Day After Day: Live | ||||
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Live album by | ||||
Released | 24 September 1990 | |||
Recorded | 1974 | |||
Genre | Power pop | |||
Length | 48:32 | |||
Label | Rykodisc | |||
Producer | Joey Molland Mark Healy | |||
Badfinger chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Day After Day: Live is a CD release by Rykodisc in 1990 of live recordings made by the British rock group Badfinger in 1974.
During a concert tour in the Midwestern United States in 1974, Badfinger learned that the Agora venue in Cleveland, Ohio, contained a 16-track setup capable of live recordings. The group had released five studio albums up to this point but had not made any professional live recordings. Deciding to use the equipment, Badfinger recorded two of their shows at the Agora. Due to audio distortion and essentially a moderate performance by the group, the tapes were not used at the time.
The Agora recordings circulated as bootlegs for several years before band member Joey Molland brought them to the attention of Rykodisc in 1989. Molland performed a great deal of rework to the recordings, including overdubbing his vocals, several guitars, and some of the bass. He also used a computer-sampled drum snare to enhance the original drum track. Molland also rearranged the song order of the performances, placing Pete Ham's compositions at the end of the CD. As a result of Molland's augmentation, the CD has been bitterly reviewed by music critics and fans.
Complications arose for Molland in the mid 1990s when other Badfinger parties objected to the release, citing they were not properly notified. There was also some confusion as to the ownership of the original tapes, which Molland testified were taken by his wife when he resigned from the group in 1974. A lawsuit in Great Britain resolved that Molland should have proceeded differently when releasing the CD, but generally ruled in his favour regarding royalty divisions (which included Molland's compensation for production work).
Badfinger were a British rock band formed in 1961 in Swansea, Wales. Their best-known lineup consisted of Pete Ham (guitar), Mike Gibbins (drums), Tom Evans (bass), and Joey Molland (guitar). They are recognised for their influence on the 1970s power pop genre. It is estimated that the band sold 14 million records.
No Dice is the third studio album by British rock band Badfinger, issued by Apple Records and released on 9 November 1970. Their second album under the Badfinger name, but their first official album under that name, and first to include guitarist Joey Molland, No Dice significantly expanded the British group's popularity, especially abroad. The album included both the hit single "No Matter What" and the song "Without You", which would become a big hit for Harry Nilsson, and later a hit for Mariah Carey.
Straight Up is the fourth studio album by the Welsh rock band Badfinger, released in December 1971 in the United States and February 1972 in Britain. Issued on the Beatles' Apple record label, it includes the hit singles "Day After Day" and "Baby Blue", and the similarly popular "Name of the Game", all of which were written by singer and guitarist Pete Ham. The album marked a departure from the more rock-oriented sound of Badfinger's previous releases, partly as a result of intervention by Apple Records regarding the band's musical direction.
Airwaves is the eighth studio album released by British rock band Badfinger in 1979 on the Elektra label, the seventh album released that was credited to Badfinger. Anticipated as a comeback album for the group at the time, expectations were not quite realised, as the "group" now consisted of just the duo of Tom Evans and Joey Molland, accompanied by guitarist Joe Tansin and various session musicians.
Ass is the fifth studio album by British rock band Badfinger, and their last album released on Apple Records. The opening track, "Apple of My Eye", refers to the band leaving the label to begin its new contract with Warner Bros. Records.
Victory Gardens (1991) is the debut album from John & Mary, recorded in 1990 just six months after the two met in December 1989 and immediately following their signing with Rykodisc. John Lombardo, former member of 10,000 Maniacs and responsible for much of their early music, brought elements of the early Maniacs sound with him. Combined with the classically trained Mary Ramsey's blend of folk and classical influences, the album is considered by some to be heir to the 10,000 Maniacs album The Wishing Chair (1985), critically acclaimed for linking traditional influences with the contemporary new-wave sound.
Michael George Gibbins was a Welsh musician, most notable for being the drummer of Badfinger.
Robert Jackson is an English rock musician most famous for being a member of Badfinger from 1974–75 and 1981–83, and of The Fortunes from 1995-2018. He currently tours under the name Badfinger in the United Kingdom.
Joseph Charles Molland is an English songwriter and rock guitarist whose recording career spans five decades. He is best known as a member of Badfinger, the most successful of the acts he performed with. Since 2005, Molland is the last surviving member from the band's classic line-up. He lives in Minneapolis, Minnesota.
Wish You Were Here is the seventh studio album by rock band Badfinger and their third consecutive album produced by Chris Thomas. It was recorded in the spring of 1974 at Colorado's Caribou Ranch and released in November of that year on Warner Bros. Records. Wish You Were Here was the second and last album the band released on the Warner Bros. label.
Badfinger is the sixth studio album by British rock band Badfinger. The album was recorded in autumn 1973 and released in 1974 on Warner Bros. Records. It was the first of two albums released by the band on the Warner label. The cover art for the album shows a woman wearing a riding outfit and hat from the 1920s and smoking a cigarette in a cigarette holder.
Magic Christian Music is the second studio album by the British rock band Badfinger, released on 9 January 1970 on Apple Records. It was their first release under the Badfinger name, having previously released the album Maybe Tomorrow in 1969 under the name The Iveys. It includes the band's first international hit, "Come and Get It", written and produced for them by Paul McCartney.
Head First is the tenth and final studio album to be released by British rock band Badfinger, released on 14 November 2000, but recorded over 25 years earlier at the Beatles' Apple Studios in London, although it was not released at the time. Originally intended to be Badfinger's eighth album, the recordings were shelved when legal difficulties erupted between the band and WB that year, and the version that was finally released was a rough mix of the album made in 1975 by Phil McDonald, one of the recording engineers at Apple Studios.
Say No More is the ninth studio album recorded by British rock band Badfinger that contained new material. Issued in January 1981 on Radio Records, the LP was the second and last reunion by Tom Evans and Joey Molland, after the suicide of band founder Pete Ham in 1975. The album was recorded in Miami, Florida, by Evans, Molland, pianist and organist Tony Kaye, guitarist Glen Sherba and drummer Richard Bryans and was co-produced by Jack Richardson.
"No Matter What" is a song originally recorded by Badfinger for their album No Dice in 1970, written and sung by Pete Ham and produced by Mal Evans.
Thomas Evans was an English musician. He is best known for his work as the bassist of the band Badfinger.
"Day After Day" is a song by the British rock band Badfinger from their 1971 album Straight Up. It was written by Pete Ham and produced by George Harrison, who also plays slide guitar on the recording. The song was issued as a single and became Badfinger's biggest hit, charting at number 4 in the United States and number 10 in the UK, ultimately earning gold accreditation from the Recording Industry Association of America.
BBC in Concert 1972–1973 is a CD of live recordings by the British rock group Badfinger released in 1997 by Strange Fruit Records and then re-released in 2000 by Fuel 2000 Records. The recordings were made for the BBC in 1972 and 1973, in two separate concerts at the Paris Theatre in London. The album also includes a 1970 BBC recording of Badfinger's first Top 10 hit, "Come and Get It".
"Baby Blue" is a song by Welsh rock band Badfinger from their fourth studio album, Straight Up (1971). The song was written by Pete Ham, produced by Todd Rundgren, and released on Apple Records. As a single in the US in 1972, it went to #14. In 2013, the song was prominently featured in the series finale of the television show Breaking Bad. As a result, the song charted in the UK for the first time, reaching #73.
"I Miss You" is a song by the British power pop band, Badfinger. Written by Pete Ham for their first Warner Bros. LP (Badfinger), it served as the opening track and sole U.S. single for said album.