The series received positive reviews and has been ranked the 49th all-time funniest television comedy by Complex,[1] the 60th best all-time series by TV Guide,[2] the eleventh-best sitcom starring a stand-up comedian and the 35th best sitcom of all time by Rolling Stone,[3][4] and (alongside South Park) the 63rd best written television series by the Writers Guild of America.[5] In a Hollywood Reporter poll of all-time television programs surveying 779 actors, 365 producers and 268 directors, Everybody Loves Raymond ranked 96th.[6]
Series overview
The show is centered on the day-to-day life of an Italian-American named Raymond "Ray" Barone, a sportswriter for Newsday living with his family on Long Island. Beleaguered and diffident yet dryly sarcastic, Ray takes few things seriously, making jokes in most situations, no matter how serious. He avoids responsibilities around the house and with his kids, leaving them to his wife, Debra, resulting in her being angry and stressed out quite often.
Ray and Debra have a daughter Ally (Alexandra) and twin sons Michael and Geoffrey; the Barone children are regular characters but not a major focus. Raymond's parents, Marie and Frank, live across the street with their older son Robert (who, later has his own apartment). The Barone relatives frequently make their presence known to the annoyance of Ray and Debra. Although she loves them, Debra's justifiable complaints about Ray's overbearing family serve as one of the show's comedic elements. Out of the three unwanted visitors, Debra is particularly resentful of Marie, an insulting, controlling, manipulative woman who criticizes her passive-aggressively and praises Ray, clearly favoring him over other son Robert.
Ray typically falls in the middle of family arguments, incapable of taking any decisive stand, especially if it might invoke Marie's disapproval. Robert, jealous of his younger sibling's position as their mother's favorite son and the success his brother has achieved professionally and personally, is Ray's biggest rival; Robert and Ray frequently argue like overgrown children, focusing much of their energy picking on or one-upping each other, although deep down they love each other dearly.
Frank Barone is a retiree prone to directing insults and merciless put-downs at everyone he meets. Largely an absentee father when Ray and Robert were growing up, Frank buries his feelings and rarely yields to sentiment. As the series progresses, however, several episodes demonstrate that he loves his family immensely. Unlike everyone else, Frank has no problem criticizing Marie and often comes to Debra's defense, whenever Marie comments disparagingly about their daughter-in-law.
Ray and Debra's marriage is fraught with conflicts. Ray prefers sports television over discussions with Debra on marital matters. Ray works full-time, as his father had, leaving most child-rearing responsibilities to his wife, and he is often forced against his will to help around the house. One of the show's recurring elements finds the couple having a long discussion in bed, before going to sleep.
Ray Barone (Ray Romano) is a sportswriter for Newsday. He lives in Lynbrook, Long Island with his wife, Debra, and their three children Alexandra ("Ally"), Geoffrey, and Michael. His parents Frank and Marie and brother Robert live across the street. Raymond's character is loosely based on the real-life Romano, as he is the father of twin boys and a girl. Ray is emotionally unable to take any sort of stand on anything, especially if it brings him to any sort of conflict with his mother—the exception is when he protests about sex or some trivial matter. Raymond's mother favors him over Robert.
Debra Barone (Patricia Heaton) is Raymond's wife, and mother of Ally, Michael and Geoffrey. As a housewife, Debra claims she is frequently overworked, underappreciated, and stressed out. This leads to her yelling and occasionally attacking inanimate objects, largely because she has to deal with all the housework and her three rambunctious children with almost no assistance or support from Raymond; additionally, she constantly puts up with Marie's intrusiveness and criticism. On frequent occasions this frustration boils over and is vented towards Raymond. While Debra has a fractious relationship with Marie, she is shown to share many tender moments with Robert, and occasionally Frank.
Robert Barone (Brad Garrett) is Raymond's older brother and the son of Frank and Marie. Standing at 6'8½" (2.04 m), he is the tallest Barone, and has several quirks, the biggest being a nervous habit of touching food to his chin before eating it, once referred to as "crazy chin". Robert is often jealous of the attention that Raymond receives from their mother, to the exclusion of his every achievement. Robert has been a New York City police officer for over 23 years (explicitly stated as 15 years early in season 1) and attains the rank of lieutenant by the end of the series. His height, appearance, and depressed demeanor are the source of much humor. However, despite his imposing size, Robert is a very skilled dancer. Divorced from first wife Joanne prior to the beginning of the series, he is frequently unlucky with women, until his on-off relationship with his girlfriend Amy McDougall finally results in marriage. Also, despite his tough appearance, he appears to be more sensitive, affectionate, tender and open to sharing his emotions compared to the rest of his family.
Marie Barone (Doris Roberts) is Raymond and Robert's mother and the wife of Frank. Intrusive, controlling, manipulative, and over-nurturing (at least with Raymond), she is a housewife who excels in cooking, cleaning, and other things dealing with keeping a good home and family. Marie and Frank live across the street from Raymond and Debra in Lynbrook, Long Island, New York which often irritates the latter couple. Marie's meddling tendencies include going through their mail, redoing their laundry, and upstaging Debra in the kitchen. She also goes to great lengths to control Robert's love life and get him to settle down and bring her more grandchildren.
Frank Barone (Peter Boyle) is Raymond's father and Marie's husband, a retired bookkeeper, and registered real estate agent, with a stubborn masculine personality and no interest in personal hygiene. A United States Armyveteran, Frank served in the Korean War, which he frequently brings up to everyone's annoyance. He mocks his sons' inability to handle their own personal and domestic problems; unlike his sons, he is not intimidated by Marie and disparages her regularly with little to no provocation. Although both he and Marie maintain that he only married her for her cooking, he is shown to care about her genuinely. He is a member of the Order of the Caribou Lodge, and was named Man of the Year by his fellow members.
Amy MacDougall (Monica Horan) (recurring seasons 1–7, starring seasons 8 & 9) becomes Robert Barone's second wife (in season 7), and is the best friend of Debra, who introduces her to Robert. A recurring character for the first seven seasons of the series, Amy became essentially a regular cast member for the remainder of the show's run. However, Horan's name did not get added to the opening credits until the final season. Many issues cause Amy and Robert to break up in the first six seasons, with one being blamed on Raymond, and another happening because Robert was seeing other women, one of whom was his ex-wife. Quite often, Amy apologizes to someone even if she did not do anything wrong. She was born to very religious parents who, according to Amy, "wouldn't yell if they were on fire." In real life, Horan is the wife of creator/executive producer Philip Rosenthal.
Ally Barone (Madylin Sweeten) is the daughter of Raymond and Debra. She is the oldest of the Barone children. She is not seen much, even though she is credited in the main cast. She is said to be a better cook than her mother, and maybe someday her grandmother. In real life, Madylin is the sister of Sawyer and Sullivan Sweeten.
Geoffrey Barone (Sawyer Sweeten) and Michael Barone (Sullivan Sweeten) are the twin sons of Raymond and Debra. Their names in the pilot were Gregory and Matthew. In real life, twins Sawyer and Sullivan are brothers of Madylin Sweeten.
Development
Conception
Everybody Loves Raymond is based on the real lives of not just Ray Romano (left) but also show-runner Phil Rosenthal (right).
In the 1990s, several television shows based on work from stand-up comedians, such as Home Improvement (1991–99) and Roseanne (1988–97), were successful.[7]Ray Romano, a comedian for 12 years by the time Everybody Loves Raymond first aired, was one such comic to get development deals following a five-minute performance on the Late Show with David Letterman in the middle of 1995. David Letterman executive producer Rob Burnett recalled that "by the end [of the monologue] we already had lawyers lined up to work a deal with him."[7]
In looking for a show-runner, Romano wanted somebody to share his tastes in humor, avoiding those who were into writing "devicey" material. Around a dozen candidates for the show-runner position were considered before Coach writer Philip Rosenthal,[8] who sent a Frasierspec script to Letterman's Worldwide Pants.[9] The company read the spec and sent Rosenthal a tape of Romano asking screenwriters to help him with an upcoming show based on his work; also in the tape, he stated that he had a hard time coming up with new material because of having to raise twin sons, and showcased a "new bit" of him shaking keys while saying "hey".[10] Romano's sense of humor intrigued Rosenthal, reminding him of Bill Cosby's early work.[11]
After viewing the tape, Rosenthal met with Romano in person at Art's Delicatessen & Restaurant on Ventura Boulevard about being a potential show runner.[12] The encounter consisted of Romano and Rosenthal each discussing their families.[13] Romano told Rosenthal he wanted to do a series about a comedian discussing current issues with friends at a coffee shop, but Rosenthal responded that kind of sitcom already existed and was a hit.[14] Rosenthal, intrigued by Romano's crazy family fables and wanting to work around his lack of previous acting experience, then stated it would be most "comfortable" for Romano to have the Raymond character be very close to his real personality and in family circumstances reflective of Romano's home life.[15] Although Romano has a brother named Robert in real life, he based the Robert in Raymond on another one of his brothers, Richard.[16] Rosenthal also incorporated his own family experiences into the show, with his mother and wife serving as the basis for Marie and Debra respectively.[17]
Most aspects of Romano's real life are replicated in the series,[18] except for its setting of Long Island instead of Queens; Romano and the writers initially wanted the show to be set in Queens, but CBS executives ultimately chose Long Island due to its broad appeal, as it was a suburb with urban elements.[7] Previous prime-time television series set in Long Island, such as The Hamptons (1983) and The Pruitts of Southampton (1966–67), never went beyond one season.[7] Romano also explained, "There's a lot more kissing on the show than in real life"; and his wife Anna continued, "and they talk a lot more in the show than we ever do at home."[18] The title Everybody Loves Raymond originated from a response Romano's brother Richard made after Ray won a CableACE stand-up award: "I had a day where people were shooting at me, and you're bringing home trophies. Everybody loves Raymond, don't they?"[19] In the show's pilot, Robert states "Everybody loves Raymond."[20]
Rosenthal pitched the show to CBS president Les Moonves, CBS comedy vice president David Himelfarb, CBS comedy development executive Wendi Goldstein, and CBS comedy and drama development head Gene Stein.[21] He kept the pitch very simple: "it's [Romano] and his family, and his parents live across the street with his brother."[22] CBS was lukewarm towards the show's low concept, but found it enough of a low-risk investment for the series to be green-lit.[23] Letterman's involvement with Raymond amounted to nothing more than a meeting where he signed Rosenthal's show-runner contract and told him, "just don't embarrass us."[24]
Casting
Patricia Heaton (left), Peter Boyle (middle), and Doris Roberts (right) were in emotional states that reflected their characters when auditioning for Everybody Loves Raymond.
For the non-titular lead roles of Everybody Loves Raymond, casting director Lisa Miller chose Patricia Heaton and Brad Garrett, who made several appearances in sitcoms before; and Doris Roberts and Peter Boyle, both film actors.[25]Everybody Loves Raymond was Heaton's fourth lead role in a sitcom after the short-lived Room for Two (1992–1993), Some Like Me (1994), and Women of the House (1995).[26] When she read the pilot script during pilot season, she thought it was "beautifully written" although found the character of Debra uninteresting.[27] Miller explained that she had to "Taft-Hartley" Romano, who did not have much acting experience before Everybody Loves Raymond, in order to get around legal Screen Actors Guild requirements to star in the show. He also needed trainers to make sure he performed the character of a likable protagonist well.[25]
Garrett (like Romano, also a stand up comedian) was the first actor to be cast after Romano, as well as the only actor to audition without Romano in the room.[28] Garrett explained that while CBS initially wanted a small, Danny DeVito-esque character who had a "bulldog" attitude towards Raymond, he, a much taller actor, portrayed Robert as more "beaten-down" and "succumb to the fact that he's a loser" when auditioning.[29]
For the auditions of Heaton, Boyle, and Roberts, they were in the moods of the characters in the scenes they performed, and their auditions were very quick. Heaton was in the middle of getting-by doing babysitting work and clipping coupons when auditioning, making her very stressed.[30] Miller chose Heaton for the role of Debra for being "very focused, real, like Helen Hunt in Mad About You."[25] Boyle, an actor recommended for Frank by Moonves,[31] had a troublesome time getting to his audition location due to schedule changes and poor directions, which made him very grumpy and "in character" when he arrived.[32] Rosenthal admitted to casting Boyle "out of fear" in response to Boyle's bitter attitude.[31] Roberts was called by the casting team for the role of Marie after going through more than 100 actresses.[33] She was initially reluctant to audition due to being busy with directing a 23-character play, but her agents insisted she had time;[34] an "overwhelmed" Roberts did zero preparation, which was unusual for her, and performed her audition from her "gut reaction."[35]
Production
Each episode was created in a workweek that consisted of actors reading through and rehearsing the script on Monday, actors rehearsing and the writers tweaking the script on Tuesday, CBS running through what the actors rehearsed on Wednesday, camera blocking on Thursday, and filming on Friday.[36] A typical writing session started with each of the writers discussing their lives, which served as the basis for episode scripts; as Rosenthal summarized the process, "talking, talking, talking and then all of a sudden, that's a story."[37]Will MacKenzie, who directed for Everybody Loves Raymond on the second, third, and fourth seasons, recalled the writers being so efficient that thirteen episode scripts were completed by the time a season began airing.[38] When shooting episodes, Rosenthal was very stern about the actors sticking to the script and avoiding ad libing, although "alternative" lines were put in the script for some episodes.[39]
Garrett compared acting in episodes of Raymond to the improvisational methods used by the cast in Seinfeld (1989–98).[25] Garrett had appeared in a Seinfeld episode, playing an obsessed car mechanic that steals Jerry Seinfeld's car.
The house used for exterior shots of Ray and Debra's home is located at 135 Margaret Boulevard in Merrick, New York and was worth $500,000 as of August2018[update]; as in the show, it is located across the street from the home used for exteriors of Frank and Marie's house (house number 136).[citation needed]
The home used for the exterior shots of Ray and Debra's house in 2022.
Style
For Everybody Loves Raymond, Rosenthal went for a classic sitcom style a la The Honeymooners (1955–56), avoiding references to current culture in order to give it a timeless quality.[40] Jeremy Stevens stated that the show differed from most sitcoms of its time for its focus on storytelling and reflection on most people's real lives.[37]
Julie Pernworth, a comedy development president at CBS, categorized Everybody Loves Raymond as "one of the most traditional sitcoms to come along in a long time."[41] As Rosenthal put it, Raymond was a "sophisticated" version of a family sitcom, which was emphasized via the show's piano-heavy background music and the use of The New Yorkertypeface for credits.[42] In composing the show's theme, Terry Trotter and Rick Marotta used the first few measures of a song from Woody Allen's film Manhattan (1979) and improvised the rest of the piece.[43] Episodes of Everybody Loves Raymond are emotionally dynamic presentations of otherwise prosaic premises typical for traditional sitcoms.[44]
SUNY Press' book The Sitcom Reader (2016) analyzed Raymond was part of a trend in 1990s television of family sitcoms geared towards older audiences, which resulted in the scripts not focusing so much on the child characters and being entirely about grown-ups bickering at each other.[45] While the second season was in production, Romano expressed the challenge of having to write "weird" adult humor within "parameters" of a show about a family: "I want to write a show where I have anxiety attacks, and we're all very concerned about that. Can the star of the show be a father who has anxiety attacks and flips out? Will that sit well with people?"[18] This involved trying to keep the presence of the child characters as little as possible: "To be upstaged by toddlers? I get enough of that at home."[18] As Romano described the stand-up material the show is based on upon the show's first season airing, "I don't want to be a spokesman for family values, but that's the way my standup is perceived. My character is a father who loves his family but who would also love a little freedom."[7] According to TV critic Jones Ostrow, Raymond "explored the tortuous/loving relationships of parents and adult children, of couples, of siblings and the Peter Pan syndrome that attaches to baby boomer males, sports nuts in particular."[46]
Connection to other sitcoms
Kevin James was an actor and writer on Everybody Loves Raymond. Once James got his own show, The King of Queens, the two shows crossed over.
The first crossover happened on The King of Queens. In it, Ray Barone and Doug Heffernan become friends. Later on the same night, Kevin James showed up on Everybody Loves Raymond as Doug Heffernan.[47] The shows crossed over several more times.
Ray Romano also turned up in an episode of The Nanny: when that show's Fran Fine (Fran Drescher) attends her high school reunion, one of her classmates is revealed to be Ray Barone. (Romano and Drescher were real-life classmates at Hillcrest High School in Jamaica, Queens in the 1970s.)
Ray Romano and Peter Boyle appeared as their respective characters in the episode "Lucas Raymondicus" of Cosby, another CBS show, in 1997.[48]
Foreign remakes
Russian version and documentary
In 2009, series creator/producer Philip Rosenthal traveled to Russia to adapt the show for local audiences. His experience was documented by a film crew and released as the documentary feature Exporting Raymond.[49] The Russian version is titled (in Russian)Воронины[50] (Voronin's Family, a Russian surname sounding similar to the family's name, The Barones).[51]
Other versions
The show was adapted in Poland under the title Wszyscy kochają Romana (Everybody Loves Roman).[52] It was picked up by TVN and premiered on September 2, 2011. However, due to low ratings (fewer than 2 million viewers a week), the station put the show on hiatus after four episodes.[53]
In Egypt, a sitcom called El Bab Fil Bab (الباب في الباب ), which means "Close Doors" in Arabic, is produced by Sony Pictures Television, translating Everybody Loves Raymond with minor changes to adapt the Eastern Culture. The first season aired in the month of Ramadan 2011; second season in 2012.
A Dutch remake called Iedereen is gek op Jack (Everybody is crazy about Jack) premiered in February 2011. The second season started airing in March 2012 and ended in May 2012.
An Israeli remake called "Mishpacah Lo Bochrim" (משפחה לא בוחרים) (You Can't Choose Your Family) premiered in October 2012, and was cancelled after 10 episodes aired.
A pilot for a British remake, titled The Smiths, has been commissioned to be produced for BBC One and was filmed in May 2013 at Elstree Studios. Lee Mack wrote and starred in the pilot, as Michael Smith. The pilot also starred Catherine Tate, Tom Davis, Gwen Taylor and David Troughton.[54]
An Indian remake, titled "Sumit Sambhal Lega" ("सुमित संभाल लेगा" – "Sumit Will Handle Everything"), premiered on August 31, 2015, on STAR Plus.
A Czech remake called "Rudyho Má Každý Rád" (Everybody Loves Rudy) premiered on ČT1 on August 31, 2015, comprising 12 episodes.[55]
Syndication
On December 20, 1998, two Tribune Broadcasting stations, WPIX New York and KTLA Los Angeles, bought rights for syndication of Everybody Loves Raymond from Eyemark Entertainment; Variety reported Eyemark receiving a license fee of $90,000 to $100,000 per week and barter advertising of one-and-a-half minutes. Although Eyemark planned for the two stations to start the re-runs in fall 2000, it moved the date to fall 2001 to avoid competition with other sitcoms beginning off-network runs in 2000. The deal allowed the two stations to re-run the show for four-and-a-half years.[56] On January 26, 1999, the cable channel TBS paid Everybody Loves Raymond distributor Eyemark Entertainment for four years of syndication rights of the show starting in the fall of 2004.[57]
From 2001 to 2016, Everybody Loves Raymond was in Broadcast syndication on local stations in television markets across the United States.[58] Currently the show can be seen on TV Land and has aired on TBS from 2004 to 2021. In Canada, the show can be seen on CMT and DejaView.
The show is still broadcast regularly in the United Kingdom. From 2000 to 2007, King World distributed the show for off-network syndication and Warner Bros. International Television handled international distribution. In 2007, CBS Television Distribution took over King World's distribution. CBS only owns American syndication rights; ancillary rights are controlled by HBO and Warner Bros. Television (WBIT distributes the series outside the US in conjunction with HBO; while Warner Bros. Discovery Home Entertainment own DVD rights worldwide). The show aired every morning as a double bill on Channel 4 in the United Kingdom, as part of its Breakfast line up from 08:00-09:00, and, as of 2024 continues to be shown most weekday mornings until it was replaced by The King of Queens in September 2024.
Everybody Loves Raymond also airs on Channel 4 & Comedy Central in the United Kingdom and in Australia on Network 10, on 10 Peach (a sub-channel of Network 10) and on Foxtel's Pay TV network TVH!TS previously called TV1 (formerly aired on FOX Classics). The show reruns in India on the channel Romedy Now.
Home media
HBO released the Complete Series of Everybody Loves Raymond on DVD in Regions 1, 2, and 4. Region 4 Complete Box Set was released on August 13, 2008. In Australia, the first five seasons were re-released in 2006 in slimmer packaging (originals were wide spine cases). Also, some were released with a cardboard slip cover. In North America the DVDs were repackaged between 2009 and 2012 in standard sized DVD packaging. All episodes were available on Netflix for streaming until September 1, 2016, also the date Exporting Raymond was taken off the platform.[59] Also on September 14, 2004, The Complete 1st Season was released on VHS. The sixth-season DVD set contained the episode "Marie's Sculpture", which previously had not aired in the United Kingdom and was not released until almost five years after the end of the 6th season.
Until 2016, the series was available on Netflix in the United States.[60] The series joined Peacock's Premium tier on July 15, 2020.[61] The series also joined Paramount+ on December 14, 2022.[62]
Reception
Critical response
Los Angeles Daily News critic David Kronke praised Raymond for being "the quintessentially honest sitcom. It's neither too hokey nor too crass. It depicts families as dissolute yet inextricably bound together, just like they really are, and finds the humor in those real frictions that threaten, yet never manage, to burst family units apart. Its characterizations are among the most finely defined on TV. Debra, with her vaguely no-nonsense disgust of Raymond's simpleton-ness, is unlike any sitcom mom ever. Doris Roberts' Marie had a sinister streak long before Nancy Marchand's Livia showed up on The Sopranos. Raymond is also one of the few contemporary sitcoms that has figured out how to implement and even exploit the four-camera, live-audience situation, which is no simple feat."[63]
A 1997 review by Bruce Fretts, which gave the show the same score, said that the show "may now be the best sitcom on the air."[64]Common Sense Media's Betsy Wallace, who awarded the show four out of five stars, wrote: "the cast is stellar and plotlines shed light on universal human insecurities, such as doubting that your spouse still finds you attractive as you grow older."[65]Plugged In (publication) said in their review, "Seven years and a mantle full of Emmys later, Raymond is still smartly scripted, now with new characters added to a maturing, expanding family."[66]
Reviews named Garrett the show's "secret weapon"[64] and responsible for "the bulk of the show's comic high points."[64]
Note: Each U.S. network television season starts in late September and ends in late May, which coincides with the completion of May sweeps. All times mentioned in this section were Eastern & Pacific
The series finale scored a 20.2/29 rating/share, 32.94 million viewers[67] and an 11.2/26 rating/share among adults 18–49. At 8pm, Everybody Loves Raymond: The Last Laugh scored a 15.3/24 rating/share, 24.52 million viewers and a 7.5/21 rating/share among adults 18–49.[68] Throughout the latter six seasons of the show, Everybody Loves Raymond maintained its position on the top ten rankings.
The highest average rating for the series is in italic text.
↑ Figures for seasons 1 are in households, while figures for seasons 2-9 are in viewers (millions)
Related Research Articles
Raymond Albert Romano is an American stand-up comedian, and actor. He is best known for his role as Raymond "Ray" Barone on the CBS sitcom Everybody Loves Raymond (1996–2005), for which he won three Primetime Emmy Awards. He is also known for being the primary voice of Manny in the Ice Age franchise. He has received several other awards including nominations for two Grammy Awards and two Golden Globe Awards.
Jane Moore Sibbett is an American actress. Her most notable roles include Heddy Newman on the Fox television series Herman's Head and Carol Willick on the television series Friends.
"The Finale" is the series finale of the American sitcom Everybody Loves Raymond. Is the sixteenth episode of ninth season, and the 210th episode of the series overall. It originally aired on CBS on May 16, 2005, and was preceded by an hour-long special looking back on the whole series.
Philip Rosenthal is an American television writer and producer who is the creator, writer, and executive producer of the CBS sitcom Everybody Loves Raymond (1996–2005). In recent years, he has presented food and travel documentaries I'll Have What Phil's Having on PBS and Somebody Feed Phil on Netflix.
"Pilot" is the first episode of the American television situation comedy Everybody Loves Raymond. The episode was directed by Michael Lembeck and written by Philip Rosenthal. The episode aired on September 13, 1996 on CBS.
The first season of the American sitcom Everybody Loves Raymond originally aired on CBS from September 13, 1996, until April 7, 1997, and consists of 22 episodes. Created and run by Philip Rosenthal, the series revolves around the squabbles of the suburban Long Island Barone family, consisting of titular Newsday sportswriter Ray Romano, wife Debra, parents Marie and Frank, and brother Robert. Madylin Sweeten and her two brothers, Sullivan and Sawyer Sweeten, also star as the children of Ray and Debra.
The second season of the CBS sitcom Everybody Loves Raymond aired from September 22, 1997 to May 18, 1998.
The third season of Everybody Loves Raymond ran in the United States on CBS from September 21, 1998 to May 24, 1999.
The fourth season of Everybody Loves Raymond aired on CBS from September 20, 1999 to May 22, 2000.
This is a list of episodes for the fifth season of Everybody Loves Raymond. The season consisted of 25 episodes and aired on CBS from October 2, 2000 to May 21, 2001.
This is a list of episodes for the sixth season of Everybody Loves Raymond. The season consisted of 24 episodes and aired on CBS from September 24, 2001 to May 20, 2002.
This is a list of episodes for the eighth season of Everybody Loves Raymond. The season consisted of 23 episodes and aired on CBS from September 22, 2003 to May 24, 2004.
"Italy" is the hour-long season five premiere of the American television sitcom Everybody Loves Raymond. Constituting the 98th and 99th overall episodes of the series, they were written by the creator Philip Rosenthal and directed by Gary Halvorson. In this episode of the show, which revolves around the life of Italian-American Newsday sportswriter Raymond Barone and his oddball family, his parents, Marie and Frank, announce that they're all going to Italy to visit the former's cousin Colletta, and everyone is excited to go except Raymond. Meanwhile, during the trip, Ray's brother Robert is attracted to a woman named Stefania, and tries to get past her father Signore Fogagnolo to meet her. With both parts originally airing on October 2, 2000 on CBS as an hour-long episode, the episode has earned positive reviews from critics and received a Writers Guild of America Award.
"Bad Moon Rising" is the 22nd episode of the fourth season of the American sitcom Everybody Loves Raymond (1996–2005), a series about the life of Newsday sportswriter Ray Barone and his neurotic family. The episode aired on May 8, 2000 on CBS. Written by Romano and show creator Philip Rosenthal and directed by David Lee, it depicts Ray surviving a night of his wife Debra going through premenstrual syndrome. Although critically acclaimed and garnering the show's first Primetime Emmy Award win for Heaton's acting, it has also been criticized by psychologists for its inaccurate portrayal of woman with premenstrual syndrome.
"Marie's Sculpture" is the fifth episode of the sixth season of the American sitcom Everybody Loves Raymond (1996–2005), written by Jennifer Crittenden and directed by Randy Suhr. Everybody Loves Raymond follows the life of Newsday sportswriter Ray Barone and his oddball family, which includes wife Debra, parents Frank and Marie, brother Robert, daughter Ally, and twin sons Michael and Geoffrey.
"The Angry Family" is the season six premiere of the American sitcom Everybody Loves Raymond (1996–2005), a series about the titular Newsday sportswriter Ray Barone and his oddball family. In the episode, all of the Barones are in a counseling session after Ray's son Michael presents a short story in class about an "Angry Family," which they assume is about them. Directed by Gary Halvorson and written by series creator and showrunner Philip Rosenthal, the episode also features early roles for future Empire star Rhyon Nicole Brown and Reba star Mitch Holleman. Originally broadcast on CBS on September 24, 2001, "The Angry Family" has been critically well-received and was nominated for a Primetime Emmy Award for Outstanding Writing for a Comedy Series.
"The Toaster" is the 12th episode of the third season of the American sitcom Everybody Loves Raymond (1996–2005). The episode aired on December 14, 1998 on CBS. The series follows the life of Newsday sportswriter Ray Barone as he tries to cope with being with his neurotic family, consisting of wife Debra, parents Frank and Marie, brother Robert, daughter Ally, and twin sons Michael and Geoffrey.
"Baggage" is the 22nd episode of the seventh season of the American sitcom Everybody Loves Raymond (1996–2005). The series follows the life of Newsday sportswriter Ray Barone as he tries to cope with being with his neurotic family, consisting of wife Debra, parents Frank and Marie, brother Robert, daughter Ally, and twin sons Michael and Geoffrey. In this episode, a battle arises between Ray and Debra's refusal to bring upstairs and unpack a suitcase they took on a Connecticut vacation, which has remained on the landing for three weeks. The episode aired on May 5, 2003 on CBS. The episode was written by Tucker Cawley and directed by Gary Halvorson.
"Driving Frank" is the second episode of the third season of the American sitcom Everybody Loves Raymond (1996–2005). The series follows the life of Newsday sportswriter Ray Barone and his oddball family, which includes wife Debra, parents Frank and Marie, brother Robert, daughter Ally, and twin sons Michael and Geoffrey. The episode aired on September 28, 1998 on CBS.
↑ Cox, Ted (March 28, 1997). "'Oh-ho-ho boy': His job is different, but everything else on "Everybody Loves Raymond' is straight out of Romano's life". Daily Herald. p.21.
↑ Herman 2005, chapter three, event occurs at 0:47–1:32.
↑ Herman 2005, chapter three, event occurs at 2:00–2:44.
↑ Herman 2005, chapter three, event occurs at 2:44–2:57.
↑ Herman 2005, chapter three, event occurs at 3:33–3:44.
↑ Herman 2005, chapter three, event occurs at 3:47–3:57.
↑ Herman 2005, chapter three, event occurs at 4:02–4:18.
↑ Herman 2005, chapter three, event occurs at 4:18–6:06.
1 2 Gray, Ellen (October 12, 1998). "The Lunch Brunch: Food's Just One Reason Everybody Loves Writing for 'Raymond'". Philadelphia Daily News (Late Sportsed.). p.36.
↑ Brooks, Tim; Marsh, Earle (2007). The Complete Directory to Prime Time Network and Cable TV Shows 1946-Present (Ninthed.). Ballantine Books. p.1696. ISBN978-0-345-49773-4.
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