Cult Maniax

Last updated

The Cult Maniax
Origin Great Torrington, Devon, England
Genres Punk rock, psychedelic rock
Years active19781986 - 2015
LabelsNext Wave (1981), Elephant Rock (19821983), American Phonograph (19831984), Xcentric Noise (19841985)
Members"Big Al" Mitchell
Paul Bennett
Tom Collingham
Mil Mules
Past membersRico Sergeant , Foxy Steer, Nigel Hughes
WebsiteFacebook.com/ CultManiax

The Cult Maniax are an English punk rock band that formed in Great Torrington, Devon, in 1978. [1] They had three indie hits in the mid-1980s before splitting up, although they reformed in the 1990s for occasional performances.

Contents

History

The name is derived from the concept of the band being the Cult and their fans being the Maniax. Their first live performance was at the school that Rico Sergeant, Foxy Steer, and Mildew Mules attended. Other gigs followed, and the band started to gain a large following.

Their first release, the "Black Horse" EP, attracted newspaper headlines in 1982. The Black Horse was, and still is, a public house in Torrington. The lyrics of the title track "Black Horse" (written by Alan "Big Al" Mitchell) expressed his dissatisfaction at the landlord's attitude toward the punk generation. The band sold 200 copies of the single before a court case forced them to hand over the master copies and destroy all remaining copies. [1] Some further copies were sold with the offending track scratched out. The original single can often be found on auction sites, attracting prices in the region of £50 for a mint copy. Soon after the release of the "Frenzie" EP, Sargeant left the band.

To take the guitar spot, the band brought in Paul Bennett and worked on the release of the follow-up, "Blitz," released on their own Elephant Rock label, which sold over 20,000 copies before it was also banned due to the B-side "Lucy Looe"'s references to oral sex. [1] The band's only album, Cold Love, was released in 1983 by American Phonograph and was mixed without the band's involvement. [1] More successful was their 1984 EP Full of Spunk, which spent three months on the UK Indie Chart, peaking at number 11. [1] Further success followed with "The Amazing Adventures of Johnny the Duck" and the Where Do We All Go? live EP, but the band had run out of ideas and split up in 1986. [1] The band (apart from Sargeant) reunited in 1987 under the name The Vibe Tribe, releasing the "Skylark Boogie" single, but this was short-lived. [1]

The band reunited again (apart from Sargeant) for a performance at the first (now annual) Punx Picnic held in Plymouth in September 1996, and they continue to perform occasional gigs.

In their recording career, they released four singles, one album, and two 12 inch singles. A CD of one of their performances at the Adam and Eves Club in Leeds was issued after they disbanded. As The Vibe Tribe, they released one single. Big Al and Mil went on to form a band called the Sweet Thangs, which released an EP. Big Al can still be seen in 2006 in a duet called Free Born Men. Mil has kept his hand in playing in numerous bands, most notably The Desperate Men with Jez Evans (Electric Orange) and Shaun Collingham (Naked I), who both also appeared with the rest of the Cult Maniax (apart from Sargeant and Steer) in several reformation gigs. Mil can presently be found playing the drums in a four-piece called Sons of Gods.

In June 2015, the band released a 14-track studio album titled The Curse of the Cult Maniax. The album was produced by Mil, the drummer, and is available through Bandcamp. Mitchell is now the town cryer in Torrington. [1]

Band members

Current members
Past members

Foxy - Bass.

Discography

Studio albums

The Curse Of The Cult Maniax. ( Shoestring Studio 2015).

Live albums
Extended plays
Singles

Related Research Articles

Indie rock is a subgenre of rock music that originated in the United Kingdom, United States and New Zealand in the early to mid-1980s. Although the term was originally used to describe rock music released through independent record labels, by the 1990s it became more widely associated with the music such bands produced.

<span class="mw-page-title-main">Living Colour</span> American rock band

Living Colour is an American hard rock band from New York City, formed in 1984. The band consists of guitarist Vernon Reid, lead vocalist Corey Glover, drummer Will Calhoun and bassist Doug Wimbish who replaced Muzz Skillings in 1992. Their music is influenced by heavy metal, funk, jazz, hip hop, punk, and alternative rock. The band's lyrics range from the personal to the political, including social commentary on racism in the United States.

<span class="mw-page-title-main">The Cult</span> English rock band

The Cult are an English rock band formed in Bradford in 1983. Before settling on their current name in January 1984, the band had performed under the name Death Cult, which was an evolution of the name of lead vocalist Ian Astbury's previous band Southern Death Cult. They gained a dedicated following in the United Kingdom in the mid-1980s as a post-punk and gothic rock band, with singles such as "She Sells Sanctuary", before breaking into the mainstream in the United States in the late 1980s establishing themselves as a hard rock band with singles such as "Love Removal Machine". Since its initial formation in 1983, the band have had various line-ups: the longest-serving members are Astbury and guitarist Billy Duffy, who are also their two main songwriters.

<span class="mw-page-title-main">Noise rock</span> Experimental rock music mixed with noise

Noise rock is a noise-oriented style of experimental rock that spun off from punk rock in the 1980s. Drawing on movements such as minimalism, industrial music, and New York hardcore, artists indulge in extreme levels of distortion through the use of electric guitars and, less frequently, electronic instrumentation, either to provide percussive sounds or to contribute to the overall arrangement.

<span class="mw-page-title-main">Toy Dolls</span> English punk rock band

The Toy Dolls are an English punk rock band formed in 1979. They are best known for their sole UK hit, a punk-rock cover of "Nellie the Elephant". The Toy Dolls' songs expressed a sense of fun, such as "Yul Brynner Was a Skinhead", "My Girlfriend's Dad's a Vicar" and "James Bond Lives Down Our Street", and songs titles often use alliteration, such as "Peter Practice's Practice Place", "Fisticuffs in Frederick Street", "Neville Is a Nerd", and "Quick to Quit the Quentin".

<span class="mw-page-title-main">Snuff (British band)</span> British punk rock band

Snuff are a British punk rock band formed in Hendon in 1986. The original line-up was Duncan Redmonds on drums and vocals, Simon Wells on guitar and vocals and Andy Crighton on bass, with Dave Redmonds being added to the line-up on trombone before the release of Flibbiddydibbiddydob.

<span class="mw-page-title-main">Icons of Filth</span> Welsh anarcho-punk band

Icons of Filth are a Welsh anarcho-punk band that were formed in 1979. The issues the band promoted through their lyrics included animal rights, anarchism, environmentalism, anti war, vegetarianism, veganism, antiglobalisation, feminism, and the negative effects of organised religion. Live shows were often used to raise money for these causes and also others including Rock Against Racism and the UK miners' strike (1984–85).

Abrasive Wheels are a punk rock band of the late 1970s – early 1980s. They hailed from Leeds, England and were seldom out of the Independent charts between 1980 and 1984 when the band split. The band were Shonna Rzonca – vocals, Dave Ryan – guitar, Harry Harrison – bass, Nev Nevison – drums. In 2002 the singer Rzonca reformed the band with new members.

<span class="mw-page-title-main">Vice Squad</span> English punk rock band

Vice Squad are an English punk rock band formed in 1979 in Bristol. The band was formed from two other local punk bands, The Contingent and TV Brakes. The songwriter and vocalist Beki Bondage was a founding member of the band. Although there was a period of time when the band had a different vocalist she reformed the band in 1997. Since 2008, the band have been releasing records on their own label Last Rockers.

Laughing Clowns, sometimes written as The Laughing Clowns, were a post-punk band formed in Sydney in 1979. In five years, the band released three LPs, three EPs, and various singles and compilations. Laughing Clowns' sound is free jazz, bluegrass and krautrock influenced. The band formed to accommodate Ed Kuepper's growing interest in expanding brass-driven elements he had brought to The Saints' third album, Prehistoric Sounds, and by adopting flattened fifth notes in a rock and roll setting while using a modern jazz styled band line-up.

<span class="mw-page-title-main">Leather Nun</span> Swedish rock band

The Leather Nun are a Swedish rock group. Careening from garage rock to goth and pop-rock.

<span class="mw-page-title-main">Crazyhead</span> English band

Crazyhead are an English garage punk band from Leicester, England. Though lumped in with the largely media-created grebo scene, they were more influenced by the garage rock of the late 1960s, as well as bands like the Ramones, The Stooges and Captain Beefheart. They have often described themselves as an "urban bastard blues band", and their songs range in theme from trenchant social commentary to the surreal, but always with an underlying vein of black humour.

<span class="mw-page-title-main">Jamie Stewart (English musician)</span> British bassist

James Alec Stewart is a retired British musician who was the bassist of the post-punk/hard rock band The Cult. He recorded on The Cult's first four albums, Dreamtime, Love, Electric and Sonic Temple.

Hagar the Womb are an English punk rock band, originally active in the early 1980s and part of the anarcho-punk movement. In hiatus from 1987, members went on to form We Are Going To Eat You and Melt, with vocalist Julie Sorrell. A 2011 compilation of their back catalogue brought members back into contact with each other, and invitations to reform and play gigs and festivals led to Hagar The Womb gigging again from 2012. The band released a new EP in 2016.

The Boys are an English punk rock band formed in London in 1976.

<span class="mw-page-title-main">The Membranes</span> English band

The Membranes are an English post-punk band formed in Blackpool, Lancashire in 1977, the initial line-up being John Robb, Mark Tilton (guitar), Martyn Critchley (vocals) and Martin Kelly (drums). Critchley soon left, with Robb and Tilton taking on vocals, and Kelly moving to keyboards, with "Coofy Sid" (Coulthart) taking over on drums.

<span class="mw-page-title-main">Chaotic Dischord</span> English punk rock band

Chaotic Dischord are an English punk rock band from Bristol, England, allegedly formed by members of Vice Squad and their road crew in 1981, although this still remains unconfirmed by members of the band. The band also recorded a one-off EP under the name Sex Aids.

The Wall were a punk rock band formed in Sunderland, England, in early 1978. They have released two studio albums.

<span class="mw-page-title-main">Minutemen (band)</span> American punk rock band

Minutemen were an American punk rock band formed in San Pedro, California, in 1980. Composed of guitarist/vocalist D. Boon, bassist/vocalist Mike Watt, and drummer George Hurley, Minutemen recorded four albums and eight EPs before Boon's death in an automobile accident in 1985; the band broke up shortly thereafter. They were noted in the California punk community for a philosophy of "jamming econo"—a sense of thriftiness reflected in their touring and short, tight songs, and for their eclectic style, drawing on hardcore punk, funk, jazz, and other sources.

Ritual was an early 1980s Harrow-based post-punk band that were later aligned with the early UK-based gothic rock movement. The group is commonly associated with Death Cult, which two Ritual members later joined.

References

  1. 1 2 3 4 5 6 7 8 Glasper, Ian (2004) Burning Britain: The History of UK Punk 1980-1984, Cherry Red Books, ISBN   978-1-901447-24-8, p. 324-329
  2. 1 2 3 Lazell, Barry (1998) Indie Hits 1980-1989, Cherry Red Books, ISBN   0-9517206-9-4, p. 56