The film is known for its performances by its leading cast, Sanjeev Kumar, and the newcomer, Rehana Sultan, and for its memorable songs by Madan Mohan. He won his first National Film Award for it and the lyrics of Majrooh Sultanpuri. Hrishikesh Mukherjee, the film director-turned-editor of this black-and-white film won a Filmfare Award, his second after Madhumati in 1958.[1][2]
Upon release, the film established Rajinder Singh Bedi as an important force in Indian Parallel Cinema, as Dastak is considered an important film of the decade.[4] In 1972 the director was awarded the Padma Shri.
The director Hrishikesh Mukjherjee once said, "Rajinder Singh Bedi was an extraordinarily gifted writer. Indeed, I feel privileged that I could edit his maiden venture as writer-director 'Dastak' in stark B&W starring Sanjeev Kumar and Rehana Sultan. Rehana won the 'Urvashi' award then the term for the National Award for Best Actress and I won the coveted Filmfare award for my first love - editing!"[5]
Critical reception
Dastak was featured in Avijit Ghosh's book, 40 Retakes: Bollywood Classics You May Have Missed.[1] In a retrospective review, Sukanya Verma of Rediff.com wrote, "It [Dastak] rejects conventional ideas of filmmaking to produce a nuanced, uncompromised vision, which slams the inconsistencies and ethics of social structure through ordinary, imperfect people. Yet shows how it’s these very ordinary, imperfect people who battle it in spirit till the very end."[1]
Synopsis
The film was known for its unusual story line set in a red light area. A newlywed couple, Hamid (Sanjeev Kumar) and Salma (Rehana Sultan), unwittingly rent a flat, and thus begins their daily turmoil at the knocks (dastak) on their door. The previous occupant was Shamshad Begum (Shakeela), a mujrewali (nautch girl).[1]
The film's music director stood his ground as a maestro of classical rhythms on the dholak and raga based melodies. The music of Dastak stood out for its allegiance to the classical traditions of raga-based melodies by its music director Madan Mohan, who managed to get from Lata Mangeshkar, ostensibly her best performance as a playback singer.[6]
Lyrics
The film is known for its poignant lyrics by lyricist Majrooh Sultanpuri, especially in capturing the painful state of the story's female protagonist, Salma — be it a dramatic statement about the society: "Hum hai mataye koocha bazaar ki tarah, Uthti hai har nigaah kharidaar ki tarah" or the silent pain of "Mai Ri mai ka se Kahoon peer apne jiya ki..."[7]
↑ Leslie A. Flemming. "The Films of Rajinder Singh Bedi". Digital South Asia Library website. Archived from the original on 16 July 2020., Annual of Urdu Studies. v. 5, 1985 (pages 81, 82, 83)
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