Mujra is a dance performance by man/woman in a format that emerged during Mughal rule in India, where the elite class and local rulers like the nawabs of the Indian society (often connected to the Mughal emperor's court) used to frequent tawaifs (courtesans) for their entertainment.
It combines elements of the Indian classical Kathak dance with Hindustani classical music including thumris and ghazals. It also includes poems from other Mughal periods like the emperors from Akbar to Bahadur Shah Zafar's ruling periods. [1] Mujra was traditionally performed at mehfils and in special houses called kothas. During Mughal rule in the subcontinent, in places such as Delhi, Lucknow, Jaipur, the tradition of performing mujra was a family art and often passed down from mother to daughter. These courtesans or tawaifs had some power and prestige due to their access to the elite class and some of them came to be known as authorities on culture. Some noble families would send their sons to them to learn etiquette and the art of conversation from them. [2] They were sometimes called Nautch girls which included dancers, singers and playmates of their patron nawabs. [2]
In Lahore, Mughal empire's Heera Mandi neighbourhood, the profession was a cross between art and exotic dance, with the performers often serving as courtesans amongst Mughal royalty or wealthy patrons. "The wealthy even sent their sons to the salons of tawaifs, high-class courtesans that have been likened to Japanese geishas, to study etiquette." [3] [2]
Mujra dance consolidates elements of classical Kathak dance with local music, including thumris and ghazals. It also incorporates poetry from the Mughal era. True mujra is elegant, sophisticated and artistic, presented with taste and elegance. In the past, tawaifs would also be invited to perform mujra on important occasions such as marriage or the birth of a male heir.During the British colonial period, some tawaifs became prostitute and some prostitutes also called their erotic dances mujra dance. Mujra dance gradually became associated with prostitution. [4] [5]
As a musical genre, mujras historically reconstruct an aesthetic culture of sixteenth-to-nineteenth-century South Asia in which heightened musical and dance entertainment afforded a medium for exchange between one woman and many men — what ethnomusicologist Regula Qureshi calls, "an asymmetry of power that is tempered with gentility." [6]
Modern Mujra dancers perform at events like weddings, birthday and bachelor parties in countries where traditional Mughal culture is prevalent, such as Pakistan. To a lesser extent, dancers in Pakistan often perform a modern form of mujra along with popular local music. [7] [2]
In 2005, when dance bars were closed across Maharashtra state, many former bar girls moved to 'Congress House' near Kennedy Bridge on Grant Road area in Mumbai, the city's oldest hub for mujra, and started performing mujra there. The women are trained in mujra in Agra of India and Lahore and Karachi of Pakistan. Dawn newspaper, Karachi, describes Lahore's Heera Mandi area as, "Pakistan's oldest red light district was for centuries, a hub of traditional erotic dancers, musicians and prostitutes." [3]
In many areas of the Indian subcontinent, they are called by different names – for example they are called tawaifs in North India and Pakistan (in Hindi and Urdu-speaking areas), baijis in Bengal, and naikins in Goa. [2]
Most women hope for an international dance career or South Asian dance career at a film studio.
Mujra in the Marathi, Urdu and Hindi languages means:
Mujra has been depicted in Bollywood films like Mehndi (1958), Mughal-e-Azam (1960), Pakeezah (1972), Umrao Jaan (1981), Zindagi Ya Toofan (1958) and Devdas (1955), or in other films that show the past Mughal rule and its culture. The dance is upscaled and taught with more dance choreography to make the female dancer more fluent in her moves and to be more artistic and feminine. The women are usually the center of the public eye and can dance and entertain the audience for a long time.
In Pakistan's Lollywood films like Anjuman (1970), one can see many mujra dances being performed before the movie is over [8] while in Pakistani dramas such as Deewar-e-Shab (2019) and Umrao Jaan Ada (2003), there were also several Mujra performances.
A documentary about mujra dancers called Showgirls of Pakistan was released globally in 2021. It is a feature-length documentary directed by Pakistani film maker Saad Khan. [9]
Kathak is one of the nine major forms of Indian classical dance. Its origin is attributed to the traveling bards in ancient northern India known as Kathakar ("storyteller"), who communicated stories from the Hindu epics through dance, songs and music. Its name derives from the Sanskrit word katha which means "story", and kathakar which means "the one who tells a story", or "to do with stories".
A tawaif was a highly successful courtesan singer‚ dancer‚ and poet who catered to the nobility of the Indian subcontinent, particularly during the Mughal era. Many tawaifs were forced to go into prostitution due to a lack of opportunities by the time of the British Raj.
Heera Mandi, sometimes referred to as Shahi Mohallah, is a neighbourhood and bazaar located in the Walled City of Lahore. It is specifically known as the red light district of Lahore, Pakistan. It is believed to have been originally named 'Hira Singh Di Mandi', meaning Hira Singh's food grain market. Later, this transformed to the modern name Heera Mandi as it evolved into a ‘red light district’ for the city.
The nautch was a popular court dance performed by girls in later Mughal and colonial India. The word "nautch" was a British corruption of Nachna, the Hindi verb to dance. The culture of the performing art of the nautch rose to prominence during the later period of Mughal Empire and the rule of the East India Company.
Kumudini Lakhia is an Indian Kathak dancer and choreographer based in Ahmedabad, Gujarat, where she founded Kadamb School of Dance and Music, an institute of Indian dance and music in 1967.
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