Crazy English | |
---|---|
Traditional Chinese | 瘋狂英語 |
Simplified Chinese | 疯狂英语 |
Hanyu Pinyin | Fēngkúang yīngyǔ |
Directed by | Zhang Yuan |
Produced by | Chen Ziqiu Zhang Yuan Zhang Peimin Willy Cao |
Starring | Li Yang |
Cinematography | Zhang Yuan |
Edited by | Xu Hong |
Music by | Li Xiaolong |
Distributed by | Celluloid Dreams |
Release date |
|
Running time | 95 minutes |
Country | China |
Languages | Mandarin English |
Crazy English is a 1999 Chinese documentary directed by Zhang Yuan. The film premiered along with Zhang's Seventeen Years at the 1999 Locarno International Film Festival. It established Zhang's position as a "legitimate" director after years of working independently from, and often at odds with, the Chinese authorities. [1]
In contrast to earlier films, like East Palace, West Palace (1997), Crazy English was produced with the cooperation of the state-owned Xi'an Film Studio, which enjoys a "presented by" billing in the film's credits. [2]
The film follows one of the People's Republic of China's most popular motivational speakers, Li Yang, the founder of "Crazy English". Li is known for his stadium-sized presentations where he exhorts his audiences to engage in mass recitations of English phrases and idioms, often with a strong nationalist bent: "Conquer English to Make China Stronger!". [3] Li, however, has also courted controversy. Despite the fact that he teaches a foreign language, Li has never left China, a fact not revealed in the film until the end. [2] Other common criticisms, including accusations that Li Yang is a "nationalist huckster" and that his methods do not actually improve English-speaking ability, [3] receive a much more subtle presentation in Zhang's film.
The film follows Li on his tours throughout China with a few interspersed interviews. Zhang Yuan has described the film as a combination of Leni Riefenstahl's Triumph of the Will and Robert Zemeckis' Forrest Gump . [4]
The seeds for Crazy English first arose when Li Yang's manager asked to meet with Zhang Yuan at a bar in Beijing's Sanlitun neighborhood. At the time Zhang Yuan had not even heard of Li Yang or his "Crazy English" programs. [5] After meeting with the manager, Zhang was sufficiently intrigued by the idea of a documentary about Li to arrange for an actual meeting with the motivational speaker. [5]
Once the two men met, Zhang Yuan "immediately" decided to make the film. [5] Though made with the assent of official authorities, the filmmakers were nevertheless forced to make certain cuts [6] before being allowed a limited release for their documentary. [7] Zhang has noted that his own opinions of Li Yang vary dramatically from admiration to disgust. [5] One critic also noticed Zhang's ambivalence in the film and noted that the film seems to shift from appreciation or amusement at Li Yang's methodologies to one darker in tone, as Li Yang's mass rallies begin to resemble Mao-era Red Guard rallies or even Hitler's Nuremberg Rally. [5]
Despite its official approval, Crazy English received only a limited release in select cities within China. [7] Zhang Yuan has stated that the film's reception within China was difficult to read, given the mass adoration (and criticism) that Li Yang often elicits. [7]
While China remained ambivalent, the west also responded to Crazy English with mixed reactions. At least one critic felt that the film was too long and better suited for television than film. [2] On the other hand, the film journal Senses of Cinema showered praise on Crazy English, saying, "This is a fascinating film – for China watchers, for educators and for fans of the documentary film – and is an absolute must for festival patrons." [8]
As for the film's subject, Li Yang was reportedly less than pleased by the film's portrayal of him as a demagogue, and he has gone on to say that the film was "not a real documentary" accusing Zhang of manipulating the film to appeal to Western audiences. [9]
The cinema of China is the filmmaking and film industry of the Chinese mainland under the People's Republic of China, one of three distinct historical threads of Chinese-language cinema together with the cinema of Hong Kong and the cinema of Taiwan.
Zhang Yimou is a Chinese film director, producer, writer, actor, professor and former cinematographer. Considered a key figure of China's Fifth Generation filmmakers, he made his directorial debut in 1988 with Red Sorghum, which won the Golden Bear at the Berlin International Film Festival.
Crazy English is a brand name related to a non-traditional method learning English in mainland China conceived by Li Yang. Li believes that the traditional way of learning English in China is ineffective. Li Yang's method places heavy emphasis on practicing English orally. His method can be described with the slogan "By shouting out loud, you learn." In many ways it remains similar to the traditional pedagogic practices of Chinese education in that it still relies on repetition and recitation. Members of the school administration in China often disapprove of the method because they believe it goes against the traditional Chinese values of modesty and restraint.
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Beijing Film Academy is a coeducational state-run higher education institution in Beijing, China.
Zhang Yuan is a Chinese film director who has been described by film scholars as a pioneering member of China's Sixth Generation of filmmakers. He and his films have won ten awards out of seventeen nominations received at international film festivals.
Wang Xiaoshuai is a Chinese film director, screenwriter and occasional actor. He is commonly grouped under the loose association of filmmakers known as the "Sixth Generation" of the Cinema of China. Like others in this generation, and in contrast with earlier Chinese filmmakers who produced mostly historical drama, Wang proposed a “new urban Chinese cinema [that] has been mainly concerned with bearing witness of a fast- paced transforming China and producing a localized critique of globalization.”
Li Yang is a Chinese educator and language instructor. He is the creator of Crazy English, an unorthodox method of teaching English. He claimed to have taught English to more than 20 million people in a decade.
Li Yang is a Chinese writer-director. Though often grouped with the so-called Sixth Generation of Chinese filmmakers, he is in fact closer in age to the Fifth Generation and in interviews has denied membership with either group, claiming that such labels are only artificial differentiations.
Seventeen Years is a 1999 Chinese film directed by Zhang Yuan and starring Li Bingbing in her feature film debut. Seventeen Years was screened at several international film festivals where it garnered numerous accolades, including the Director's Award at the 56th Venice Film Festival.
I Love You is a 2002 Chinese drama film directed by Zhang Yuan and starring Xu Jinglei and Tong Dawei. The film was a co-production between the Xi'an Film Studio and Jewel Film Investment Company.
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Mama is a 1990 Chinese film directed by Zhang Yuan. Zhang Yuan's directorial debut, Mama is now considered a seminal film in the history of Chinese independent cinema, and by extension, as a pioneering film of the Sixth Generation of which Zhang is a member. Shot on a very low budget within Zhang Yuan's apartment, Mama follows the story of a mother and her mentally challenged adult son.
The Square is a 1994 Chinese documentary film directed by Zhang Yuan. It is Zhang's first true documentary film, after two documentary-influenced fiction films: Mama and Beijing Bastards.
Yuan Xuefen was a noted performer in the Yue opera genre of Chinese opera. She has been called "arguably the most important actress in the recent history of Yueju [Shaoxing] opera". The only other artist to be ranked with her is Fu Quanxiang.
The Legend of Crazy Monk is a Chinese television series about the life of Ji Gong. The series was directed by Lin Tianyi and based on Guo Xiaoting's classical novel Biography of Ji Gong. It was a hot TV series recently in Guangdong Television, Jiangsu Television and Shenzhen Television. It is shown on Mediacorp Channel 8 at 7pm.