Glenda Farrell was an American actress. Farrell personified the smart and sassy, wisecracking blonde of the Classic Hollywood films. Farrell's career spanned more than 50 years, and she appeared in numerous Broadway plays, films and television series. She won an Emmy Award in 1963 for Outstanding Supporting Actress for her performance as Martha Morrison in the medical drama television series Ben Casey.
Stuart Erwin was an American actor of stage, film, and television.
Allen Curtis Jenkins was an American character actor, voice actor and singer who worked on stage, film, and television. He may be best known to baby-boomer audiences as the voice of Officer Charlie Dibble in the Hanna-Barbera TV cartoon series Top Cat (1961–62).
The Half-Naked Truth is a 1932 American pre-Code comedy film starring Lee Tracy and Lupe Vélez, with Frank Morgan and Eugene Pallette in support. Directed by Gregory La Cava, it was released on December 16, 1932 by RKO Radio Pictures. The plot features Tracy as a carnival pitchman who finagles his girlfriend, a fiery hoochie dancer played by Vélez, into a major Broadway revue under the auspices of an impresario portrayed by Morgan.
Gold Diggers of 1935 is an American musical film directed and choreographed by Busby Berkeley, his first time as a film's overall director. It stars Dick Powell, Adolphe Menjou, Gloria Stuart, Alice Brady, Hugh Herbert, Glenda Farrell, and Frank McHugh, and features Joseph Cawthorn, Grant Mitchell, Dorothy Dare, and Winifred Shaw. The songs were written by Harry Warren (music) and Al Dubin (lyrics). The film is best known for its famous "Lullaby of Broadway" production number. That song, sung by Shaw, also won the Academy Award for Best Original Song. The screenplay was by Manuel Seff and Peter Milne, based on a story by Robert Lord, who also produced the film, and Milne.
Francis Curry McHugh was an American stage, radio, film and television actor.
Gold Diggers of 1937 is a Warner Bros. movie musical directed by Lloyd Bacon with musical numbers created and directed by Busby Berkeley. The film stars Dick Powell and Joan Blondell, who were married at the time, with Glenda Farrell and Victor Moore.
Havana Widows is a 1933 American pre-Code comedy film directed by Ray Enright, starring Joan Blondell and Glenda Farrell. It was released by Warner Bros. on November 18, 1933. Two chorus girls travel to Havana in search of rich husbands. Their target is Deacon Jones, a self-appointed moralist who cannot drink without getting drunk.
Three Men on a Horse is a 1936 American comedy film directed and produced by Mervyn LeRoy, adapted from the Broadway play of the same name written by George Abbott and John Cecil Holm. A mild-mannered greeting card poet has the uncanny ability to pick winners in horse races.
Go into Your Dance is a 1935 American musical drama film starring Al Jolson, Ruby Keeler, and Glenda Farrell. The film was directed by Archie Mayo, and is based on the novel of the same name by Bradford Ropes. It was released by Warner Bros. on April 20, 1935. An irresponsible Broadway star gets mixed up with gambling and gangsters.
The Keyhole is a 1933 American pre-Code comedy-drama film directed by Michael Curtiz, starring Kay Francis, George Brent, Glenda Farrell and Allen Jenkins. It was released by Warner Bros. on March 25, 1933.
Little Big Shot is a 1935 American film directed by Michael Curtiz, and starring Sybil Jason and Glenda Farrell. The film was released by Warner Bros. on September 7, 1935. The plot concerns a young girl who endears herself to her caretakers after her father is murdered by mobsters.
The Perfect Specimen is a 1937 American romantic comedy film directed by Michael Curtiz and starring Errol Flynn and Joan Blondell. The picture is based on a novel by Samuel Hopkins Adams.
The Singing Marine is a 1937 American musical film directed by Ray Enright and Busby Berkeley and starring Dick Powell. It was the last of Powell's trio of service-related Warners films: 1934's Flirtation Walk paid tribute, of sorts, to the Army, and 1935's Shipmates Forever to the Navy. This one is distinguished by its two musical sequences directed by Busby Berkeley.
Miss Pacific Fleet is a 1935 American comedy film directed by Ray Enright. The film stars Joan Blondell, Glenda Farrell, and Hugh Herbert. The film was based on the short story of the same name by Frederick Hazlitt Brennan in the Collier's magazine. It was released by Warner Bros. on December 14, 1935. Two stranded showgirls in California enter a beauty contest "Miss Pacific Fleet" to win the fare back home to New York City.
Smart Blonde is a 1937 American mystery film directed by Frank McDonald. Starring Glenda Farrell as Torchy Blane, a fast-talking wisecracking female reporter, teaming up with her boyfriend detective Steve McBride, to solve the killing of an investor who just bought a popular local nightclub.
An Angel from Texas is a 1940 comedy film directed by Ray Enright and written by Fred Niblo Jr. and Bertram Millhauser, based on the hit 1925 play The Butter and Egg Man written by George S. Kaufman. The film stars Eddie Albert, Rosemary Lane, Wayne Morris, Ronald Reagan and Jane Wyman. It was released by Warner Bros. on April 27, 1940.
Broadway Hostess is a 1935 American romantic comedy musical film directed by Frank McDonald and starring Wini Shaw, Genevieve Tobin and Lyle Talbot. The film was nominated at the 1935 Academy Awards for the short lived Best Dance Direction category. For which Bobby Connolly was nominated for, along with the film Go into Your Dance.
The Tenderfoot is a 1932 American Pre-Code comedy western film directed by Ray Enright and written by Earl Baldwin, Monty Banks and Arthur Caesar. The film stars Joe E. Brown and Ginger Rogers. The film was released by Warner Bros. on May 23, 1932. It is based on Richard Carle's 1903 play The Tenderfoot, and George S. Kaufman's 1925 play The Butter and Egg Man.
The Butter and Egg Man is a 1925 play by George S. Kaufman, the only play he wrote without collaborating. It was a Broadway hit during the 1925–26 season at the Longacre Theatre. Adapted to film six times, it is still performed on stages today.
