Aesthetics is the branch of philosophy concerned with the nature of beauty and the nature of taste; and functions as the philosophy of art. Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgements of artistic taste; thus, the function of aesthetics is the "critical reflection on art, culture and nature".
Visual poetry is a style of poetry that incorporates graphic and visual design elements to convey its meaning. This style combines visual art and written expression to create new ways of presenting and interpreting poetry.
Visual anthropology is a subfield of social anthropology that is concerned, in part, with the study and production of ethnographic photography, film and, since the mid-1990s, new media. More recently it has been used by historians of science and visual culture. Although sometimes wrongly conflated with ethnographic film, visual anthropology encompasses much more, including the anthropological study of all visual representations such as dance and other kinds of performance, museums and archiving, all visual arts, and the production and reception of mass media. Histories and analyses of representations from many cultures are part of visual anthropology: research topics include sandpaintings, tattoos, sculptures and reliefs, cave paintings, scrimshaw, jewelry, hieroglyphics, paintings and photographs. Also within the province of the subfield are studies of human vision, properties of media, the relationship of visual form and function, and applied, collaborative uses of visual representations.
Harold Foss "Hal" Foster is an American art critic and historian. He was educated at Princeton University, Columbia University, and the City University of New York. He taught at Cornell University from 1991 to 1997 and has been on the faculty at Princeton since 1997. In 1998 he received a Guggenheim Fellowship.
Cyberfeminism is a feminist approach which foregrounds the relationship between cyberspace, the Internet, and technology. It can be used to refer to a philosophy, art practices, methodologies or community. The term was coined in the early 1990s to describe the work of feminists interested in theorizing, critiquing, exploring and re-making the Internet, cyberspace and new-media technologies in general. The first use of the term cyberfeminist has been attributed to the art collective VNS Matrix's A Cyberfeminist Manifesto for the 21st Century which was published online in 1991.
José Esteban Muñoz was a Cuban American academic in the fields of performance studies, visual culture, queer theory, cultural studies, and critical theory. His first book, Disidentifications: Queers of Color and the Performance of Politics (1999) examines the performance, activism, and survival of queer people of color through the optics of performance studies. His second book, Cruising Utopia: the Then and There of Queer Futurity, was published by NYU Press in 2009. Muñoz was Professor in, and former Chair of, the Department of Performance Studies at New York University's Tisch School of the Arts. Muñoz was the recipient of the Duke Endowment Fellowship (1989) and the Penn State University Fellowship (1997). He was also affiliated with the Modern Language Association, American Studies Association, and the College Art Association.
A cultural invention is any innovation developed by people. Cultural inventions include sets of behaviour adopted by groups of people. They are perpetuated by being passed on to others within the group or outside it. They are also passed on to future groups and generations. Sources of cultural invention can either come from outside a specific group or from within that group.
Maurice Berger was an American cultural historian, curator, and art critic, who served as a Research Professor and Chief Curator at the Center for Art, Design and Visual Culture, University of Maryland, Baltimore County. Berger was recognized for his interdisciplinary scholarship on race and visual culture in the United States.
Gregory Leland Ulmer is a professor in the Department of English at the University of Florida (Gainesville) and a professor of Electronic Languages and Cybermedia at the European Graduate School in Saas-Fee, Switzerland.
Electracy is a theory by Gregory Ulmer that describes the skills necessary to exploit the full communicative potential of a new electronic media such as multimedia, hypermedia, social software, and virtual worlds. According to Ulmer, electracy "is to digital media what literacy is to print." It encompasses the broader cultural, institutional, pedagogical, and ideological implications inherent in the major societal transition from print to electronic media. Electracy is a portmanteau of "electricity" and Jacques Derrida's term "trace".
Rick Poynor is an English writer on design, graphic design, typography, and visual culture.
Jessica Helfand is a designer, author, and educator. She is a former contributing editor and columnist for Print, Eye and Communications Arts magazine, and founding editor of the website Design Observer. She is Senior Critic at Yale School of Art since 1994, a lecturer in Yale College, and Artist-in-Residence at Yale’s Institute for Network Science. Named the first Henry Wolf Resident in design at the American Academy in Rome in 2010, she is a member of the Alliance Graphique Internationale and the Art Director’s Hall of Fame. In 2013, she won the AIGA medal.
Jussi Ville Tuomas Parikka is a Finnish new media theorist and Professor in Digital Aesthetics and Culture at Aarhus University, Denmark. He is also (visiting) Professor in Technological Culture & Aesthetics at Winchester School of Art as well as Visiting Professor at FAMU at the Academy of Performing Arts in Prague. In Finland, he is Docent of digital culture theory at the University of Turku. Until May 2011 Parikka was the Director of the Cultures of the Digital Economy (CoDE) research institute at Anglia Ruskin University and the founding Co-Director of the Anglia Research Centre for Digital Culture. With Ryan Bishop, he also founded the Archaeologies of Media and Technology research unit.
Systems theory in anthropology is an interdisciplinary, non-representative, non-referential, and non-Cartesian approach that brings together natural and social sciences to understand society in its complexity. The basic idea of a system theory in social science is to solve the classical problem of duality; mind-body, subject-object, form-content, signifier-signified, and structure-agency. Systems theory suggests that instead of creating closed categories into binaries (subject-object), the system should stay open so as to allow free flow of process and interactions. In this way the binaries are dissolved.
Thomas Swiss is an American poet and writer. He taught at Drake University and the University of Iowa before teaching at the American University of Paris and the University of Minnesota.
Caroline Joan S. Picart is a Filipino-born American academic who has written and edited numerous books and anthologies on philosophy and cultural studies, especially horror film. She is also a lawyer and had a radio show, The Dr. Caroline (Kay) Picart Show. In 2011, she received the Lord Ruthven Award, non-fiction category, for the book Dracula in Visual Media Film, Television, Comic Book and Electronic Game Appearances, 1921-2010, co-authored with John Edgar Browning.
Guy Bleus is a Belgian artist, archivist and writer. He is associated with olfactory art, visual poetry, performance art and the mail art movement.
Harriet Bart is a Minneapolis-based conceptual artist, known for her objects, installations, and artists books.
Robert Carlton Brown II (June 14, 1886 – August 7, 1959) was an American writer and publisher in many forms from comic squibs to magazine fiction to advertising to avant-garde poetry to business news to cookbooks to political tracts to novelized memoirs to parodies and much more.
K.S. (Kathy) Ernst is an American poet and artist best known for her work in visual poetry and three-dimensional object poems. While she has created over 500 physical works, she works extensively in digital art as well. Although born in St. Louis, she has spent most of her life in New Jersey, where her current studio is.
