Das Rendezvous, op.78, is an opera in one act by Giselher Klebe. His wife, Lore Klebe, wrote the libretto based on a work by Michail Zoščenko.
Giselher Wolfgang Klebe was a German composer, and an academic teacher. He composed more than 140 works, among them 14 literary operas, eight symphonies, 15 solo concerts, chamber music, piano works, and sacred music.
A libretto is the text used in, or intended for an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term libretto is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet.
Mikhail Mikhailovich Zoshchenko was a Soviet author and satirist.
The opera premiered in 1977 in Hannover, Germany.
|This article about a German language opera is a stub. You can help Wikipedia by expanding it.|
Edmund Josef von Horváth was a German-writing Austro-Hungarian-born playwright and novelist. He preferred the Hungarian version of his first name and published as Ödön von Horváth.
Lisa Otto was a German operatic soprano, particularly associated with soubrette and light coloratura roles.
Die Räuber, Op. 25, is an opera in four acts by Giselher Klebe who also wrote the libretto based on the play by Friedrich Schiller.
Die tödlichen Wünsche, Op. 27, is an opera by Giselher Klebe who also wrote the libretto based on La Peau de chagrin by Honoré de Balzac. It consists of fifteen lyrical scenes in three acts. It premiered on 14 June 1959 at the Deutsche Oper am Rhein in Düsseldorf, conducted by Reinhard Peters, and was published by Boosey & Hawkes. The opera was revived in 2006 at the Landestheater Detmold on the occasion of the composer's 80th birthday.
Die Ermordung Cäsars, Op. 32, is an opera in one act by Giselher Klebe who also wrote the libretto based on the translation by August Wilhelm von Schlegel of Shakespeare's play Julius Caesar.
Alkmene (Alcmene), op. 36, is an opera in three acts, with music and libretto by Giselher Klebe. Klebe based the libretto on Amphitryon by Heinrich von Kleist, which in turn was based on Molière's play of the same name. The composer dedicated the work to his mother, the violinist Gertrud Klebe.
Figaro läßt sich scheiden, op.40, is an opera in two acts by Giselher Klebe based on the comedy of the same name by Ödön von Horváth. Klebe also wrote the libretto for this work.
Jacobowsky und der Oberst, Op. 49, is an opera in four acts by Giselher Klebe who also wrote the libretto based on the 1944 play of the Jacobowsky und der Oberst by Franz Werfel.
Das Märchen von der schönen Lilie, Op. 55, is an opera in two acts by Giselher Klebe; his wife, Lore Klebe, wrote the libretto based on the fairy tale, Das Märchen, part of the novella Unterhaltungen deutscher Ausgewanderten by Johann Wolfgang von Goethe.
Ein wahrer Held, Op. 69, is an opera in three acts by Giselher Klebe who with his wife, Lore Klebe, also wrote the libretto based on the play The Playboy of the Western World by John Millington Synge.
Das Mädchen aus Domrémy, Op. 72, is an opera in two acts by Giselher Klebe who with his wife, Lore Klebe, also wrote the libretto based on the play Die Jungfrau von Orléans by Friedrich Schiller.
Der Jüngste Tag, op.82, is an opera in three acts composed by Giselher Klebe. His wife, Lore Klebe, wrote the libretto based on the play of the same name by Ödön von Horváth.
Die Fastnachtsbeichte , op.90, is an opera in two acts by Giselher Klebe. His wife, Lore Klebe, wrote the libretto based on the novella of the same name by Carl Zuckmayer.
Chlestakows Wiederkehr, op.149, is an opera in three acts by Giselher Klebe. He also wrote the libretto, based on the play Der Revisor by Nikolai Gogol. The work lasts about 70 minutes.
Gervaise Macquart, op. 119, is an opera in two acts by Giselher Klebe. His wife, Lore Klebe, wrote the libretto based on the novel L'Assommoir by Émile Zola.
Bluthochzeit is an opera in two acts by Wolfgang Fortner. The libretto, also by Fortner, is based on Enrique Beck's German translation of García Lorca's 1933 play Bodas de sangre. It premiered at the Cologne Opera on 8 June 1957.
Gwendolyn Killebrew is an American operatic contralto who has worked in Germany and internationally, including the Metropolitan Opera and the Bayreuth Festival.
The Cinnabar Theater, located in Petaluma, California, is a professional non-profit theater producing opera and musical theatre, drama and a chamber music series in a 120-seat venue, under the auspices of the Cinnabar Arts Corporation. The venue is also home to the Young Repertory Theater, the longest running and largest youth performing arts program in Sonoma County. The company's Music Director is Mary Chun.
Melitta Muszely is an Austrian operatic soprano and a voice teacher. She made a career based in Germany, mainly at the Hamburg State Opera with guest contracts to the Komische Oper Berlin and the Vienna State Opera, among others. She took part in world premieres, and performed internationally in Europe. She appeared in all four female characters in Offenbach's Hoffmanns Erzählungen in the 1958 legendary production by Walter Felsenstein, and sang recitals until 2008.