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Giacomo Antonio Domenico Michele Secondo Maria Puccini was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera, it later developed in the realistic verismo style, of which he became one of the leading exponents.
Ruggero Leoncavallo was an Italian opera composer and librettist. Throughout his career, Leoncavallo produced numerous operas and songs but it is his 1892 opera Pagliacci that remained his lasting contribution, despite attempts to escape the shadow of his greatest success.
In opera, verismo, from vero, meaning 'true', was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini.
Manon is an opéra comique in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel L'histoire du chevalier des Grieux et de Manon Lescaut by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat, Auguste Alfred Rubé and Philippe Chaperon, and Jean-Baptiste Lavastre.
Manon Lescaut is an Italian-language opera in four acts composed by Giacomo Puccini between 1889 and 1892 to a libretto by Luigi Illica, Marco Praga and Domenico Oliva, based on the 1731 novel Histoire du Chevalier des Grieux, et de Manon Lescaut by Abbé Prévost. The opera was first performed in 1893 in Turin, at the Teatro Regio.
Edgar is an operatic dramma lirico in three acts by Giacomo Puccini to an Italian libretto by Ferdinando Fontana, freely based on the play in verse La Coupe et les lèvres by Alfred de Musset.
Manon Lescaut is an opera or opéra comique in three acts by Daniel Auber to a libretto by Eugène Scribe, and, like Puccini's Manon Lescaut and Massenet's Manon, is based on Abbé Prévost's novel Manon Lescaut (1731). Auber's version is nowadays the least-performed of the three.
Hariclea Darclée was a celebrated Romanian operatic spinto soprano of Greek descent who had a three-decade-long career.
Daniela Dessì was an Italian operatic soprano.
Amadeu Vives i Roig was a Spanish musical composer, creator of over a hundred stage works. He is best known for Doña Francisquita, which Christopher Webber has praised for its "easy lyricism, fluent orchestration and colourful evocation of 19th Century Madrid—not to mention its memorable vocal and choral writing", and characterizes as "without doubt the best known and loved of all his works, one of the few zarzuelas which has 'travelled' abroad".
Gennaro Papi was an Italian operatic conductor known for his work with the Metropolitan Opera and Chicago Civic Opera companies.
Giacomo Puccini's Messa or Messa a quattro voci is a Mass composed for orchestra and four-part choir with tenor and baritone soloists. Strictly speaking, the piece is a full Mass, not a true Messa di Gloria.
Cesira Ferrani was an Italian operatic soprano who is best known for debuting two of the most iconic roles in opera history, Mimì in the original 1896 production of Giacomo Puccini's La bohème and the title role in Puccini's Manon Lescaut in its 1893 world premiere. Ferrani sang a wide repertoire that encompassed not only verismo opera but the works of composers like Verdi, Gounod, Wagner, and Debussy.
Francesco Molinari-Pradelli was a prominent Italian opera conductor. He studied piano and composition at Bologna, and graduated from the Accademia di Santa Cecilia, Rome, in 1938. He made his debut at La Scala in 1946 and his Covent Garden debut in 1955. His account of Puccini's Turandot with Birgit Nilsson and Franco Corelli is commonly regarded as one of the greatest recordings of that work.
Gaetano Bavagnoli was an Italian conductor who was particularly known for his work within the field of opera. He was mainly active within Italy's major opera houses during the first third of the 20th century; although he did conduct at important international stages like the Metropolitan Opera in New York City and the Royal Opera House in London as well. He also worked as a voice teacher and was notably the instructor of opera singers Emanuel Kopecky, Lina Pagliughi, and Aureliano Pertile.
Jacopo (Giacomo) Puccini was an 18th-century Italian composer who lived and worked primarily in Lucca, Tuscany. He was the first of five generations of composers, the most famous of whom was his great-great-grandson, the opera composer Giacomo Puccini.
Leopoldo Metlicovitz was an Italian painter, illustrator and poster designer.
Villa Puccini is a cultural site in Torre del Lago, near Viareggio in Tuscany, Italy. It is a museum dedicated to the composer Giacomo Puccini, who lived here from 1900 to 1921.
"Requiem", SC 76, is a composition for choir, viola and pump organ or pipe organ that Giacomo Puccini wrote in 1905. Commissioned by his publisher, Puccini set the Latin antiphon of the Requiem mass on the occasion of the fourth anniversary of the death of Giuseppe Verdi.
References
- ↑ "I «Crisantemi» di Puccini" [Crisantemi (Chrysanthemums) of Puccini] (in Italian). 2024-05-31. Retrieved 2024-11-12.
