David Rothenberg (born 1962) is a professor of philosophy and music at the New Jersey Institute of Technology, with a special interest in animal sounds as music. He is also a composer and jazz musician whose books and recordings reflect a longtime interest in understanding other species such as singing insects by making music with them.
Rothenberg graduated from Harvard and took his PhD from Boston University. [1]
Looking back at his high school years in the 1970s, Rothenberg told Claudia Dreifus of The New York Times , "I was influenced by saxophonist Paul Winter's Common Ground album, which had his own compositions with whale and bird sounds mixed in. That got me interested in using music to learn more about the natural world." [2]
As an undergraduate at Harvard, Rothenberg created his own major to combine music with communication. He traveled in Europe after graduation, playing jazz clarinet. Listening to the recorded song of a hermit thrush, he heard structure that reminded him of a Miles Davis solo. [3]
Because of Rothenberg's study of animal song and his experimental interactions with animal music, he is often called an "interspecies musician." [3] According to Andrew Revkin, he "explores the sounds of all manner of living things as both an environmental philosopher and jazz musician." [4]
Rothenberg is a professor of philosophy and music at the New Jersey Institute of Technology, [5] with a special interest in animal sounds as music.
Rothenberg's book Why Birds Sing: A Journey into the Mystery of Bird Song (Basic Books, 2005) was inspired by an impromptu duet in March 2000 with a laughingthrush at the National Aviary in Pittsburgh. [2] In the wild, male and female laughingthrushes sing complex duets, so "jamming" with a human clarinet player was closely related to the bird's natural behavior. [3] A CD accompanying the book also featured Rothenberg's duet with an Australian lyrebird. [2] The book served as the basis for a 2006 BBC documentary of the same name. [6]
Rothenberg's book Thousand Mile Song (Basic Books, 2008) reflects similar curiosity about whale sounds considered as music. He seeks out both scientific and artistic insights into the phenomenon. Philip Hoare said of the book, "..while Rothenberg's madcap mission to play jazz to the whales seems as crazy as Captain Ahab's demented hunt for the great White Whale, it is sometimes such obsessions that reveal inner truths...I find myself more than a little sympathetic to the author's faintly bonkers but undoubtedly stimulating intent: to push at the barriers between human history and natural history." [7]
His book Survival of the Beautiful: Art, Science and Evolution (Bloomsbury Press, 2011) was described by the journal Nature in this way: "Rothenberg covers topics such as camouflage, abstraction, the profound impact of art on science and much more to explore his theme [that beauty is not random but is intrinsic to life—and that evolution proceeds by sumptuousness, not by utility alone]." Roald Hoffmann said of the book, "David Rothenberg is a brilliantly fun guide on a journey that takes us from bower birds to the neuroesthetics of Semir Zeki. Survival of the Beautiful is just about the best travel literature of the mind out there. With wit by turns gentle and sharp, Rothenberg shows us how art is shaped by animals, and by us." [8] Peter Forbes, writing in The Guardian , calls the book "immensely fertile", bringing together ideas from Charles Darwin, Ernst Haeckel, and D'Arcy Wentworth Thompson. Forbes praises Rothenberg's "innocent eye for the telling image", enjoying his treatment of the bowerbirds. [9]
Bug Music, a book about insects and music, was published by St Martins Press in 2013. He began this project at the 2006 International Arts Pestival in London. [6] During the 2011 emergence of Brood XIX periodical cicadas, Rothenberg was the subject of a YouTube video as he played saxophone to accompany the mating calls of Magicicada tredecassini. [4] [10]
Nightingales in Berlin: Searching for the Perfect Sounds, was published by The University of Chicago Press in 2019. The book follows the urban landscape of Berlin—longtime home to nightingale colonies where the birds sing ever louder in order to be heard—and invites the reader to listen in on their remarkable collaboration as birds and instruments riff off of each other's sounds. [11]
Rothenberg has recorded at least 9 albums in his own name, and has performed or recorded music with Peter Gabriel and other jazz musicians. [1] Many of the albums have been on the Terra Nova label. [12]
Since 2014, Rothenberg has been an Ambassador of the international non-governmental humanitarian mission the Dolphin Embassy , [24] participating in non-invasive research of the possibilities of free dolphins and whales – playing music for them. In 2017, the Dolphin Embassy released the full-length documentary Intraterrestrial , which received awards from international film festivals. The film's soundtrack features music by Rothenberg. [25]
Rothenberg's music appears in Imogene Drummond's animations Sparky (3', 2009) [26] and Divine Sparks (30', 2012) [27]
In the short drama Whales (14', 2009, directed by Thomas Barnes) there are original whale recordings by Rothenberg. [28]
Reviewing One Dark Night I Left My Silent House, Svenska Dagbladet wrote that Rothenberg and Crispell, "create a moment of beauty," with, "a searching minimalism," and awarded the maximum six stars. [29] The album was well received by other critics. [30] [31]
The cicadas are a superfamily, the Cicadoidea, of insects in the order Hemiptera. They are in the suborder Auchenorrhyncha, along with smaller jumping bugs such as leafhoppers and froghoppers. The superfamily is divided into two families, the Tettigarctidae, with two species in Australia, and the Cicadidae, with more than 3,000 species described from around the world; many species remain undescribed.
Mark Dresser is an American double bass player and composer.
Henry Grimes was an American jazz double bassist and violinist.
Zoomusicology is the study of the musical aspects of sound and communication as produced and perceived by animals. It is a field of musicology and zoology, and is a type of zoosemiotics. Zoomusicology as a field dates to François-Bernard Mâche's 1983 book Music, Myth, and Nature, or the Dolphins of Arion, and has been developed more recently by scholars such as Dario Martinelli, David Rothenberg, Hollis Taylor, David Teie, and Emily Doolittle.
Marilyn Crispell is an American jazz pianist and composer. Scott Yanow described her as "a powerful player... who has her own way of using space... She is near the top of her field." Jon Pareles of The New York Times wrote: "Hearing Marilyn Crispell play solo piano is like monitoring an active volcano... She is one of a very few pianists who rise to the challenge of free jazz." In addition to her own extensive work as a soloist or bandleader, Crispell is also known as a longtime member of saxophonist Anthony Braxton's quartet in the 1980s and '90s.
Biomusic is a form of experimental music which deals with sounds created or performed by non-humans. The definition is also sometimes extended to include sounds made by humans in a directly biological way. For instance, music that is created by the brain waves of the composer can also be called biomusic as can music created by the human body without the use of tools or instruments that are not part of the body.
buddy's knife jazzedition is a book publisher in Cologne, Germany that specializes in the publication of jazz books. It was established in 2007 by editor and ethnologist Renate Da Rin.
Vignettes is a solo album by pianist Marilyn Crispell recorded in 2007 and released on the ECM label.
Storyteller is an album by pianist Marilyn Crispell, bassist Mark Helias, and drummer Paul Motian recorded in 2003 and released on the ECM label.
Phil Haynes is an American jazz percussionist and composer.
Insect names have appeared in music from Rimsky-Korsakov's "Flight of the Bumblebee" to such popular songs as "Blue-tailed Fly" and the folk song La Cucaracha which is about a cockroach. Insect groups mentioned include bees, ants, flies and the various singing insects such as cicadas, crickets, and beetles, while other songs refer to bugs in general.
Birdsong has played a role in Western classical music since at least the 14th century, when composers such as Jean Vaillant quoted birdsong in some of their compositions. Among the birds whose song is most often used in music are the nightingale and the cuckoo.
Raymond Strid is a Swedish drummer in the genre of free jazz and the new European improvised music.
Korhan Erel is a musician, improviser, sound designer based in Berlin.
A Concert in Berlin is a live solo piano album by Marilyn Crispell. It was recorded at the Summer Music concert series at the Haus am Waldsee in Berlin in July 1983, and was released later that year by FMP.
And Your Ivory Voice Sings is an album by pianist Marilyn Crispell and drummer Doug James. It was recorded at the Woodstock Recording Studio in Woodstock, N.Y. in March 1985, and was released later that year by Leo Records.
Overlapping Hands: Eight Segments is a live album by pianists Marilyn Crispell and Irène Schweizer. It was recorded at the Workshop Freie Musik, Akademie der Künste in Berlin in June 1990, and was released in 1991 by FMP.
Spring Tour is a live album by pianist Marilyn Crispell, bassist Anders Jormin, and drummer Raymond Strid. It was recorded at Club Village in Västerås, Sweden and Club Fasching in Stockholm, Sweden in March 1994, and was released in 1995 by Alice Musik Produktion.
Sibanye is a live album by drummer Louis Moholo-Moholo and pianist Marilyn Crispell. It was recorded at An die Musik Live in Baltimore, Maryland in June 2007, and was released in 2008 by Intakt Records. The recording captures the duo's first musical encounter, and features a completely improvised set, with no prior discussion as to the length or nature of the music to be performed.
One Dark Night I Left My Silent House is an album by pianist Marilyn Crispell and clarinetist David Rothenberg. It was recorded at Nevassa Studio in Woodstock, New York, in March 2008, and was released in 2010 by ECM Records. The album, which is entirely improvised, is named after Peter Handke's novel In einer dunklen Nacht ging ich aus meinem stillen Haus. In addition to playing piano, Crispell also employs percussion instruments and "an old beat-up piano soundboard wrenched out of an old baby grand."