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D. Jeffrey Mims | |
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| Born | April 28, 1954 North Carolina, United States |
| Nationality | American |
| Known for | Mural Painting |
| Movement | Classical Realism |
D. Jeffrey Mims is a painter, educator, lecturer, and muralist working as a classical realist.
Mims attended the Rhode Island School of Design (1972 - 1973) and the Pennsylvania Academy of the Fine Arts (1973 - 1976). In 1976, he received an Elizabeth Greenshields Foundation grant to support independent study in the museums of England, France, and Italy and in 1981 returned to Florence, Italy where he studied with the American painter Benjamin F. Long and received critiques from Long's Italian mentor, Pietro Annigoni.
D. Jeffrey Mims is founder and director of the Academy of Classical Design in Southern Pines, North Carolina. The Academy is a school of fine art with an emphasis on traditional mural painting and architectural decoration. The school began as Mims Studios in 2000 and was re-structured in 2011 as the Academy of Classical Design. As of 2023 the Academy will be temporarily closed for a period of two years to allow for the completion of the painted ceiling decorations.
In European academic traditions, fine art is made primarily for aesthetics or creative expression, distinguishing it from decorative art or applied art, which also has to serve some practical function, such as pottery or most metalwork. In the aesthetic theories developed in the Italian Renaissance, the highest art was that which allowed the full expression and display of the artist's imagination, unrestricted by any of the practical considerations involved in, say, making and decorating a teapot. It was also considered important that making the artwork did not involve dividing the work between different individuals with specialized skills, as might be necessary with a piece of furniture, for example. Even within the fine arts, there was a hierarchy of genres based on the amount of creative imagination required, with history painting placed higher than still life.
Apelles of Kos was a renowned painter of ancient Greece. Pliny the Elder, to whom much of modern scholars' knowledge of this artist is owed, rated him superior to preceding and subsequent artists. He dated Apelles to the 112th Olympiad, possibly because he had produced a portrait of Alexander the Great.
The art of Europe, also known as Western art, encompasses the history of visual art in Europe. European prehistoric art started as mobile Upper Paleolithic rock and cave painting and petroglyph art and was characteristic of the period between the Paleolithic and the Iron Age. Written histories of European art often begin with the Aegean civilizations, dating from the 3rd millennium BC. However a consistent pattern of artistic development within Europe becomes clear only with Ancient Greek art, which was adopted and transformed by Rome and carried; with the Roman Empire, across much of Europe, North Africa and Western Asia.
Since ancient times, Greeks, Etruscans and Celts have inhabited the south, centre and north of the Italian peninsula respectively. The very numerous rock drawings in Valcamonica are as old as 8,000 BC, and there are rich remains of Etruscan art from thousands of tombs, as well as rich remains from the Greek colonies at Paestum, Agrigento and elsewhere. Ancient Rome finally emerged as the dominant Italian and European power. The Roman remains in Italy are of extraordinary richness, from the grand Imperial monuments of Rome itself to the survival of exceptionally preserved ordinary buildings in Pompeii and neighbouring sites. Following the fall of the Roman Empire, in the Middle Ages Italy remained an important centre, not only of the Carolingian art, Ottonian art of the Holy Roman Emperors, Norman art, but for the Byzantine art of Ravenna and other sites.
Fantastic art is a broad and loosely defined art genre. It is not restricted to a specific school of artists, geographical location or historical period. It can be characterised by subject matter – which portrays non-realistic, mystical, mythical or folkloric subjects or events – and style, which is representational and naturalistic, rather than abstract – or in the case of magazine illustrations and similar, in the style of graphic novel art such as manga.
Ottoman miniature or Turkish miniature was a Turkish art form in the Ottoman Empire, which can be linked to the Persian miniature tradition, as well as strong Chinese artistic influences. It was a part of the Ottoman book arts, together with illumination, calligraphy, marbling paper, and bookbinding. The words taswir or nakish were used to define the art of miniature painting in Ottoman Turkish. The studios the artists worked in were called Nakkashanes.
German art has a long and distinguished tradition in the visual arts, from the earliest known work of figurative art to its current output of contemporary art.
Burton Silverman is an American artist.
Classical Realism is an artistic movement in the late-20th and early 21st century in which drawing and painting place a high value upon skill and beauty, combining elements of 19th-century neoclassicism and realism.
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The realist painters rejected Romanticism, which had come to dominate French literature and art, with roots in the late 18th century.
Brazilian painting, or visual arts, emerged in the late 16th century, influenced by the Baroque style imported from Portugal. Until the beginning of the 19th century, that style was the dominant school of painting in Brazil, flourishing across the whole of the settled territories, mainly along the coast but also in important inland centers like Minas Gerais.
John Nelson Shanks was an American artist and painter. His best known works include his portrait of Diana, Princess of Wales, first shown at Hirschl & Adler Gallery in New York City, April 24 to June 28, 1996 and the portrait of president Bill Clinton for the National Portrait Gallery.
Abram Borisovich Grushko was a Soviet painter and art teacher that lived and worked in Leningrad. He was a member of the Leningrad branch of Union of Artists of Russian Federation and was one of the representatives of the Leningrad school of painting. He was most famous for his many landscape paintings.
Boris Sergeevich Ugarov was a Russian Soviet realist painter and art educator, Honored Artist of the RSFSR, who lived and worked in Leningrad. He was a member of the Leningrad Union of Artists regarded as one of the brightest representatives of the Leningrad school of painting.
Han JinYu,, also known as "TingTing" and "TingTing Han", is an oil painter who specializes in portraits, still life and landscape. She mainly paints in the Realism style but also Modern art.
Murtaja Baseer was a Bangladeshi painter and artist known for his abstract realism themed works. He was also a poet, author, researcher, numismatist, and filmmaker. Baseer was awarded the Ekushey Padak, Bangladesh's second highest civilian honor, in 1980, and the Swadhinata Padak, or Independence Day Award, Bangladesh's highest state award, in 2019.
Patricia Watwood is an American figurative painter living in Brooklyn, NY.
Contemporary-Traditional Art refers to an art produced at the present period of time that reflects the current culture by utilizing classical techniques in drawing, painting, and sculpting. Practicing artists are mainly concerned with the preservation of time-honored skills in creating works of figurative and representational forms of fine art as a means to express human emotions and experiences. Subjects are based on the aesthetics of balancing external reality with the intuitive, internal conscience driven by emotion, philosophical thought, or the spirit. The term is used broadly to encompass all styles and practices of representational art, such as Classicism, Impressionism, Realism, and Plein Air painting. Technical skills are founded in the teachings of the Renaissance, Academic Art, and American Impressionism.
The Elizabeth Greenshields Foundation is a private Canadian charity that provides grants to young artists working in representational painting, sculpture, drawing and/or printmaking. Recipients must be studying or in the early stage of their career.
Atelier Lack was a studio school of drawing and painting established in 1969 by Minnesota artist Richard F. Lack. It was incorporated as a non-profit corporation in 1971. Richard Lack had studied with Boston artist, R. H. Ives Gammell, in the 1950s. In 1967 Lack had written "On the Training of Painters," an examination of the training of painters throughout the history of Western art, and his judgment about the superiority of the atelier, or studio system. The first years of the school were helped by three grants from The Elizabeth T. Greenshields Memorial Foundation in Montreal, Canada, “to help initiate an atelier for the purpose of training young students in the traditional craft of painting...”
