Sir John Eliot Gardiner, CBE HonFBA is an English conductor, particularly known for his performances of the works of Johann Sebastian Bach and of other baroque music.
Trevor David Pinnock is a British harpsichordist and conductor.
The English mezzo-soprano Carolyn Watkinson is a well-known singer of baroque music. Her voice is alternately characterized as mezzo-soprano and contralto.
Dame Carolyn Emma Kirkby, is an English soprano and early music specialist. She has sung on over 100 recordings.
Andreas Scholl is a German countertenor, a male classical singer in the alto vocal range, specialising in Baroque music.
Daniel Taylor is a Canadian countertenor and early music specialist. Taylor runs the Theatre of Early Music and teaches at the University of Toronto.
Paul Agnew is a Scottish operatic tenor and conductor.
Robin Blaze is an English countertenor.
Alexander's Feast is an ode with music by George Frideric Handel set to a libretto by Newburgh Hamilton. Hamilton adapted his libretto from John Dryden's ode Alexander's Feast, or the Power of Music (1697) which had been written to celebrate Saint Cecilia's Day. Jeremiah Clarke set the original ode to music.
Howard Crook is an American lyric tenor who has lived and worked in the Netherlands and France since the early 1980s.
Saint Peter's Singers (SPS) is a chamber choir associated with Leeds Minster, Leeds, West Yorkshire, England that celebrated during the Season 2017/2018 the fortieth anniversary of the choir's formation by Harry Fearnley in 1977. An anniversary concert took place at Leeds Minster on Sunday 25 June 2017 with the National Festival Orchestra and soloists Kristina James, Joanna Gamble, Paul Dutton and Quentin Brown. Further anniversary year events included Bach Cantatas and Music for Christmas at Fulneck Church in August and December respectively, Handel Coronation Anthems at Holy Trinity, Boar Lane as part of the Leeds Handel Festival in September and a tour of East Anglia in October. In November at Leeds Town Hall, the Singers participated in Herbert Howells's masterpiece Hymnus Paradisi with Leeds Philharmonic Chorus and Leeds College of Music Chorale under the direction of Dr David Hill with the Orchestra of Opera North. 2018 began with a concert of Sacred Choral Masterworks at Leeds Town Hall in February and Bach's Mass in B minor at Leeds Minster on Good Friday 2018 in memory of long-serving member Jan Holdstock. The final concert of the current season takes place at Leeds Minster on Sunday 24 June at Leeds Minster at 5.30. At this event will be presented the first performance of a new work from composer Philip Moore commissioned for the Singers' 40th anniversary – the motet Tu es Petrus – along with music by E W Naylor, Arvo Part, Sir Hubert Parry, Judith Bingham and Maurice Durufle. Simon Lindley conducts and the organist is David Houlder.
Matthew White is a Canadian countertenor.
Alan Bennett is an American lyric tenor known mostly for his performances in concert and oratorio work. He is particularly admired for his interpretations of the works of Bach, George Frideric Handel, and Mozart.
Baroque music is a period or style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era, with the galant style marking the transition between Baroque and Classical eras. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word barroco, meaning "misshapen pearl". Key composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, François Couperin, Giuseppe Tartini, Heinrich Schütz, Dieterich Buxtehude, and others.
Craig Smith was an American conductor who is considered a seminal figure in Boston's Baroque music revival of the 1970s and 1980s. At the beginning of his career, in 1970, he founded Emmanuel Music, a widely recognized organization that continues to focus on performances of the works of Johann Sebastian Bach.
Ruth Holton is an English soprano singer.
Klaus Mertens is a German bass and bass-baritone singer who is known especially for his interpretation of the complete works of Johann Sebastian Bach for bass voice.
Harry van der Kamp is a Dutch bass singer in opera and concert. Mostly active in Historically informed performance, he founded the Gesualdo Ensemble. He is also an academic voice teacher.
Dunedin Consort is Scotland's leading baroque ensemble based in Edinburgh, Scotland, recognised for its vivid and insightful performances and recordings. Formed in 1995 and named after Din Eidyn, the ancient Brittonic Celtic name of Edinburgh Castle, Dunedin Consort’s ambition is to make early music newly relevant to the present day. Performing on period instruments, with choruses often numbering just one to a part, the group presents concerts that are both intimate and invigorating, often aiming to recreate the music as it was originally intended. Under the direction of John Butt, this has seen the ensemble earn two coveted Gramophone Awards – for the 2007 recording of Handel’s Messiah and the 2014 recording of Mozart’s Requiem – and a Grammy nomination. In 2018 it was shortlisted for a Royal Philharmonic Society Award in the Ensemble category.
Realization is the art of creating music, typically an accompaniment, from a figured bass, whether by improvisation in real time, or as a detained exercise in writing. It is most commonly associated with Baroque music.
