New Theatres is an Indian film studio. It was formed in Calcutta by producer B. N. Sircar. It was formed on 10 February 1931. Motto of this company was– Jivatang Jyotiretu Chhayam. Sircar preferred to function roughly analogous to what in USA was known as an executive producer. He built a processing laboratory... and got around him a devoted band of people.... Having decided on or approved a story or a subject for a film and the team to make it [Sircar] ensured that adequate funds were provided... but refrained from interfering with its execution. He made New Theatres a symbol of Bengali cinema's artistic good taste and technical excellence.
Dhoop Chhaon or Bhagya Chakra is a 1935 Hindi movie directed by Nitin Bose. It was a remake of the Bengali film Bhagya Chakra. Dhoop Chhaon was the first Hindi film to use playback singing. It was Bose who came up with the idea of playback singing. He discussed with music director Raichand Boral and Bose's brother Mukul Bose, who was the sound recordist in New Theatres, implemented the idea.
Birendranath Sircar was an Indian film producer and the founder of New Theatres Calcutta. He made Bengali-language films that were noted for introducing many film directors who later became famous. He was awarded the Dada Saheb Phalke Award in 1970 and the third highest civilian award in India, the Padma Bhushan, in 1972.
Zindagi is a 1940 Indian film, directed by Pramathesh Barua and produced by Birendranath Sircar. Starring K. L. Saigal, Jamuna Barua, Pahari Sanyal, Shyam Laha, Sitara Devi, and Nemo, it revolves around Ratan, an unemployed university graduate, and his relationship with Shrimati, who is on the run from her cruel husband.
Dushman is a 1939 Hindi social romantic drama film. It was directed by Nitin Bose for New Theatres Calcutta Production. The film starred K. L. Saigal, Leela Desai, Najmul Hassan, Prithviraj Kapoor, Nemo and Jagdish Sethi. The music was composed by Pankaj Mullick and the lyrics were written by Arzu Lucknavi. Nitin Bose besides directing also wrote the story and wielded the camera for the film. The dialogue writer was Sudarshan. The story subject about tuberculosis was suggested as a propaganda film by Viceroy Lord Linlithgow and his wife, who were then the Chairman and Patron of King George’s Tuberculosis Fund.
Dharti Mata is a 1938 Hindi social film directed by Nitin Bose. The film was also made and in Bengali as Desher Mati in the same year by New Theatres. It starred K.L. Saigal, Uma Shashi, Jagdish Sethi, Kamlesh Kumari, and K. C. Dey. The music was by Pankaj Mullick and lyricist and dialogue writer was Pandit Sudarshan. The story, screenplay and cinematography was by Nitin Bose. The story is about two friends Ashok and Ajay, one interested in agriculture and the other in technology. Ashok goes to the village to help the farmers while Ajay goes to UK for higher studies in engineering. The film highlights the need of technology and new concepts for effective farming.
Vidyapati is a 1937 Bengali biopic film directed by Debaki Bose for New Theatres. It starred Pahari Sanyal as Vidyapati. His costars in the film were Kanan Devi, Prithviraj Kapoor, Chhaya Devi, Leela Desai, K. C. Dey and Kidar Sharma. The music was by R. C. Boral and lyrics by Kidar Sharma. Debaki Bose and Qazi Nazrul Islam wrote the story, screenplay and dialogues. The story is about the Maithili poet and Vaishnava saint Vidyapati. The songs of the film became popular and the lyrics though encapsulating Vidyapati's poetry were considered bold for its time. This however ensured the film garnered crowds at the theatres making it a big success of 1937.
President is a 1937 Hindi social romantic drama film from New Theatres. The Bengali version was called Didi. The direction, screenplay and cinematography were by Nitin Bose. The film starred K. L. Saigal, Leela Desai, Kamlesh Kumari, Jagdish Sethi, Prithviraj Kapoor and Bikram Kapoor. The story according to the credit roll of the film is "A tale of love and greater love" developed on an idea by M. M. Begg. It was a love triangle with a social content that highlighted the conditions of the mill workers. It was also the first film to show a liberated educated woman managing her own factory.
Manzil is a 1936 Hindi film from New Theatres. A bilingual made in Hindi and Bengali (Grihadah), it was directed by P.C. Barua from a story by Saratchandra Chattopadhyay. The dialogues and lyrics were by Arzu Lucknowi and music composed by R. C. Boral and Pankaj Mullick. The cast included Prithviraj Kapoor, Jamuna, Pahari Sanyal, Molina Devi, K. C. Dey and Boken Chatto. The story, a love triangle, revolves around two friends Mahim and Suresh and the girl they both love, Achala.
Chandidas is a 1934 Hindi social drama film directed by Nitin Bose. The film was produced by New Theatres Calcutta and was their first big success. It was remake of the 1932 Bengali film of the same name directed by Debaki Bose. This 1934 Hindi version starred K. L. Saigal, Uma Sashi, Pahari Sanyal, Nawab and H. Siddiqui. The music direction was by R. C. Boral with the lyrics written by Agha Hashar Kashmiri. The credit roll of the film states that the film is "Based on the life problems of the poet Chandidas –A problem India has not been able to solve", which involved the caste schism in India. The story revolves around the 15th century poet-saint Chandidas who acts out against the deep-rooted bigotry against caste, untouchoubility and the hypocrisy of society, and a washer woman with whom he falls in love.
Karwan-E-Hayat is a 1935 Urdu/Hindi costume action-adventure film. The film is directed by Premankur Atorthy, with assistance by Hemchandra, for New Theatres Ltd. Calcutta; and it was produced by Lahore branch of New Theatres. The cast included K. L. Saigal, Rattan Bai, Pahari Sanyal, Rajkumari, Shyama Zutshi, Gul Hamid, Rajkumari, Molina, Shyama Zutshi, Siddiqi, Kapoor and Rana. The cinematographer was Krishna Gopal, with music composed by Mihir Kiran Bhattacharya and his brother Timir Baran Bhattacharya, with lyrics by Hakim Ahmad Shuja Pasha. The film, a costume drama, involved the Prince Pervez on the run from an arranged marriage to a princess, only to fall in love with her when they meet in unusual circumstances.
Rajrani Meera is a 1933 Hindi devotional film. It was directed by Debaki Bose for New Theatres Ltd. Calcutta. The cinematographer was Nitin Bose with music composed by R. C. Boral. The film was a bilingual, made in Bengali as Meerabai and directed by Hiren Bose and Basanta Chatterjee. The film starred Durga Khote, Prithviraj Kapoor, K. L. Saigal, Pahari Sanyal, Molina Devi and Indubala. K. L. Saigal had a small part that of a devotee in the film with Prithviraj Kapoor playing the male protagonist role. The film made Prithviraj Kapoor who played the role of the King of Mewar, Mirabai's husband, a big star and is cited as one of his career's best films.
Karodpati is a Hindi 1936 comedy film directed by Hemchander Chunder. The film was produced by New Theatres Ltd. Calcutta, and the music was composed by R. C. Boral with the assistance of Pankaj Mullick. The lyrics were written by Kidar Sharma who also acted in the film. The film starred K. L. Saigal, Sardar Akhtar, Molina Devi, Pahari Sanyal, Nawab, Trilok Kapoor, Rajkumari, and Kidar Sharma. The film showcased K. L. Saigal performing a farcical-comedy role which was a different format from his normal tragedy based stories. The story revolves around a cinema-crazy young man who wins a lottery, leading to a series of comedic situations when his friends join him.
Mohabbat Ki Kasauti also called Rooplekha in Bengali was a 1934 Indian "semi-historical" bilingual film in Hindi and Bengali, directed by P. C. Barua for New Theatres. Though Barua is consistently mentioned as director, according to author J. K. Bajaj, Debaki Bose directed Rooplekha in 1934. It had music by R. C. Boral and the cast included Rattanbai, K. L. Saigal, Pahari Sanyal, Noor Mohammed Charlie and Vishwanath. Jamuna started her career with a small role in the Hindi version.
Uma Sashi was an Indian Bengali film actress who appeared in many roles from 1929 to 1951. Her on-screen pairings with actors such as Durgadas Bannerjee, K. L. Saigal, Pahari Sanyal and Prithviraj Kapoor were popular in those days.
Husn Banu was a Bollywood actress famous as a stunt actress after "Hanterwali Nadia", and later worked as a supporting actress in films from the 1930s to the 1970s. She was born in 1919 in Singapore.
