Double Indemnity is a 1944 American crime thriller film noir directed by Billy Wilder, co-written with Raymond Chandler, and produced by Buddy DeSylva and Joseph Sistrom. The film was based on James M. Cain's novel of the same name, which ran as an eight-part serial in Liberty magazine beginning in February 1936.
A Hatful of Rain is a 1957 American drama film directed by Fred Zinnemann and starring Eva Marie Saint, Don Murray, Anthony Franciosa, Lloyd Nolan and Henry Silva. The story is based on a 1955 Broadway play of the same name about the effects of morphine addiction.
Sorry, Wrong Number is a 1948 American thriller and film noir directed by Anatole Litvak, from a screenplay by Lucille Fletcher, based on her 1943 radio play of the same name.
Terror Tract is a 2000 American dark comedy/horror anthology film directed by Lance W. Dreesen and Clint Hutchison.
National Lampoon's Loaded Weapon 1 is a 1993 American parody film directed and co-written by Gene Quintano, and starring Emilio Estevez, Samuel L. Jackson, Kathy Ireland, Frank McRae, Tim Curry and William Shatner. The film mainly spoofs the first three Lethal Weapon films, as well as several others including Basic Instinct, Commando, Die Hard, Dirty Harry, Rambo, The Silence of the Lambs, Wayne's World, 48 Hrs. and TV series such as CHiPs. Loaded Weapon 1 was released on February 5, 1993.
Clash by Night is a 1952 American film noir drama directed by Fritz Lang and starring Barbara Stanwyck, Paul Douglas, Robert Ryan, Marilyn Monroe and Keith Andes. The film is based on the 1941 play by Clifford Odets, adapted for the screen by writer Alfred Hayes. It is the first major film to credit Monroe before the title, albeit with fourth billing.
Witness to Murder is a 1954 American film noir crime drama directed by Roy Rowland and starring Barbara Stanwyck, George Sanders, and Gary Merrill. While the film received moderately positive reviews, it ended up as an also-ran to Alfred Hitchcock's somewhat similar Rear Window, which opened less than a month later. The latter picture was a box-office hit.
Julie is a 1956 American thriller starring Doris Day, Louis Jourdan, Barry Sullivan, and Frank Lovejoy. Produced by Day's own Arwin Productions, it is one of the earliest recognized stalker films. Both written and directed by Andrew L. Stone, the picture received two Academy Award nominations, for Best Original Screenplay and Best Song.
Phyllis Dietrichson is a fictional character in the book and two film adaptations of James M. Cain's novella Double Indemnity. For the 1944 film of the same name, Barbara Stanwyck was nominated for the Academy Award for Best Actress. The character is considered one of the best femme fatale roles in film noir history. The character was ranked as the #8 film villain of the first 100 years of American cinema by the American Film Institute in the AFI's 100 Years... 100 Heroes and Villains.
The Mad Miss Manton is a 1938 American screwball comedy-mystery film directed by Leigh Jason and starring Barbara Stanwyck as fun-loving socialite Melsa Manton and Henry Fonda as newspaper editor Peter Ames. Melsa and her debutante friends hunt for a murderer while eating bonbons, flirting with Ames, and otherwise behaving like irresponsible socialites. Ames is also after the murderer, as well as Melsa's hand in marriage.
The Accused is a 1949 American melodrama film starring Loretta Young and Robert Cummings. It was directed by William Dieterle, produced by Hal Wallis, and written by Ketti Frings, based on Be Still, My Love, a 1947 novel written by June Truesdell. Wendell Corey appears in principal support.
Wicked as They Come is a 1956 British film noir directed by Ken Hughes and starring Arlene Dahl, Philip Carey and Herbert Marshall. It is based on a novel 1950 novel Portrait in Smoke by Bill S. Ballinger. The novel was also adapted for TV in 1950.
East Side, West Side is a 1949 American melodrama crime film, starring Barbara Stanwyck, James Mason, Van Heflin, and Ava Gardner. Based on the 1947 novel of the same title, written by Marcia Davenport, screenplay by Isobel Lennart, produced by Voldemar Vetluguin, directed by Mervyn LeRoy, and distributed by Metro-Goldwyn-Mayer.
The Scarlet Hour is a 1956 American film noir crime film directed and produced by Michael Curtiz, and starring Carol Ohmart, Tom Tryon, and Jody Lawrance. It was distributed by Paramount Pictures. Curtiz had previously directed such noted films as Casablanca, Yankee Doodle Dandy, and White Christmas. The screenplay was based on the story "The Kiss Off" by Frank Tashlin. The song "Never Let Me Go", written by Jay Livingston and Ray Evans, is performed by Nat King Cole. UCLA has an original 16 mm copy of the film in its Film and Television Archive.
Scene of the Crime is a 1949 American film noir directed by Roy Rowland, starring Van Johnson, and featuring Gloria DeHaven, Arlene Dahl, and Tom Drake. The film's screenplay, by Charles Schnee, is based on a non-fiction article by John Bartlow Martin, "Smashing the Bookie Gang Marauders". It was the only property sold by Martin to be made into a film. Scene of the Crime was producer Harry Rapf's last film of his thirty-plus year career; he died of a heart attack a week after principal photography for the film began.
Calcutta is a 1947 American film noir crime film directed by John Farrow, and written and produced by Seton I. Miller. The drama features Alan Ladd, Gail Russell and William Bendix.
The Secret Bride is a 1934 American drama film directed by William Dieterle and starring Barbara Stanwyck and Warren William. Based on the play Concealment by Leonard Ide, the film is about governor's daughter and a state attorney general who are forced to keep their marriage secret after the governor is accused of a crime. The initial plot concerns the governor taking a bribe in exchange for pardoning a white collar criminal. The investigation is about political corruption.
Beau Séjour is a Flemish-language Belgian supernatural crime drama television series created by Bert Van Dael and Sanne Nuyens, and directed by Nathalie Basteyns and Kaat Beels. It began airing on the Belgian channel Eén on 1 January 2017 and on Arte in France, Germany, and French-speaking Belgium on 2 March. It debuted on Netflix in some countries on 16 March 2017.
The Kitchen is a 2019 American crime film written and directed by Andrea Berloff in her directorial debut. It is based on the DC/Vertigo Comics limited series of the same name by Ollie Masters and Ming Doyle. The film stars Melissa McCarthy, Tiffany Haddish, and Elisabeth Moss as the wives of Irish American mobsters who take over organized crime operations in New York's Hell's Kitchen in the late 1970s, after the FBI arrests their husbands. The film also features Domhnall Gleeson, James Badge Dale, Brian d'Arcy James, Jeremy Bobb, Margo Martindale, Common, and Bill Camp in supporting roles.
