Dastak | |
---|---|
Directed by | Rajinder Singh Bedi |
Screenplay by | Rajinder Singh Bedi |
Produced by | Rajinder Singh Bedi |
Starring | Sanjeev Kumar Rehana Sultan Anju Mahendru |
Cinematography | Kamal Bose |
Edited by | Hrishikesh Mukherjee |
Music by | Madan Mohan Majrooh Sultanpuri (lyrics) |
Release date |
|
Running time | 140 minutes |
Country | India |
Language | Hindi |
Dastak (knock on door) is a Hindi film made in 1970. It was written and directed by Rajinder Singh Bedi and was his directorial debut.
The film is known for its performances by its leading cast, Sanjeev Kumar, and the newcomer, Rehana Sultan, and for its memorable songs by Madan Mohan. He won his first National Film Award for it and the lyrics of Majrooh Sultanpuri. Hrishikesh Mukherjee, the film director-turned-editor of this black-and-white film and won a Filmfare Award, his second after Madhumati in 1958. [1]
Dastak presents an expanded version of Rajinder Singh Bedi's radio play, Naql-e-Makaani (Moving to a New House), first performed on All India Radio, Lahore in 1944. [2]
Upon release, the film established Rajinder Singh Bedi as an important force in Indian Parallel Cinema, as Dastak is considered an important film of the decade. [3] In 1972 the director was awarded the Padma Shri.
The director Hrishikesh Mukjherjee once said, "Rajinder Singh Bedi was an extraordinarily gifted writer. Indeed, I feel privileged that I could edit his maiden venture as writer-director 'Dastak' in stark B&W starring Sanjeev Kumar and Rehana Sultan. Rehana won the 'Urvashi' award then the term for the National Award for Best Actress and I won the coveted Filmfare award for my first love - editing!" [4]
Dastak was featured in Avijit Ghosh's book, 40 Retakes: Bollywood Classics You May Have Missed. [5] In a retrospective review, Sukanya Verma of Rediff.com wrote, "It [Dastak] rejects conventional ideas of filmmaking to produce a nuanced, uncompromised vision, which slams the inconsistencies and ethics of social structure through ordinary, imperfect people. Yet shows how it’s these very ordinary, imperfect people who battle it in spirit till the very end." [5]
The film was known for its unusual story line set in a red light area. A newlywed couple, Hamid (Sanjeev Kumar) and Salma (Rehana Sultan), unwittingly rent a flat, and thus begins their daily turmoil at the knocks (dastak) on their door. The previous occupant was Shamshad Begum (Shakeela), a mujrewali (nautch girl).
The film's music director stood his ground as a maestro of classical rhythms on the dholak and raga based melodies. The music of Dastak stood out for its allegiance to the classical traditions of raga-based melodies by its music director Madan Mohan, who managed to get from Lata Mangeshkar, ostensibly her best performance as a playback singer. [6]
The film is known for its poignant lyrics by lyricist Majrooh Sultanpuri, especially in capturing the painful state of the story's female protagonist, Salma — be it a dramatic statement about the society: "Hum hai mataye koocha bazaar ki tarah, Uthti hai har nigaah kharidaar ki tarah" or the silent pain of "Mai Ri mai ka se Kahoon peer apne jiya ki..." [7]
Lata Mangeshkar was an Indian playback singer and occasional music composer. She is considered to be one of the greatest and most influential singers of the Indian subcontinent. Her contribution to the Indian music industry in a career spanning eight decades gained her honorific titles such as the "Queen of Melody", "Nightingale of India", and "Voice of the Millennium".
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Madan Mohan Kohli, better known as Madan Mohan, was an Indian music director of the 1950s, 1960s and the 1970s. He is considered one of the most melodious and skilled music directors of the Hindi film industry. He is particularly remembered for the immortal ghazals he composed for Hindi films. Some of his best works are with singers Lata Mangeshkar, Mohammed Rafi and Talat Mahmood.
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Rajinder Singh Bedi was an Indian Urdu writer of the progressive writers' movement and a playwright, who later worked in Hindi cinema as a film director, screenwriter and dialogue writer and he is grandfather to Rajat Bedi and Manek Bedi.
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