Dal Yong Jin | |
---|---|
Born | |
Education | Yonsei University University of Texas University of Illinois at Urbana–Champaign |
Occupation(s) | Distinguished SFU Professor, School of Communication at Simon Fraser University |
Employer | Simon Fraser University |
Korean name | |
Hangul | 진달용 |
Revised Romanization | Jin Dalyong |
McCune–Reischauer | Chin Talyong |
Dal Yong Jin is a media studies scholar. He is Distinguished SFU Professor in the School of Communication at Simon Fraser University, Vancouver, Canada [1] where his research explores digital platforms, digital games, media history, political economy of communication, globalization and trans-nationalization, the Korean Wave, and science journalism. He has published more than 30 books and penned more than 200 journal articles, book chapters, and book reviews. Jin has delivered numerous keynote speeches, conference presentations, invited lectures, and media interviews on subjects such as digital platforms, video games, globalization, transnational culture, and the Korean Wave. Based on his academic performance, he was awarded the Outstanding Scholar Award from the Korean American Communication Association at the KACA 40th Anniversary Conference in 2018, while receiving the Outstanding Research Award from the Deputy Prime Ministry and Minister of the Education of South Korea. He was also awarded ICA Fellow, which is primarily a recognition of distinguished scholarly contributions at the International Communication Association Conference held in Paris in 2022. [2] Jin has been interviewed by international media outlets, including The Wall Street Journal, Elle, New York Times, The Washington Post, NBC, The Guardian, The Vancouver Sun, Chicago Tribune, The Telegraph, Wired, LA Times, and China Daily as one of the world’s leading scholars on Korean pop culture and these subject matters. [3]
Jin was born in Suwon, South Korea. He attended Yonsei University. After working as a newspaper reporter for many years, he resumed his academic journey. He holds a master's degree in Public Affairs from the University of Texas at Austin. In 2005 he received his Ph.D. degree at the Institute of Communications Research from the University of Illinois, Urbana-Champaign. He is the founding book series editor of Routledge Research in Digital Media and Culture in Asia, while directing The Transnational Culture and Digital Technology Lab. [4]
Jin has developed several significant theories and conceptual frameworks, such as platform imperialism, [7] de-convergence, and new Korean wave, as well as e-Sports. Sara Bannerman (2022) indeed said, "platform imperialism is a term developed, in a large part, by Jin (2013, 2015) at Simon Fraser University." [8] His works have been received well in several fields, including political economy of communication, globalization, digital games, platform studies, and Asian media studies. In particular, as Vincent Mosco indicates in his book titled Political Economy of Communication (2009)., [9] Jin has been known as a leading political economist. He has also been known as a cultural economist among some scholars, including Japanese media scholars, as indicated in Mechademia 1: Emerging Worlds of Anime and Manga [10] However, as indicated in his numerous publications, he used to converge political economy and cultural studies in both theoretical frameworks and methodologies. Jin's research has received a number of awards and grants from national and international associations, including the International Communication Association, the Social Sciences and Humanities Research Council of Canada, the National Research Foundation of Korea, the Korean American Communication Association, and the Academy of Korean Studies. He was also nominated for Young Scholar Award at the International Communication Association, and he was inducted as a Fellow of the International Communication Association in May 2022. His book titled Korea's Online Game Empire [11] was nominated as the Book of the Year at the International Communication Association. Jin is the founding editor of a book series entitled Routledge Research in Digital Media and Culture in Asia. [12]
Media imperialism is an area in the international political economy of communications research tradition that focuses on how "all Empires, in territorial or nonterritorial forms, rely upon communications technologies and mass media industries to expand and shore up their economic, geopolitical, and cultural influence." In the main, most media imperialism research examines how the unequal relations of economic, military and cultural power between an imperialist country and those on the receiving end of its influence tend to be expressed and perpetuated by mass media and cultural industries.
Transnationality is the principle of acting at a geographical scale larger than that of states, so as to take into account the interests of a supranational entity.
K-pop, short for Korean popular music, is a form of popular music originating in South Korea as part of South Korean culture. It includes styles and genres from around the world, such as pop, hip hop, R&B, rock, jazz, gospel, reggae, electronic dance, folk, country, disco, and classical on top of its traditional Korean music roots. The term "K-pop" became popular in the 2000s, especially in the international context. The Korean term for domestic pop music is gayo, which is still widely used within South Korea. While "K-pop" can refer to all popular music or pop music from South Korea, it is colloquially often used in a narrower sense for any Korean music and artists associated with the entertainment and idol industry in the country, regardless of the genre.
The Korean Wave or Hallyu is a cultural phenomenon in which the global popularity of South Korean popular culture has dramatically risen since the 1990s. Worldwide interest in Korean culture has been led primarily by the spread of K-pop, K-dramas and films, with keystone successes including boy band BTS, television series Squid Game (2021), and Oscar-winning film Parasite (2019). The Korean Wave has been recognized as a form of soft power and as an important economic asset for South Korea, generating revenue through both exports and tourism.
Transnational feminism refers to both a contemporary feminist paradigm and the corresponding activist movement. Both the theories and activist practices are concerned with how globalization and capitalism affect people across nations, races, genders, classes, and sexualities. This movement asks to critique the ideologies of traditional white, classist, western models of feminist practices from an intersectional approach and how these connect with labor, theoretical applications, and analytical practice on a geopolitical scale.
Kookmin University is a private research university established in 1946 in Seongbuk-gu, Seoul, South Korea. It has historic significance, as it was founded during by the Provisional Government of the Republic of Korea and is the first private university founded after the liberation of the Republic of Korea from Japan.
Andy Miah is an English bioethicist, academic and journalist. His work often focuses on technology and posthumanism.
The Ministry of Culture, Sports and Tourism is a central government agency of South Korea responsible for the areas of tourism, culture, art, religion, and sports. It has two vice ministers, three assistant ministers, one commission, and over 60 divisions. The first Minister of Culture was novelist Lee O-young.
The study of global communication is an interdisciplinary field focusing on global communication, or the ways that people connect, share, relate and mobilize across geographic, political, economic, social and cultural divides. Global communication implies a transfer of knowledge and ideas from centers of power to peripheries and the imposition of a new intercultural hegemony by means of the "soft power" of global news and entertainment...
Professor Gerard Goggin is an Australian media and communications researcher at the University of Sydney. He has produced award-winning research in disability and media policy alongside other contemporary works on digital technology and cultures.
Cultural globalization refers to the transmission of ideas, meanings and values around the world in such a way as to extend and intensify social relations. This process is marked by the common consumption of cultures that have been diffused by the Internet, popular culture media, and international travel. This has added to processes of commodity exchange and colonization which have a longer history of carrying cultural meaning around the globe. The circulation of cultures enables individuals to partake in extended social relations that cross national and regional borders. The creation and expansion of such social relations is not merely observed on a material level. Cultural globalization involves the formation of shared norms and knowledge with which people associate their individual and collective cultural identities. It brings increasing interconnectedness among different populations and cultures. The idea of cultural globalization emerged in the late 1980s, but was diffused widely by Western academics throughout the 1990s and early 2000s. For some researchers, the idea of cultural globalization is reaction to the claims made by critics of cultural imperialism in the 1970s and 1980s.
Kkonminam has been commonly used in South Korea since the late-1990s to refer to men who are especially concerned with personal style, grooming and fashion. This lifestyle also includes the significant usage of cosmetics. Although they are sometimes regarded as bishōnen (androgynous), generally gender or sexual orientation is unambiguous.
Heather A. Horst is a social anthropologist and media studies academic and author who writes on material culture, mobility, and the mediation of social relations. In 2020 she became the Director of the Institute for Culture and Society at Western Sydney University where she is a Professor and is also a lead investigator in the ARC Centre of Excellence for Automated Decision-Making and Society. Prior to this she was a professor of Media and Communications at the University of Sydney from 2017 and Vice Chancellor's Senior Research Fellow in the School of Media and Communication at RMIT University in Melbourne, Australia from 2011. She has also been a Research Fellow in the MA program in digital anthropology at University College London.
International communication is the communication practice that occurs across international borders. The need for international communication was due to the increasing effects and influences of globalization. As a field of study, international communication is a branch of communication studies, concerned with the scope of "government-to-government", "business-to-business", and "people-to-people" interactions at a global level. Currently, international communication is being taught at colleges worldwide. Due to the increasingly globalized market, employees who possess the ability to effectively communicate across cultures are in high demand. International communication "encompasses political, economic, social, cultural and military concerns".
Cultural technology (English) is a term that arose from postmodern interpretations of how ideas are used by cultures to frame meaning and the interpretation of concepts; and thus how technologies of thought and culture shape identity and thinking about the self. The term was first used by Australian writer, therapeutic theorist, and social worker Michael White in his lectures in 1991. Karl Tomm, a noted Canadian social worker, traces the use of the term to earlier lectures by Michael White in his foreword to Narrative Means to Therapeutic Ends (1990). Giorgio Agamben discusses how the French philosopher Michel Foucault might have used the term apparatus in a synonymous way to describe the collection of ideas, practices, and meaning that determine how people, bodies, and institutions enact power/knowledge or how power/knowledge enact people, bodies, and institutions.
John Sinclair is a sociologist of international media, communication and culture. Based in Melbourne, Australia, he is acknowledged internationally for his published work on the global television and advertising industries, particularly as they have developed in Latin America and Asia. He also writes on the media use of peoples in diasporic and transnational contexts, and on related processes of consumption and the commercialisation of cultures.
In South Korea, fandom culture has largely formed around K-pop idols and Korean dramas. These fandoms support a large market for official and unofficial fandom memorabilia. Fandoms in South Korea are politically viewed as a mainstream culture and not as a subculture. Fan culture in South Korea emerged post-war, and has contributed to South Korea's economic growth. South Korean fan culture differs from other fandoms due to the fan's involvement with their favorite groups. K-pop fans contribute to the group's success through promotions, merchandise production, streaming, voting for awards such as MAMA, Melon Music Awards, and Seoul Music Awards, and creating fan accounts on social media that serve as a way to promote idols and their group. This kind of heavy engagement with K-pop artists creates a fan culture that deviates from Western fan culture, developing relationships with artists that span beyond the music itself.
Globalization has had major effects on the spread and ascribed value of multilingualism. Multilingualism is considered the use of more than one language by an individual or community of speakers. Globalization is commonly defined as the international movement toward economic, trade, technological, and communications integration and concerns itself with interdependence and interconnectedness. As a result of the interconnectedness brought on by globalization, languages are being transferred between communities, cultures, and economies at an increasingly fast pace. Therefore, though globalization is widely seen as an economic process, it has resulted in linguistic shifts on a global scale, including the recategorization of privileged languages, the commodification of multilingualism, the Englishization of the globalized workplace, and varied experiences of multilingualism along gendered lines.
South Korea is 5th largest export economy in the world and the 6th economic complexity according to Economic Complexity Index (ECI) with the top export destinations centralized in China with a total population of 51,324,823 in 2019.