Coda is the first compilation album by the English rock band Led Zeppelin. The album is a collection of rejected tracks from various sessions during Led Zeppelin's twelve-year career. It was released on 19 November 1982, almost two years after the group had officially disbanded following the death of drummer John Bonham. The word coda, meaning a passage that ends a musical piece following the main body, was therefore chosen as the title.
Nocturne is a live double album and video by English rock band Siouxsie and the Banshees, released on 25 November 1983 by Polydor Records. Co-produced by Mike Hedges, Nocturne features performances recorded at two shows at the Royal Albert Hall in London, on 30 September and 1 October 1983, featuring Robert Smith on guitar.
Christ – The Album is the fourth album by Crass, released in 1982. It was released as a boxed-set, double-vinyl LP package, including one disc of new studio material and another, entitled Well Forked.. But Not Dead, a live recording of the band's June 1981 gig at the 100 Club in London along with other studio tracks, demos and tape fragments. The box also included a book, A Series of Shock Slogans and Mindless Token Tantrums, and a large poster painted by Gee Vaucher. The album was well received and the band considered it their best.
The Raven is the fourth studio album by English new wave band the Stranglers, released on 15 September 1979, through record label United Artists.
Flex-Able is the debut studio album by American virtuoso guitarist Steve Vai. This was his first as a solo artist, and was created in Stucco Blue, a shed converted into a studio in Vai's old back garden. It is very different from many of his other albums, and is largely influenced by Frank Zappa. Flex-Able does not rely as much on massive guitar arrangements and shred moments as the rest of his output from the 1990s onwards, with the exception of Leftovers which is a compilation of bonus tracks and remasters from his sessions at 'Stucco Blue'.
(Untitled) is the ninth album by the American rock band the Byrds and was released in September 1970 on Columbia Records. It is a double album, with the first LP featuring live concert recordings from early 1970, and a second disc consisting of new studio recordings. The album represented the first official release of any live recordings by the band, as well as the first appearance on a Byrds' record of new recruit Skip Battin, who had replaced the band's previous bass player, John York, in late 1969.
Byrdmaniax is the tenth album by the American rock band the Byrds. It was released in June 1971 on Columbia Records at a time of renewed commercial and critical success for the band, due to the positive reception that their two previous albums, Ballad of Easy Rider and (Untitled), had received. The album was the second by the Byrds to feature the Roger McGuinn, Clarence White, Gene Parsons, and Skip Battin line-up of the band and was mostly recorded in early 1971, while the band were in the midst of an exhausting tour schedule. As a result, the band had little time to hone their new songs before recording commenced and thus, much of the material on the album is underdeveloped. Byrdmaniax was poorly received upon release, particularly in the United States, and did much to undermine the Byrds' new-found popularity.
McCartney II is the second solo studio album by the English musician Paul McCartney, released on 16 May 1980. It was recorded by McCartney at his home studio in the summer of 1979, shortly before the dissolution of his band Wings in 1981. Like his debut solo studio album, McCartney (1970), he performed all the instruments himself. It yielded three singles: "Coming Up", "Waterfalls", and "Temporary Secretary".
White Trash Heroes is the fourth studio album from the indie rock band Archers of Loaf, released in 1998 by Alias Records. In 2012 the album was reissued by Merge Records on two CDs with new, re-imagined art by Casey Burns.
In the Name of Suffering is the debut album by American sludge metal band Eyehategod. It was initially released in 1990 through French independent label Intellectual Convulsion and reissued in 1992 by Century Media.
Petitioning the Empty Sky is the second studio album by American metalcore band Converge. However, contrary to many sources, the band considers this a compilation album, being a collection of songs recorded at different times. While tracklists differ between releases, this album features studio recorded tracks along with live recordings of three songs. Petitioning the Empty Sky was released and distributed through several different labels beginning in the mid 90s.
Indiscreet is the fifth album by Sparks. It was released in 1975 and later re-released with three bonus tracks. The album was a departure from the glam rock sound of Kimono My House and Propaganda, and emphasised the theatrical elements of their work, with greater use of orchestral arrangements and drawing from non-rock orientated styles such as jazz, big band, swing, vaudeville, and classical music. The album was produced by Tony Visconti, with whom the group reunited in 1997 to produce several tracks for their retrospective album Plagiarism. The song "How Are You Getting Home?" was used in Leos Carax's film Holy Motors.
"Dark Entries" is a song by the English gothic rock band Bauhaus, released as a stand-alone single in January 1980 by Axis and later issued on 4AD and Beggars Banquet. It features the 1944 painting Sleeping Venus by Paul Delvaux as cover art.
Document and Eyewitness is the first live album by the post-punk band Wire, released in July 1981 by Rough Trade Records. It marked the end of the first period of Wire's activity (1977–1980) and the end of their association with EMI. Recorded in February 1980 at the Electric Ballroom in London – at the final gig of Wire's first period – the original release came with a 45 rpm 12" EP that featured recordings from a July 1979 show at the Notre Dame Hall in London, along with one track from a March 1979 gig at Le Pavillon in Montreux, Switzerland.
Dandelion Gum is the third studio album by Pennsylvania based experimental band Black Moth Super Rainbow, released on CD on May 22, 2007. A 2xLP edition was released on March 15, 2008; the first 1000 copies sold included double gatefold packaging, pink vinyl with gold splashes, and a bubblegum scratch-and-sniff cover, the first 500 of which were hand-numbered. In March, 2011 a deluxe re-issue with 14 "extra flavor" tracks was announced.
Feathers is the fourth album by the Washington, D.C. based psychedelic rock trio Dead Meadow, released in 2005 by Matador Records on CD and LP. The band is joined on the album by additional guitar player Cory Shane.
Dance of the Headless Bourgeoisie is the eighth full-length album released by Canadian punk rock band Nomeansno. It was initially released on Alternative Tentacles in 1998 as a 10-track CD and 12-track double LP. The band's own label Wrong Records, along with distributors Southern Records, re-released the 12-track version of the album in 2007, 2010, and 2014 with modified track order and art.
The untitled eighth studio album by American nu metal band Korn was released on July 31, 2007, by Virgin Records. It is the band's only studio release without an official drummer, released between the departure of David Silveria in 2006 and the arrival of Ray Luzier in late 2007. Vocalist Jonathan Davis hired drummers Terry Bozzio and Brooks Wackerman as session musicians. The album was intentionally released without a title, as Davis reasoned, "Why not just let our fans call it whatever they wanna call it?" The album was certified gold in the United States on October 30, 2007.
In the Fishtank 1 is an EP by Vancouver punk rock band Nomeansno. Recording during the band's 1996 European tour, it was the first release in the In the Fishtank series, in which the Netherlands-based De Konkurrent label provided bands with two days of studio recording time and released the final results.
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