Dan Schutte | |
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Background information | |
Birth name | Daniel Laurent Schutte |
Born | Neenah, Wisconsin | December 28, 1947
Genres | Contemporary Catholic liturgical music |
Occupation(s) | Composer-in-Residence – University of San Francisco, Composer, Songwriter, Liturgist, Author |
Instrument(s) | Piano, acoustic guitar |
Years active | 1974 – present |
Labels | OCP Publications |
Website | www.danschuttemusic.com |
Daniel Laurent Schutte is an American composer of Catholic and contemporary Christian liturgical music, best known for composing the hymn "Here I Am, Lord" (1981, also known as "I, the Lord of Sea and Sky") and approximately 171 other hymns and Mass settings. [1]
Schutte was born in Neenah, Wisconsin, on December 28, 1947, grew up in Elm Grove, Wisconsin, and graduated from Marquette University High School before entering the Society of Jesus.
As a Jesuit seminarian, he was one of the founding members of the St. Louis Jesuits, composers who popularized a contemporary style of church music set to sacred texts sung in English due to the liturgical reforms initiated by the Second Vatican Council. Other members of the St. Louis Jesuits are Bob Dufford, Roc O'Connor, John Foley, and Tim Manion. [2]
He released ten collections with the St. Louis Jesuits, including a 30th-anniversary collection in 2005. Their second recording, Earthen Vessels, sold over one million albums. [3] As a result, beginning with hymnals such as Glory and Praise , their music became standard repertoire in Catholic parishes in the English-speaking world.
Schutte left the Society of Jesus in 1986. [4]
Schutte continues as a prolific composer of liturgical music, releasing nine solo collections with OCP Publications. Many of his newer compositions found their way into permanent hymnals and missals. Schutte's "Mass of Christ the Savior," released in 2012, quickly became one of the most widely used Mass Settings throughout the English-speaking world. [5] [6] [7]
Notable Christian artists, including Chris Christian, Amy Grant, and John Michael Talbot, have recorded his compositions. His music is credited in movie and television soundtracks, including Dark Waters, [8] Yes, God, Yes, [9] Everybody Loves Raymond, Will and Grace, and Mistresses. [10]
In 2009, he wrote Walking the Sacred Path – Spiritual Exercises for Today, 2012, God With Us - A Prayer Book For Advent and Christmas and, 2014, From Ashes To Glory - A Prayer Book For Lent and Easter. With the outbreak of COVID-19, he developed a series of virtual spiritual retreats that gained a worldwide audience. [11]
In addition to his Jesuit formation, Schutte holds two master of arts degrees, one in theology and one in liturgy, from The Jesuit School of Theology at Berkeley. Schutte is also an alumnus of St. Louis University and Seattle University. He did graduate studies in music composition under the direction of Fr. Kevin Waters S.J. at Seattle University. He was a student of celebrated American painter and artist, Sr. Thomasita Fessler, OSF at Studio San Damiano. [12] [13] He has received four honorary doctoral degrees for his contribution to the life of the church. Two honorary doctorates are in humane letters, and two are in music.
Schutte presently is Composer-in-Residence at the University of San Francisco. [14] He continues to compose new music and write about spirituality. [15]
Schutte's compositions are primarily written for Catholic liturgical use, but over time have been used in Protestant worship. Some of the more notable include "City of God" (1981), "Only This I Want" (1981), "Blest Be the Lord" (1976), "You Are Near" (1971), "Though the Mountains May Fall" (1975), "Sing a New Song" (1972), "Glory and Praise to Our God" (1976), "Here I Am, Lord" (1981), "Table of Plenty" (1992), "River of Glory" (2001), "These Alone Are Enough" (2004), his setting of the Ignatian Suscipe prayer and "Saints and Beloved of God" (2016). [16]
"The St. Louis Jesuit Mass" (1973), co-authored during his collaborative years, was the most-used Mass setting in the United States during the 1970s and 1980s. With the implementation of the Roman Missal, Third Edition in 2012, it wasn't easy to revise the original Mass setting text and well-known melody with the new style of the translation, which follow the original Latin texts more closely. The Publisher and composers decided not to publish a revision. "Mass of Christ the Savior," released in 2012, quickly became one of the most widely used Mass Settings throughout the English-speaking world. [17] [18] [19]
In a circular of July 29, 2008, the Congregation for Divine Worship directed that "in liturgical celebrations, in songs and prayers the name of God in the form of the tetragrammaton YHWH is neither to be used or pronounced." [20] Schutte agreed with the directive. [21] Accordingly, for Catholic liturgical services, the refrain of Schutte's "You Are Near," which began as "Yahweh, I know you are near" now begins with "O Lord, I know you are near." [22] [23] [24]
Agnus Dei is the Latin name under which the "Lamb of God" is honoured within Christian liturgies descending from the historic Latin liturgical tradition, including those of Roman Catholicism, Lutheranism and Anglicanism. It is the name given to a specific prayer that occurs in these liturgies, and is the name given to the music pieces that accompany the text of this prayer.
The Sanctus is a hymn in Christian liturgy. It may also be called the epinikios hymnos when referring to the Greek rendition and parts of it are sometimes called "Benedictus". Tersanctus is another, rarer name for the Sanctus. The same name is sometimes used for the Trisagion.
Oregon Catholic Press is a publisher of Catholic liturgical music based in Portland, Oregon. It published the newspapers Catholic Sentinel and El Centinela; both papers have been discontinued effective October 1, 2022.
The ordinary, in Catholic liturgies, refers to the part of the Mass or of the canonical hours that is reasonably constant without regard to the date on which the service is performed. It is contrasted to the proper, which is that part of these liturgies that varies according to the date, either representing an observance within the liturgical year, or of a particular saint or significant event, or to the common which contains those parts that are common to an entire category of saints such as apostles or martyrs.
The Roman Rite is the most common ritual family for performing the ecclesiastical services of the Latin Church, the largest of the sui iuris particular churches that comprise the Catholic Church. The Roman Rite governs rites such as the Roman Mass and the Liturgy of the Hours as well as the manner in which sacraments and blessings are performed.
Marty Haugen is an American composer of liturgical music.
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Jan Michael Joncas is a Catholic priest of the Archdiocese of Saint Paul and Minneapolis, liturgical theologian, and composer of contemporary Catholic music best known for his hymn "On Eagle's Wings".
Robert J. Dufford, S.J. is a Jesuit priest, a member of the St. Louis Jesuits musical group and a composer of Catholic liturgical music. One of his songs is "Be Not Afraid." His work is included in such hymnals as Glory and Praise and Gather.
The St. Louis Jesuits are a group of Catholic composers who composed music for worship most often in a folk music style of church music in their compositions and recordings, mainly from their heyday in the 1970s through the mid-1980s. Made up of Jesuit scholastics at St. Louis University, the group initially used acoustic guitars and contemporary-style melodies and rhythms to set biblical and other religious texts to music sung in English in response to the liturgical reforms of the Second Vatican Council.
Contemporary Catholic liturgical music encompasses a comprehensive variety of styles of music for Catholic liturgy that grew both before and after the reforms of the Second Vatican Council. The dominant style in English-speaking Canada and the United States began as Gregorian chant and folk hymns, superseded after the 1970s by a folk-based musical genre, generally acoustic and often slow in tempo, but that has evolved into a broad contemporary range of styles reflective of certain aspects of age, culture, and language. There is a marked difference between this style and those that were both common and valued in Catholic churches before Vatican II.
John Foley is an American Jesuit priest who is a composer of Catholic liturgical music and a professor of liturgy. Among his compositions are "One Bread, One Body" (1978), "Earthen Vessels" (1975), "Come to the Water" (1978), "The Cry of the Poor" (1978), "For You Are My God" (1970), and the album As a River of Light (1989).
The Bukas Palad Music Ministry is a Roman Catholic, contemporary worship musical group in the Philippines that composes, records, and performs original religious music. Since 1986, Bukas Palad has recorded over a dozen albums with the Jesuit Music Ministry of Jesuit Communications Foundation, a ministry of the Philippine Province of the Society of Jesus, based in Ateneo de Manila University. The group has performed in over a hundred solo concerts across the country and overseas in Japan, Hong Kong, the United States, and Canada.
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"Here I Am, Lord", also known as "I, the Lord of Sea and Sky" after its opening line, is a Christian hymn written by the American composer of Catholic liturgical music Dan Schutte in 1979 and published in 1981. Its words are based on Isaiah 6:8 and 1 Samuel 3:4. It is published by OCP Publications.
Raymond Robert Repp was an American singer-songwriter credited with introducing folk music into Catholic Masses with his album Mass for Young Americans (1965), an album that formed the earliest stirrings of Contemporary Christian music.
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Ad maiorem Dei gloriam or Ad majórem Dei glóriam, also rendered as the abbreviation AMDG, is a Latin quote which can be translated as "For the greater glory of God." It has been used as a rallying cry for Catholics throughout history, especially during the Thirty Year's War, and is currently the motto of the Society of Jesus (Jesuits), an order of the Catholic Church.