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A dawn god or goddess is a deity in a polytheistic religious tradition who is in some sense associated with the dawn. These deities show some relation with the morning, the beginning of the day, and, in some cases, become syncretized with similar solar deities.
In Egyptian mythology, Tefnut, in part of her being goddess of the morning dew.
In Sioux mythology, Anpao, the spirit of the dawn, has two faces.
In ancient Greek mythology and religion, Eos is the goddess and personification of the dawn, who rose each morning from her home at the edge of the river Oceanus to deliver light and disperse the night. In Greek tradition and poetry she is characterized as a goddess with a great sexual appetite, who took numerous lovers for her own satisfaction and bore them several children. Like her Roman counterpart Aurora and Rigvedic Ushas, Eos continues the name of an earlier Indo-European dawn goddess, Hausos. Eos, or her earlier Proto-Indo-European (PIE) ancestor, also shares several elements with the love goddess Aphrodite, perhaps signifying Eos's influence on her or otherwise a common origin for the two goddesses. In surviving tradition, Aphrodite is the culprit behind Eos' numerous love affairs, having cursed the goddess with insatiable lust for mortal men.
Dyaus, or Dyaus-pitr, is the Ṛgvedic sky deity. His consort is Prthvi, the earth goddess, and together they are the archetypal parents in the Rgveda.
In Kapampangan mythology, Mayari is the goddess of the moon and ruler of the world during nighttime.
Zorya is a figure in Slavic folklore, a feminine personification of dawn, possibly goddess. Depending on tradition, she may appear as a singular entity, often called "The Red Maiden", or two or three sisters at once. Although Zorya is etymologically unrelated to the Proto-Indo-European goddess of the dawn *H₂éwsōs, she shares most of her characteristics. She is often depicted as the sister of the Sun, the Moon, and Zvezda, the Morning Star with which she is sometimes identified. She lives in the Palace of the Sun, opens the gate for him in the morning so that he can set off on a journey through the sky, guards his white horses, she is also described as a virgin. In the Eastern Slavic tradition of zagovory she represents the supreme power that a practitioner appeals to.
In the indigenous religion of the ancient Tagalogs, Bathala/Maykapal was the transcendent Supreme God, the originator and ruler of the universe. He is commonly known and referred to in the modern era as Bathala, a term or title which, in earlier times, also applied to lesser beings such as personal tutelary spirits, omen birds, comets, and other heavenly bodies which the early Tagalog people believed predicted events. It was after the arrival of the Spanish missionaries in the Philippines in the 16th century that Bathala /Maykapal came to be identified with the Christian God, hence its synonymy with Diyos. Over the course of the 19th century, the term Bathala was totally replaced by Panginoon (Lord) and Diyos (God). It was no longer used until it was popularized again by Filipinos who learned from chronicles that the Tagalogs' indigenous God was called Bathala.
Ame-no-Uzume-no-Mikoto is the goddess of dawn, mirth, meditation, revelry and the arts in the Shinto religion of Japan, and the wife of fellow-god Sarutahiko Ōkami. She famously helped draw out the missing sun deity, Amaterasu Omikami, when she had hidden herself in a cave. Her name can also be pronounced as Ama-no-Uzume-no-Mikoto. She is also known as Ōmiyanome-no-Ōkami, an inari kami possibly due to her relationship with her husband. She is also known as Ame-no-Uzume-no-Mikoto, The Great Persuader, and The Heavenly Alarming Female. She is depicted in kyōgen farce as Okame, a woman who revels in her sensuality.
Aurōra is the Latin word for dawn, and the goddess of dawn in Roman mythology and Latin poetry. Like Greek Eos and Rigvedic Ushas, Aurōra continues the name of an earlier Indo-European dawn goddess, Hausos.
Aušrinė is a feminine deity of the morning star (Venus) in the Lithuanian mythology. She is the antipode to "Vakarinė", the evening star.
Ushas is a Vedic goddess of dawn in Hinduism. She repeatedly appears in the Rigvedic hymns, states David Kinsley, where she is "consistently identified with dawn, revealing herself with the daily coming of light to the world, driving away oppressive darkness, chasing away evil demons, rousing all life, setting all things in motion, sending everyone off to do their duties". She is the life of all living creatures, the impeller of action and breath, the foe of chaos and confusion, the auspicious arouser of cosmic and moral order called the Ṛta in Hinduism.
*H₂éwsōs or *Haéusōs is the reconstructed Proto-Indo-European name of the dawn goddess in the Proto-Indo-European mythology.
Tala, based on Hindu goddess Tara, is the name of the goddess of the morning and evening star in Tagalog mythology. Her origins are varied depending on the region. Golden Tara, the Majapahit-era gold statue of Hindu deity Tara or Tagalog adoption Tala was found in 1918 in Agusan. The legend of Tala has very close parallels to legends among non-Filipino cultures such as the India tribes of Bihar, Savara and Bhuiya, as well as the Indianized Semang.
A weather god or goddess, also frequently known as a storm god or goddess, is a deity in mythology associated with weather phenomena such as thunder, ice, snow, lightning, rain, wind, storms, tornadoes, and hurricanes. Should they only be in charge of one feature of a storm, they will be called after that attribute, such as a rain god or a lightning/thunder god. This singular attribute might then be emphasized more than the generic, all-encompassing term "storm god", though with thunder/lightning gods, the two terms seem interchangeable. They feature commonly in polytheistic religions, especially in Proto-Indo-European ones.
The indigenous religious beliefs of the Tagalog people were well documented by Spanish missionaries, mostly in the form of epistolary accounts (relaciones) and entries in various dictionaries compiled by missionary friars.
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