Dance hall in its general meaning is a hall for dancing, but usually refers to a specific type of twentieth-century venue, with dance clubs (nightclubs) becoming more popular towards the end of the century. The palais de danse was a term applied to purpose-built dance halls in Britain and Commonwealth countries, which became popular after the First World War.
Other structural forms of dance halls include the dance pavilion which has a roof but no walls, and the open-air platform which has no roof or walls. The open-air nature of the dance pavilion was both a feature and a drawback. The taxi dance hall was a dance hall with a specific arrangement, wherein the patrons hire hall employees to dance with them.
From the earliest years of the twentieth century until the early 1960s, the dance hall was the popular forerunner of the discothèque or nightclub. The majority of towns and cities in the West had at least one dance hall, and almost always featured live musicians playing a range of music from strict tempo ballroom dance music to big band, swing, and jazz.[ citation needed ]
The early days of rock n' roll were briefly played out in dance halls, until they were superseded by nightclubs.[ citation needed ]
Commercial dance halls in the United States began to appear toward the end of the nineteenth century and grew in popularity at the beginning of the twentieth century. These halls were generally frequented by working-class or immigrant teenagers that admired dance halls for their lack of chaperoning and convenience as cheap commercial leisure. The rapidly changing economy of the early twentieth century shifted the views many young adults had about the separation between work and leisure, increasing dance hall popularity from the 1900s into the 1920s. [1] [2] [3]
With increased financial freedom, as compared to prior decades, young immigrant and working-class women were able to access dance halls, generally placed within urban areas, that did not require chaperones. Dance halls allowed young working-class women the opportunity to step outside of their extremely stressful home and work environments while not costing too much, or anything in some cases. [2] [4] These city dance halls were especially popular with newly independent immigrant women from more rural areas as country-side dances were often more closely monitored and tended to host styles of dancing that were considered more socially acceptable for performance in public spaces. The styles performed in city dance halls had dancing partners physically close, performing movements that would allow for limbs and body parts to graze each other in ways not seen in other partnered dance forms of the time. [3]
Although interests in dance halls were growing, halls attracted negative attention from moral reformers and the media for the types of dancing done at these establishments, the sexual independence these environments allowed women, and the difficulty of regulating dance halls. [5] Simple dance moves were already seen as morally wrong by select religious groups prior to the popularity of dance halls but with the additions of possibilities for prostitution, as well as access to alcohol, within dance halls reformers and religious leaders were increasingly against the existence of these halls. In order to discourage young adults from frequenting dance halls, media of the early twentieth century used subjective and inflammatory language to sway readers toward ideas that dance halls would morally corrupt young women while reformers petitioned to their local governments for regulation surrounding dance halls. [1] [2] [3]
In 1917, with the approval of the vice investigation panel the Fosdick Commission, a committee was organized in Louisville, Kentucky to develop rules and regulations for public dance halls. According to middle- and upper-class white vice investigators and social reformers, many young people, who they believed to be lacking in proper moral character, attempted the "irregular dancing in vogue in the commercial halls" in the settlement house's dance hall and would be angered when approached by settlement hall staff or residents instructing them to dance differently. According to one report, "a resident would say to a new couple dancing irregularly, "You can't dance that way in this hall." The couple in self-defense would answer, "I can dance that way in every other hall in the city." [6]
Starting in the early 1930s, The Savoy, a dance hall in Harlem (a black neighborhood in New York City) was the first truly integrated building in the United States — for both the dancers and the musicians. "We didn't care about the color of your skin. All we wanted to know was: Can you dance?" [7]
Texas has a high concentration of community dance halls, the largest number of them built by German and Czech immigrants. [8] [9] [10] [11] [12] [13] [14]
Following World War I in 1918, dancing became enormously popular in Britain, especially with working-class women. The purpose-built dance hall, or "palais de danse" emerged, the first being the Hammersmith Palais in London, opened in 1919. [15]
Dance halls, also termed palais de danse, became popular in Australia too, such as the Palais de Danse and the Wattle Path Palais de Danse, both in St Kilda, Melbourne, Victoria.
In Sweden and Finland, open air dance pavilions have been used mostly in summer, but especially in Finland some have also been built to be used throughout the year. Formerly, the dance pavilions were often built at sites with beautiful landscape, for example by the lakes. [16] [17]
The Sivakan lava dance pavilion in Sivakkavaara, Kaavi, Finland has a history of more than a hundred years, as according to some sources, dances have been held on pavilion since 1907. [18] [19]
Ballroom dance is a set of European partner dances, which are enjoyed both socially and competitively around the world, mostly because of its performance and entertainment aspects. Ballroom dancing is also widely enjoyed on stage, film, and television.
Leisure has often been defined as a quality of experience or as free time. Free time is time spent away from business, work, job hunting, domestic chores, and education, as well as necessary activities such as eating and sleeping. Leisure as an experience usually emphasizes dimensions of perceived freedom and choice. It is done for "its own sake", for the quality of experience and involvement. Other classic definitions include Thorstein Veblen's (1899) of "nonproductive consumption of time." Free time is not easy to define due to the multiplicity of approaches used to determine its essence. Different disciplines have definitions reflecting their common issues: for example, sociology on social forces and contexts and psychology as mental and emotional states and conditions. From a research perspective, these approaches have an advantage of being quantifiable and comparable over time and place.
The Exposition Universelle of 1900, better known in English as the 1900 Paris Exposition, was a world's fair held in Paris, France, from 14 April to 12 November 1900, to celebrate the achievements of the past century and to accelerate development into the next. It was the sixth of ten major expositions held in the city between 1855 and 1937. It was held at the esplanade of Les Invalides, the Champ de Mars, the Trocadéro and at the banks of the Seine between them, with an additional section in the Bois de Vincennes, and it was visited by more than fifty million people. Many international congresses and other events were held within the framework of the exposition, including the 1900 Summer Olympics.
Country–western dance encompasses any of the dance forms or styles which are typically danced to country-western music, and which are stylistically associated with American country and/or western traditions. Many are descended from dances brought to the United States by immigrants from the United Kingdom and Europe as early as the 1700s, which became integrated into American popular culture. Country dancing is also known as "kicker dancing" in Texas.
The Roaring Twenties, sometimes stylized as Roaring '20s, refers to the 1920s decade in music and fashion, as it happened in Western society and Western culture. It was a period of economic prosperity with a distinctive cultural edge in the United States and Europe, particularly in major cities such as Berlin, Buenos Aires, Chicago, London, Los Angeles, Mexico City, New York City, Paris, and Sydney. In France, the decade was known as the années folles, emphasizing the era's social, artistic and cultural dynamism. Jazz blossomed, the flapper redefined the modern look for British and American women, and Art Deco peaked.
A taxi dancer is a paid dance partner in a ballroom dance. Taxi dancers work on a dance-by-dance basis. When taxi dancing first appeared in taxi-dance halls during the early 20th century in the United States, male patrons typically bought dance tickets for a small sum each. When a patron presented a ticket to a chosen taxi dancer, she danced with him for the length of a song. She earned a commission on every dance ticket she received. Though taxi dancing has for the most part disappeared in the United States, it is still practiced in some other countries.
The International Exhibition of Modern Decorative and Industrial Arts was a specialized exhibition held in Paris, France, from April to October 1925. It was designed by the French government to highlight the new modern style of architecture, interior decoration, furniture, glass, jewelry and other decorative arts in Europe and throughout the world. Many ideas of the international avant-garde in the fields of architecture and applied arts were presented for the first time at the exposition. The event took place between the esplanade of Les Invalides and the entrances of the Grand Palais and Petit Palais, and on both banks of the Seine. There were 15,000 exhibitors from twenty different countries, and it was visited by sixteen million people during its seven-month run. The modern style presented at the exposition later became known as "Art Deco", after the exposition's name.
The Winter Gardens is a large entertainment complex in Blackpool, Lancashire, England, which includes a theatre, ballroom and conference facilities. Opened in 1878, it is a Grade II* listed building, operated by Blackpool Entertainment Company Limited on behalf of Blackpool Council, which purchased the property from Leisure Parcs Ltd as part of a £40 million deal in 2010.
The Palais Theatre, formerly known as Palais Pictures, is a historic picture palace located in St Kilda, an inner suburb of Melbourne, Victoria, Australia. With a capacity of nearly 3,000 people, it is the largest seated theatre in Australia.
A taxi dance hall is a type of dance hall where dancers, usually young women, called taxi dancers are paid to dance with usually male patrons. The owners of a taxi dance hall provide music and a dance floor for their patrons and taxi dancers. In the United States during the 1920s and 1930s, when taxi dancing was at its peak, patrons of taxi dance halls would typically buy dance tickets for ten cents each. When they presented a ticket to a taxi dancer, she would dance with them for the length of a single song. Taxi dancers earned a commission on every dance ticket that they collected. The ticket-a-dance system was the centerpiece of the taxi dance halls. Taxi dance halls are vividly represented on the ouverture of Henry Miller novel Sexus, where the narrator falls in love with a taxi dancer after meeting her on a Thursday night, circa 1928.
A nightclub is a club that is open at night, usually for drinking, dancing and other entertainment. Nightclubs often have a bar and discothèque with a dance floor, laser lighting displays, and a stage for live music or a disc jockey (DJ) who mixes recorded music. Nightclubs tend to be smaller than live music venues like theatres and stadiums, with few or no seats for customers.
The Hammersmith Palais de Danse, in its last years simply named Hammersmith Palais, was a dance hall and entertainment venue in Hammersmith, London, England that operated from 1919 until 2007. It was the first palais de danse to be built in Britain. In 2009, it was named by the Brecon Jazz Festival as one of twelve venues which had made the most important contributions to jazz music in the United Kingdom.
Dancing with Crime is a 1947 British film noir film directed by John Paddy Carstairs, starring Richard Attenborough, Barry K. Barnes and Sheila Sim. A man hunts down the killer of his lifelong friend.
The 14th Searchlight Battery was a Finnish anti-aircraft searchlight battery formed from women of the Lotta Svärd organization at the end of the Continuation War. The battery was formed to free some men for other tasks and was used in the air-defence of Helsinki. The battery was the only armed unit in Finnish Army made up from women that was organized as a military unit fit for combat duty. The searchlight battery was operational from late summer 1944 to the end of the Continuation War but did not see action.
Mecca Leisure Group was a British business that ran nightclubs, hotels, theme parks, bingo parlours and Hard Rock Cafes. During the 1960s, Mecca was a centre of entertainment with numerous nightclubs throughout major United Kingdom towns and cities. Mecca ballrooms were used for the BBC TV show Come Dancing. Eric Morley was a general manager of dancing at Mecca Leisure Group and was involved in the Miss World competitions.
History of women in the United Kingdom covers the social, cultural, legal and political roles of women in Britain over the last 500 years and more.
Austin, Texas, has one of the most prominent and active LGBT populations in the United States. Austin was acclaimed by The Advocate in 2012 as part of its Gayest Cities in America, and was recognized by Travel and Leisure as one of America's Best Cities for Gay Travel. Much of Austin's gay nightlife scene is clustered around 4th Street. LGBT activism groups Atticus Circle and Equality Texas are headquartered in Austin.
Ocean, formerly the Astoria, is a nightclub located on Greyfriar Gate in Nottingham, England. The club is used as a student night club for both of the universities in Nottingham.
Carmen y Laura were a Mexican-American sister musical act who were considered a Tejano version of the Andrews Sisters. They were the first artists to record for Ideal Records.
In the social context of dating, treating is the practice of providing companionship and intimate activity in exchange for entertainment outings, gifts, and other items of monetary value. The activity was prevalent in the large urban areas of the United States from the 1890s to the 1940s and was most commonly engaged in by young working-class women. As treating became more widespread, the activity acquired the label "charity," and the young women who engaged in the more risqué aspects of the practice were often called charity girls.
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