David Feldman | |
---|---|
Background information | |
Born | Rio de Janeiro, Brazil | 29 December 1977
Genres | Jazz, Bossa Nova |
Occupation(s) | Musician, arranger, producer, composer, sound engineer |
Instrument(s) | Piano, Electronic keyboard |
Years active | 1998-present |
Website | www |
David Feldman (born 29 December 1977, in Rio de Janeiro) is a Brazilian-Israeli Jazz and Bossa Nova pianist, arranger, producer, composer and sound-engineer.
David Feldman was born in a family of classical and early-music musicians. He studied with Ileana Carneiro, pt:Sheila Zagury, and Luiz Eça.
In 2000, Feldman enrolled at The New School for Jazz and Contemporary Music in New York, graduating in 2002. He worked with Slide Hampton and Claudio Roditi, was invited to sit in at the Mingus Big Band and worked with Duduka da Fonseca and Anat Cohen at Duduka's NY Samba Jazz Group, [1] Matt Garrison and Eli Degibri.
In 2004, he was semi-finalist of the Solo Piano Competition at Montreux Jazz Festival. In Brasil, he plays with Leny Andrade, Leila Pinheiro, and also has played in duos with veterans Paulo Moura and Leo Gandelman. [2] Feldman collaborates with the Brazilian NY based drummer Duduka da Fonseca, is the pianist in Duduka's trio with excellent critic reviews, [3] and incorporates Duduka as the drummer of the David Feldman Trio in New York. [4]
Feldman released in 2009 his first album "O Som do Beco Das Garrafas", very well received by the critics. [5] [6] [7] Since then he has performed in jazz festivals in Brasil and overseas, having performed more than four times at the Festival Internacional de Jazz de Punta del Este, [8] where in 2014 he had clarinetist/saxophonist Paquito D’Rivera as special guest. [9] A video of that show can be seen here, in which David and Paquito play David's original tune "Esqueçeram de mim no aeroporto" with André Vasconcellos on bass, pt:Márcio Bahia on drums , Frank Basile on Baritone sax and Diego Urcola on trumpet.
Feldman's solo disc "piano" from 2014 was also received well by the critics. [10] [11] [12]
In September 2016 Feldman released the Horizonte album, with seven original songs. Per Mauro Ferreira "Horizonte confirms the carioca pianist as one of the great talents of today's Brazilian instrumental music". [13] According to Dan Bilawsky, who gave Horizonte 4.5 stars out of 5 in his review on All About Jazz "While Feldman's decision to remain in Rio de Janeiro has kept him slightly off the radar, this album is a brilliant blip that should register with Brazilian jazz lovers near and far. Feldman's composing chops take center stage, his piano playing—alternately ruminative and animated—delights, and his crafting of a strong group dynamic speaks volumes about his leadership" [14]
In April 2018, Feldman's participation in Duduka Da Fonseca's "Plays Dom Salvador", which received a 4-star rating from DownBeat's June 2018 edition, [15] does an "admirable job of fleshing out the harmony in Salvador’s writing without underplaying the rhythmic content, and his phrasing on "Mariá" and "Para Elis" leaves one wondering why those ballads aren't better known", according to J.D. Cosidine.
In December 2019, Feldman hosted a Jam Session [16] at the Art Boutiki, his first connection with the US West Coast Jazz scene.
Antônio Maurício Horta de Melo is a Brazilian jazz guitarist and vocalist.
Nico Assumpção, was a Brazilian bass player.
Juvenal de Holanda Vasconcelos, known as Naná Vasconcelos, was a Brazilian percussionist, vocalist and berimbau player, notable for his work as a solo artist on over two dozen albums, and as a backing musician with Pat Metheny, Don Cherry, Jan Garbarek, Egberto Gismonti, Gato Barbieri, and Milton Nascimento.
Helio Alves is a jazz pianist and son of pianists.
João Donato de Oliveira Neto was a Brazilian jazz and bossa nova pianist as well as a trombonist from Rio Branco. He first worked with Altamiro Carrilho and went on to perform with Antonio Carlos Jobim and Astrud Gilberto. Because of the area he grew up in Brasil he was able to hear Cuban music on the radio. This influence would manifest itself in many of his compositions, piano, and trombone playing. Donato's most well-known compositions include: "Amazonas", "Lugar Comum", "Simples Carinho", "Até Quem Sabe" and "Nasci Para Bailar".
Dom Salvador, stage name of Salvador da Silva Filho, is a Brazilian jazz/MPB pianist most notable for his Rio 65 Trio that featured the Brazilian jazz drummer Edison Machado and bassist Sergio Barrozo. He also did tours of Europe with musicians like Sylvia Telles. In May 1976, he recorded his one and only American jazz album, My Family, for Muse Records in New York City. Over his long career, he has performed with musicians like Rubens Bassini, Jorge Ben, Elza Soares and Elis Regina, to name a few. In later life he formed the a trio
"Inútil Paisagem" is a song composed by Antônio Carlos Jobim, with lyrics by Aloysio de Oliveira. An English-language version with lyrics by Ray Gilbert is titled "If You Never Come to Me".
João Theodoro Meirelles, better known as J. T. Meirelles, is a Brazilian saxophonist and flautist. He was born in Rio de Janeiro, Brazil and died at 67 years old in that same city. Meirelles is considered one of the creators of the samba-jazz rhythm, along with Manfredo Fest.
Sambalanço Trio was a Brazilian samba-jazz group formed by Cesar Camargo Mariano (piano), Humberto Clayber (bass) and Airto Moreira (drums). The band started to play in 1964 and lasted for about two years. Their albums are considered some of the most important works of that period and influenced many other groups of samba and jazz.
Duduka Da Fonseca, born Eduardo Moreira Da Fonseca is a Brazilian jazz drummer who is a founding member of Trio da Paz with Romero Lubambo and Nilson Matta. He leads the Duduka da Fonseca Trio, with David Feldman and Guto Wirtti. Duduka is a resident of New York City.
Leila Pinheiro is a Brazilian Bossa Nova singer, pianist and composer. Her self-titled debut album had the guest performances of Tom Jobim, João Donato, Ivan Lins, Francis Hime, and Toninho Horta, and she later went on to perform with artists such as Zimbo Trio, Pat Metheny, Baden Powell and Toquinho.
Humberto Clayber de Souza is a Brazilian composer and musician. He was considered one of the best Bossa Nova bass players in 1960s and actually is acclaimed as one of the best harmonica players of the world. He played with many famous artists along his career, such as Cesar Camargo Mariano, Airto Moreira, Hermeto Pascoal and Manfredo Fest.
Béco Dranoff is a Brazilian-American music producer and creative Brazilian music events and film producer and co-founder of the Ziriguiboom Discos music label.
Canta Brasil is an album by pianist Kenny Barron recorded in New York in 2002 and released on the Sunnyside label.
Breath of Brazil is an album by American pianist Joanne Brackeen recorded in 1991 and released on the Concord Jazz label.
Take a Chance is an album by American pianist Joanne Brackeen recorded in 1993 and released on the Concord Jazz label. It is Brakeen's second album of Brazilian music following 1991's Breath of Brazil.
José Luis Segneri Oliveira is a Brazilian composer, saxophonist, flutist, producer, arranger and multi-instrumentalist. Oliveira became famous in the 1980s performing and recording with Caetano Veloso, Gilberto Gil, Gal Costa, Tania Maria and Cazuza.
Edison dos Santos Machado was a self-taught Brazilian drummer and composer. Through his creation of the samba no prato and his early recordings, he helped shape Brazilian samba and bossa nova. Throughout his life, he collaborated frequently with a variety of musicians including Chet Baker and Ron Carter and was recorded in over 50 albums until his sudden death in 1990. Despite the impact he made as one of the founders of bossa nova his name has been largely forgotten.
Samba-jazz or jazz samba is an instrumental subgenre of samba that emerged in the bossa nova ambit in the late 1950s and early 1960s in Brazil.
Paulo Braga or Paulinho Braga is a Brazilian drummer and composer. He is considered an innovator in modern Brazilian drumming and one of Brazil's leading drummers, said by some to be the "father of modern Brazilian drums". He is best known for his long period playing with the "founder of bossa nova", Tom Jobim. Braga is said to have recorded more than 900 music tracks.