It has since been covered by several artists, notably La Costa, Emmylou Harris and Lynn Anderson. Crowell claims to have written "Even Cowgirls Get The Blues" about Harris and her pal Susanna Clark. The title of the song is taken from the then-popular novel of the same name by author Tom Robbins. The song has been released as a single twice and has also has appeared on albums of various artists.
"Blue Baby Blue" is a song written by Michael Clark. It was recorded by American country music artist Lynn Anderson and released as a single in 1980 via Columbia Records.
