Day of the Outlaw | |
---|---|
Directed by | Andre de Toth |
Written by | Philip Yordan |
Based on | Day of the Outlaw by Lee Wells |
Produced by | Philip Yordan Sidney Harmon |
Starring | Robert Ryan Burl Ives Tina Louise Alan Marshal |
Cinematography | Russell Harlan |
Edited by | Robert Lawrence |
Music by | Alexander Courage |
Production company | Security Pictures |
Distributed by | United Artists |
Release date |
|
Running time | 92 minutes |
Country | United States |
Language | English |
Budget | $400,000 or $1.1 million [1] |
Day of the Outlaw is a 1959 American Western film starring Robert Ryan, Burl Ives, and Tina Louise. It was directed by Andre de Toth; this was de Toth's final Western feature film. [2]
Blaise Starrett is a ruthless cattleman who helped found the small, bleak community of Bitters, Wyoming. He is at odds with homesteaders who, having established new farms in the area, have taken to putting up barbed wire to keep their livestock from wandering. Starrett is particularly aggrieved with Hal Crane, who not only inspired this use of barbed wire, but is also married to Helen, the woman Starrett loves.
In spite of the fact that Helen has told him she can never love him if he carries out his threat to murder her husband, Starrett sets his mind on doing just that. The stage is set for a final, bloody showdown when into town rides Jack Bruhn and his band of rogue cavalrymen.
This gang holds the town hostage while Bruhn, wounded in a recent bank robbery, receives treatment. Realizing that they would have no qualms about wiping Bitters out, Starrett tries to save his town. He takes the gang out into the desolate landscape, ostensibly to help them escape across the snow-covered mountains.
The film was based on a 1955 novel of the same title by Lee Edwin Wells (1907-1982), that also ran in several newspapers as a serialized story in the fall of 1955 and others in the late summer 1956. [3]
Producer Buddy Adler originally purchased the film rights as a vehicle for Robert Wagner. [4]
Philip Yordan read the novel and insisted on writing a script based on the book. [5] Filming took place in central Oregon at Dutchman Flat and Todd Lake Meadows near the town of Bend in late November and early December 1958, with Leon Chooluck, the second unit director, doing many of the long exterior shots. [6]
Yordan called the script "one of the best I've ever written," but said the problem with the film was that the budget, at $400,000, was not big enough. Yordan told author Franklin Jarlett, in his biographical book about Robert Ryan, that de Toth was having personal problems at the time of filming and it was apparent on the set. Other problems included Ryan's being out for a week with pneumonia; snowstorms causing delays in filming; de Toth's changing his mind about where some scenes were to be shot (from interior to remote exteriors); and finally de Toth's running out of money, packing up, and going back to Hollywood. Yordan lamented what "could have been." [7]
Roger Horrocks, in his book Male Myths and Icons, says that the film is a 'gold nugget' and on par with the Westerns of Budd Boetticher. [8]
The Big Country is a 1958 American epic Western film directed by William Wyler, starring Gregory Peck, Jean Simmons, Carroll Baker, Charlton Heston, and Burl Ives. The supporting cast features Charles Bickford and Chuck Connors. Filmed in Technicolor and Technirama, the picture was based on the serialized magazine novel Ambush at Blanco Canyon by Donald Hamilton and was co-produced by Wyler and Peck. The opening title sequence was created by Saul Bass.
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Philip Yordan was an American screenwriter, film producer, novelist and playwright. He was a three-time Academy Award nominee, winning Best Story for Broken Lance (1951).
Sidney Harmon was a movie producer and screenwriter. Harmon was nominated for the 1942 Academy Award for Best Story for the movie The Talk of the Town. He began his career working as a writer for radio and the theater during the 1930s. Harmon produced Sidney Kingsley's Pulitzer Prize-winning play Men In White.
The Gunfighter is a 1950 American Western film directed by Henry King and starring Gregory Peck, Helen Westcott, Millard Mitchell and Karl Malden. It was written by screenwriters William Bowers and William Sellers, with an uncredited rewrite by writer and producer Nunnally Johnson, from a story by Bowers, Roger Corman, and screenwriter and director Andre de Toth. The film was the second of King's six collaborations with Peck.
Death Rides a Horse is a 1967 Italian Spaghetti Western directed by Giulio Petroni, written by Luciano Vincenzoni and starring Lee Van Cleef and John Phillip Law.
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Riding Shotgun is a 1954 American western film directed by Andre de Toth and starring Randolph Scott, Wayne Morris and Joan Weldon. The film was based on the short story "Riding Solo" by Kenneth Perkins, originally published in the September 1942 issue of Blue Book. The production is unusual in that Scott narrates his inner thoughts at crucial moments in the action.
Return of the Bad Men, also known as Return of the Badmen, is a 1948 American Western film directed by Ray Enright and starring Randolph Scott, Robert Ryan and Anne Jeffreys. A loose sequel to the 1946 film Badman's Territory, it was followed by Best of the Badmen (1951). Written by the husband-and-wife team of Jack Natteford and Luci Ward, the film was shot at the RKO Encino Ranch. It was the final collaboration between Enright and Scott and Jeffreys' final picture for RKO.
The Fighting Frontiersman is a 1946 American Western film directed by Derwin Abrahams and written by Ed Earl Repp. The film stars Charles Starrett, Helen Mowery, Hank Newman and Smiley Burnette. The film was released on December 10, 1946, by Columbia Pictures. This was the eighteenth of 65 films in the Durango Kid series.