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Dactylic hexameter is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows :
The Divine Comedy is an Italian narrative poem by Dante Alighieri, begun c. 1308 and completed around 1321, shortly before the author's death. It is widely considered the pre-eminent work in Italian literature and one of the greatest works of Western literature. The poem's imaginative vision of the afterlife is representative of the medieval worldview as it existed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso.
A skald, or skáld is one of the often named poets who composed skaldic poetry, one of the two kinds of Old Norse poetry in alliterative verse, the other being Eddic poetry. Skaldic poems were traditionally composed to honor kings, but were sometimes extempore. They include both extended works and single verses (lausavísur). They are characteristically more ornate in form and diction than eddic poems, employing many kennings, which require some knowledge of Norse mythology, and heiti, which are formal nouns used in place of more prosaic synonyms. Dróttkvætt metre is a type of skaldic verse form that most often use internal rhyme and alliteration.
Poetry took numerous forms in medieval Europe, for example, lyric and epic poetry. The troubadours, trouvères, and the minnesänger are known for composing their lyric poetry about courtly love usually accompanied by an instrument.
Bernard of Cluny was a twelfth-century French Benedictine monk, best known as the author of De contemptu mundi, a long verse satire in Latin.
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- Eclogue of Theodulus
- Facetus: Liber Faceti docens mores iuvenum
- De contemptu mundi
- Liber Floretus
- Matthew of Vendôme, Tobias
- Alan of Lille, Doctrinale altum parabolarum
- Aesop, version attributed to Gualterus Anglicus.
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"All Glory, Laud and Honour" is an English translation by the Anglican clergyman John Mason Neale of the Latin hymn "Gloria, laus et honor", which was written by Theodulf of Orléans in 820. It is a Palm Sunday hymn, based on Matthew 21:1–11 and the occasion of Christ's triumphal entry into Jerusalem.
"Jerusalem the Golden" is a nineteenth-century Christian hymn by John Mason Neale. The text is from Neale's translation of a section of Bernard of Cluny's Latin verse satire De Contemptu Mundi.
"Ye Choirs of New Jerusalem" or "Sing, Choirs of New Jerusalem" is an English Easter hymn by Robert Campbell. It is a 19th-century translation of the medieval Chorus novae Ierusalem, attributed to Fulbert of Chartres. The text's primary focus is the Resurrection of Jesus, taking the theme of Jesus as triumphant victor over death and deliverer of the prisoners from Hell.
References
This article incorporates text from a publication now in the public domain : Shahan, Thomas Joseph (1913). "Bernard of Cluny". In Herbermann, Charles (ed.). Catholic Encyclopedia . New York: Robert Appleton Company.
- ↑ Shahan, Thomas. "Bernard of Cluny." The Catholic Encyclopedia. Volume 2. New York: Robert Appleton Company, 1907. 7 June 2013
- ↑ Ridpath, John Clark ed., The Ridpath Library of Universal Literature, Vol. 3. New York: The Globe Publishing Company, 1898
- ↑ "Jerusalem the golden!". Hymnary.org. Retrieved 2013-10-05.