"Dat Dere" | |
---|---|
Song | |
Language | English |
Genre | Jazz |
Composer(s) | Bobby Timmons |
Lyricist(s) | Oscar Brown, Jr. |
"Dat Dere" is a jazz song written by Bobby Timmons that was recorded in 1960. Lyrics were written later by Oscar Brown, Jr.
The song was first recorded by Bobby Timmons in his debut album This Here Is Bobby Timmons (January 1960), and shortly thereafter by the Cannonball Adderley Quintet on the album Them Dirty Blues (February 1960) and by Art Blakey and the Jazz Messengers on the album The Big Beat (March 1960), with Timmons as pianist on both recordings. [1] [2]
Oscar Brown Jr. wrote the lyrics later for his 1960 album Sin & Soul. [3] In 1962 Sheila Jordan recorded the vocal version for her acclaimed debut record "Portrait of Sheila". [4] The song has since been recorded by dozens of performers in both vocal and instrumental versions. [5] Rickie Lee Jones recorded a version for her 1991 album Pop Pop . [6]
Julian Edwin "Cannonball" Adderley was an American jazz alto saxophonist of the hard bop era of the 1950s and 1960s.
Nathaniel Carlyle Adderley was an American jazz trumpeter. He was the younger brother of saxophonist Julian "Cannonball" Adderley, whom he supported and played with for many years.
Columbus Calvin "Duke" Pearson Jr. was an American jazz pianist and composer. Allmusic describes him as having a "big part in shaping the Blue Note label's hard bop direction in the 1960s as a record producer."
Robert Henry Timmons was an American jazz pianist and composer. He was a sideman in Art Blakey's Jazz Messengers for two periods, between which he was part of Cannonball Adderley's band. Several of Timmons' compositions written when part of these bands – including "Moanin'", "Dat Dere", and "This Here" – enjoyed commercial success and brought him more attention. In the early and mid-1960s he led a series of piano trios that toured and recorded extensively.
Oscar Brown Jr. was an American singer, songwriter, playwright, poet, civil rights activist, and actor. Aside from his career, Brown ran unsuccessfully for office in both the Illinois state legislature and the U.S. Congress. Brown wrote many songs, 12 albums, and more than a dozen musical plays.
Moanin' is a studio album by Art Blakey and the Jazz Messengers, released in January 1959 through Blue Note Records.
Samuel Jones was an American jazz double bassist, cellist, and composer.
Roy McCurdy is a jazz drummer.
Cannonball in Japan is a live recording by the Cannonball Adderley Quintet at the Sankei Hall in Tokyo which was first released on the Japanese Capitol label in 1966 before being more widely released on CD in 1990.
The Cannonball Adderley Quintet in San Francisco is a 1959 album by The Cannonball Adderley Quintet.
The Big Beat is an album by Art Blakey and his group The Jazz Messengers recorded on March 6, 1960 and released on the Blue Note label. It features performances by Blakey with Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt.
Them Dirty Blues is an album by the Cannonball Adderley Quintet, recorded in 1960.
African Waltz is an album by jazz saxophonist Cannonball Adderley, released on the Riverside label and performed by Adderley with an orchestra conducted by Ernie Wilkins. The title track had been a UK hit single for Johnny Dankworth.
Work Song is an album by jazz cornetist Nat Adderley, recorded in January 1960 and released on the Riverside label. It features Adderley with Bobby Timmons, Wes Montgomery, Sam Jones, Percy Heath, Keter Betts and Louis Hayes in various combinations from a trio to a sextet, with the unusual sound of pizzicato cello to the fore on some tracks.
Pop Pop is an album by the American musician Rickie Lee Jones, released in September 1991.
Really Big! is the second album by saxophonist Jimmy Heath featuring big band performances recorded in 1960 and originally released on the Riverside label.
Portrait of Sheila is the 1963 debut album of American jazz singer Sheila Jordan, released by Blue Note Records. In the 1963 DownBeat magazine Critics Poll, she was ranked first in the vocal category for "Talent Deserving Wider Recognition". She did not record again as a leader for more than a dozen years.
Imagination is the final studio album led by trumpeter Woody Shaw which was recorded in 1987 and released on the Muse label. Imagination was reissued by Mosaic Records as part of Woody Shaw: The Complete Muse Sessions in 2013.
The Sextet is a live album by the jazz saxophonist Cannonball Adderley recorded in 1962-63 but not released by the Milestone label until 1982 and featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes recorded in San Francisco and Japan. The album features previously unreleased performances from the Jazz Workshop residency that produced Jazz Workshop Revisited and from the Japanese concerts that produced Nippon Soul.
"Work Song" is a work song and jazz standard by American trumpeter Nat Adderley and writer Oscar Brown Jr. It was first featured in Adderley's 1960 studio album of the same name, which was met with high praise and acclaim. "Work Song" is one of Adderley's best known compositions.