Jonathan Edwards may refer to:
Los Lobos is an American rock band from East Los Angeles, California. Their music is influenced by rock and roll, Tex-Mex, country, zydeco, folk, R&B, blues, brown-eyed soul, and traditional music such as cumbia, boleros and norteños. The band rose to international stardom in 1987, when their version of Ritchie Valens' "La Bamba" peaked at the top of the Billboard Hot 100, and also topped the charts in the United Kingdom, and several other countries. Songs by Los Lobos have been recorded by Elvis Costello, Waylon Jennings, Frankie Yankovic, and Robert Plant. In 2015, they were nominated for induction into the Rock and Roll Hall of Fame. In 2018, they were inducted into the Austin City Limits Hall of Fame. They are also known for performing the theme song for Handy Manny.
Yazoo were an English synth-pop duo from Basildon, Essex, consisting of former Depeche Mode member Vince Clarke (keyboards) and Alison Moyet (vocals). The duo formed in late 1981 after Clarke responded to an advertisement Moyet placed in a British music magazine, although the pair had known each other since their school days.
The 3rd Annual Grammy Awards were held on April 13, 1961, at Los Angeles and New York. They recognized musical accomplishments by the performers for the year 1960. Ray Charles won four awards and Bob Newhart and Henry Mancini each won three awards.
Darlene Wright, known professionally as Darlene Love, is an American singer and actress. She was the lead singer of the girl group the Blossoms and she also recorded as a solo artist.
Jo Elizabeth Stafford was an American traditional pop music singer, whose career spanned five decades from the late 1930s to the early 1980s. Admired for the purity of her voice, she originally underwent classical training to become an opera singer before following a career in popular music, and by 1955 had achieved more worldwide record sales than any other female artist. Her 1952 song "You Belong to Me" topped the charts in the United States and United Kingdom, becoming the second single to top the UK Singles Chart, and the first by a female artist to do so.
The Pied Pipers is an American popular singing group originally formed in the late 1930s. They had several chart hits through the 1940s, both under their own name and in association with Tommy Dorsey, with Johnny Mercer and with Frank Sinatra.
Paul Weston was an American pianist, arranger, composer, and conductor who worked in music and television from the 1930s to the 1970s, pioneering mood music and becoming known as "the Father of Mood Music". His compositions include popular music songs such as "I Should Care", "Day by Day", and "Shrimp Boats". He also wrote classical pieces, including "Crescent City Suite" and religious music, authoring several hymns and masses.
"Cocktails for Two" is a song from the Big Band era, written by Arthur Johnston and Sam Coslow. The song debuted in the movie Murder at the Vanities (1934), where it was introduced by the Danish singer and actor Carl Brisson. Duke Ellington's version of the song was recorded in 1934 and was inducted into the Grammy Hall of Fame in 2007.
"Suspicion" is a 1962 song originally recorded by Elvis Presley written by Doc Pomus and Mort Shuman which became a major hit in 1964 in a recording by Elvis Presley sound-alike Terry Stafford.
"Right Time of the Night" is the title of a composition by Peter McCann, which became a top-ten hit single in 1977 via a recording by Jennifer Warnes.
Jonathan and Darlene Edwards were a musical comedy double act developed by American conductor and arranger Paul Weston, and his wife, singer Jo Stafford. The routine was conceived in the 1950s, and involved Weston playing songs on the piano in unconventional rhythms, while Stafford sang off-key in a high pitched voice. The couple released five albums and one single as the Edwards, and their 1960 album, Jonathan and Darlene Edwards in Paris won that year's Grammy Award for Best Comedy Album.
Jonathan and Darlene Edwards in Paris is a 1960 comedy album recorded by American singer Jo Stafford and her husband, pianist and bandleader Paul Weston. In character as Jonathan and Darlene Edwards, the pair put their own interpretation on popular songs including "I Love Paris" and "Paris in the Spring." The album followed a successful comedy act the couple would perform at parties during the 1950s, in which Weston would play an out of tune piano while Stafford would accompany him by singing in an off-key and high pitched voice. A joint winner of the 1961 Grammy Award for Best Comedy Album, the album garnered Stafford her only major award for her singing.
"Paris in the Spring" is a popular song composed in 1935, with lyrics by Mack Gordon and music by Harry Revel. It was first introduced by Mary Ellis in the film Paris in Spring. A version was also recorded by Ray Noble and His Orchestra. In 1960, Jo Stafford and her husband Paul Weston recorded a version for their comedy album Jonathan and Darlene Edwards in Paris in which they put their own unique interpretation on the song.
The Piano Artistry of Jonathan Edwards is a 1957 album of songs by Paul Weston and Jo Stafford in the guise of Jonathan and Darlene Edwards, a New Jersey lounge act who deliberately play the piano and sing off-key, putting their own interpretation on popular songs. Most of the tracks feature Weston's piano playing, although on four he is accompanied by Darlene. The album was released by Columbia Records in 1957. It was re-released in 1985 by Corinthian Records.
Jonathan and Darlene's Greatest Hits is a 1993 compilation album of songs by Paul Weston and Jo Stafford recorded in the guise of Jonathan and Darlene Edwards, a New Jersey lounge act who performed deliberately off-key, putting their own interpretation on popular songs. The album was released by Corinthian Records on September 11, 1993.
Jonathan and Darlene's Greatest Hits: Volume 2 is a 1994 compilation album of songs by Paul Weston and Jo Stafford recorded in the guise of Jonathan and Darlene Edwards, a New Jersey lounge act who performed deliberately off-key, putting their own interpretation on popular songs. The album was released by Corinthian Records on February 22, 1994.
