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The music of Latin America refers to music originating from Latin America, namely the Romance-speaking regions of the Americas south of the United States. Latin American music also incorporate the Indigenous peoples of the Americas. Due to its highly syncretic nature, Latin American music encompasses a wide variety of styles, including influential genres such as cumbia, bachata, bossa nova, merengue, rumba, salsa, samba, son, and tango. During the 20th century, many styles were influenced by the music of the United States giving rise to genres such as Latin pop, rock, jazz, hip hop, and reggaeton.
Tejano music, also known as Tex-Mex music, is a popular music style fusing Mexican and US influences. Typically, Tejano combines Mexican Spanish vocal styles with dance rhythms from Czech and German genres – particularly polka or waltz. Tejano music is traditionally played by small groups featuring accordion and guitar or bajo sexto. Its evolution began in northern Mexico.
Bronco is a Mexican grupero band originating from Apodaca, Nuevo León. Their modern take on regional Mexican music in the 1980s and 1990s helped earn them international recognition with original band members José Guadalupe "Lupe" Esparza, Ramiro Delgado, Javier Villareal, and José Luis "Choche" Villareal creating music that would go on to top record charts. The band is well known for their use of modern instruments, particularly the synthesizer and musical keyboards, as part of the incorporation of pop-style music. As with many grupera bands, members wore matching jumpsuits.
The music of Argentina includes a variety of traditional, classical and popular genres. One of the country's most significant cultural contributions is the tango, which originated in Buenos Aires and its surroundings during the end of the 19th century and underwent profound changes throughout the 20th century. Folk music was particularly popular during the 20th century, experiencing a "boom" in popularity during the 1950s and 1960s thanks to artists such as Atahualpa Yupanqui and Mercedes Sosa, prominent figures of the Nuevo cancionero movement. In the mid-to-late 1960s, the countercultural scene of Buenos Aires originated Argentine rock, considered the earliest incarnation of Spanish-language rock for having an autochthonous identity that differed from that of England or the United States. It was widely embraced by the youth and since then has become part of the country's musical identity as much as traditional music. According to the Harvard Dictionary of Music, Argentina also "has one of the richest art music traditions and perhaps the most active contemporary musical life.
The music of Mexico is highly diverse, featuring a wide range of musical genres and performance styles. It has been influenced by a variety of cultures, primarily deriving from Europeans, Indigenous, and Africans. Music became an expression of Mexican nationalism starting in the nineteenth century.
The music of Colombia is an expression of Colombian culture, music genres, both traditional and modern, according with the features of each geographic region, although it is not uncommon to find different musical styles in the same region. The diversity in musical expressions found in Colombia can be seen as the result of a mixture of Amerindian, African, and European influences, as well as more modern American.
Norteño or Norteña, also música norteña, is a subgenre of regional Mexican music. The music is most often based on duple and triple metre and its lyrics often deal with socially relevant topics, although there are also many norteño love songs. The accordion and the bajo sexto are traditional norteño's most characteristic instruments. Norteña music developed in the late 19th century, as a mixture between local Mexican music and Austrian-Czech-origin folk music.
Rigoberto Tovar García, better known as Rigo Tovar, was a Mexican musician, singer and actor. Famous for his cumbias, Tovar infused traditional Mexican and Latin music with modern instruments like the electric guitar and synthesizer and popular styles such as rock and soul music.
Cumbia villera is a subgenre of cumbia music originating in Argentina in the late 1990s and popularized all over Latin America and Latin communities abroad.
Mexican cumbia is a type of cumbia, a music which originated in Colombia but was later reinvented and adapted in Mexico.
Banda is a subgenre of regional Mexican music and type of ensemble in which wind and percussion instruments are performed.
Samy and Sandra Sandoval are a brother and sister musical duo from Panama. They perform típico, a form of traditional Panamanian music and Panamanian-style cumbia. They have been praised as patrónes de la cumbia, and are very popular in Panama.
Grupera is a subgenre of regional Mexican music. It reached the height of its popularity in the 1990s, especially in rural areas. The music has roots in the rock groups of the 1960s, but today generally consists of four or more musicians using electric guitars, keyboards and drums. The music increased in popularity in the 1980s and became commercially viable, and is now recognized in some Latin music awards ceremonies such as Lo Nuestro and The Latin Grammy Awards. Grupero artists typically perform rancheras, corridos, cumbias, charangas, ballads, boleros and huapangos.
"Baila Esta Cumbia" is a song recorded by American Tejano singer Selena for her second studio album, Ven Conmigo (1990). It was released as the second single by EMI Latin on August 28, 1990, behind "Ya Ves". It was composed by her brother–producer A.B. Quintanilla, and Selena y Los Dinos backup dancer, Pete Astudillo. The recording is an up-tempo Mexican cumbia song. It was well received by music critics who enjoyed its cumbia-feel and rhythm.
Celso Piña Arvizu was a Mexican singer, composer and accordionist, mainly in the genre of cumbia, being one of the most important musicians in the style of "cumbia rebajada".
Peruvian cumbia is a subgenre of chicha that became popular in the coastal cities of Peru, mainly in Lima in the 1960s through the fusion of local versions of the original Colombian genre, traditional highland huayno, and rock music, particularly surf rock and psychedelic rock. The term chicha is more frequently used for the pre-1990s variations of the subgenre.
Grupo Pegasso is a Mexican cumbia band credited with the creation of the cumbia pegassera style.
Cumbia is a folkloric genre and dance from Colombia.
This article includes an overview of the major events and trends in Latin music in the 1980s, namely in Ibero-America. This includes recordings, festivals, award ceremonies, births and deaths of Latin music artists, and the rise and fall of various subgenres in Latin music from 1980 to 1989.
Grupo Toppaz are a Mexican Grupera band from Montemorelos, Nuevo León founded in 1987 by Reynaldo Flores Tamez. Their first musical hit was the song Celoso and their style became very popular in Mexico, Argentina, Paraguay, as well as in the United States.
References
- ↑ "Murió José Santos "El Títere", ex vocalista de Grupo Pegasso". infobae (in Spanish). Retrieved 29 August 2021.
- ↑ "Aquellos viejos tiempos del grupo Pegasso". Hoy Tamaulipas (in Spanish). Retrieved 29 August 2021.