Denis Mandarino | |
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Background information | |
Born | São Paulo, São Paulo, Brazil | May 7, 1964
Genres | MPB, classical, rock |
Instrument(s) | Guitar, bass, acoustic guitar, mandolin |
Years active | 1983–present |
Website | www |
Denis Garcia Mandarino (born May 7, 1964) is a Brazilian composer, artist and writer, [1] and a disciple of Hans-Joachim Koellreutter in choral conducting and aesthetics. [2]
He proposed a theory about four-dimensional perception, which states the concepts behind the renaissance perspective involving four dimensions instead of three dimensions assigned to it. [3] These studies culminated in the development of the method of the four-dimensional perspective. [4]
Mandarino wrote the Versatilist manifesto (2007). [5] [6]
Versatilism is an artistic movement proposed in 2007, from a literary manifesto, [5] with the intention of freeing people from the expert analysis and promoting the practice of art as a form of self-knowledge and spiritual enhancement.
"New ideas are hard to identify, hard to assimilate, and only detachment may be able to evaluate them in a more open way. When a man assumes the role of giving the verdict about what artists are doing, or the society gives him this role, we are one step closer to repeat the greatest injustices that men of science, philosophy, arts and religion have suffered throughout history." – Interview about the Versatilist Manifesto [7]
After spending four years writing the Theory of four-dimensional perception (1995), Mandarino developed a new method, in a subject for many years stagnant. In the perspective of four dimensions, the observer is not a static element (fixed point), as one sees in traditional processes. [9]
In Observation in time (1997) can be found nine different vanishing points and horizon lines, representing different moments of an observer who turns his head and moves vertically and horizontally. [10]
This kind of painting admits curved or spherical canvas. [10]
The discography includes the following albums: [11] [12] [13]
Canvas is an extremely durable plain-woven fabric used for making sails, tents, marquees, backpacks, shelters, as a support for oil painting and for other items for which sturdiness is required, as well as in such fashion objects as handbags, electronic device cases, and shoes. It is popularly used by artists as a painting surface, typically stretched across a wooden frame.
Luigi Carlo Filippo Russolo was an Italian Futurist painter, composer, builder of experimental musical instruments, and the author of the manifesto The Art of Noises (1913). Russolo completed his secondary education at Seminary of Portograuro in 1901, after which he moved to Milan and began gaining interest in the arts. He is often regarded as one of the first noise music experimental composers with his performances of noise music concerts in 1913–14 and then again after World War I, notably in Paris in 1921. He designed and constructed a number of noise-generating devices called Intonarumori.
Four-dimensional space (4D) is the mathematical extension of the concept of three-dimensional space (3D). Three-dimensional space is the simplest possible abstraction of the observation that one needs only three numbers, called dimensions, to describe the sizes or locations of objects in the everyday world. For example, the volume of a rectangular box is found by measuring and multiplying its length, width, and height. This concept of ordinary space is called Euclidean space because it corresponds to Euclid's geometry, which was originally abstracted from the spatial experiences of everyday life.
Lygia Fagundes da Silva Telles, also known as "the lady of Brazilian literature" and "the greatest Brazilian writer" while alive, was a Brazilian novelist and writer, considered by academics, critics and readers to be one of the most important and notable Brazilian writers in the 20th century and the history of Brazilian literature. In addition to being a lawyer, Lygia was widely represented in postmodernism, and her works portrayed classic and universal themes such as death, love, fear and madness, as well as fantasy.
Gordon Bennett was an Birri Gubba and Darumbal artist of Aboriginal and Anglo-Celtic descent. Born in Monto, Queensland, Bennett was a significant figure in contemporary Indigenous Australian art.
Hans-Joachim Koellreutter was a Brazilian composer, teacher and musicologist.
Beatriz Milhazes is a Brazilian artist. She is known for her work juxtaposing Brazilian cultural imagery and references to western Modernist painting. Milhazes is a Brazilian-born collage artist and painter known for her large-scale works and vibrant colors. She has been called "Brazil's most successful contemporary painter."
Crucifixion (Corpus Hypercubus) is a 1954 oil-on-canvas painting by Salvador Dalí. A nontraditional, surrealist portrayal of the Crucifixion, it depicts Christ on a polyhedron net of a tesseract (hypercube). It is one of his best-known paintings from the later period of his career.
Ben Johnson is a British painter, known for his series of large, detailed cityscapes.
Alexa Meade is an American installation artist best known for her portraits painted directly onto the human body and inanimate objects in a way that collapses depth and makes her models appear two-dimensional when photographed. What remains is "a photo of a painting of a person, and the real person hidden somewhere underneath." She takes a classical concept – trompe-l'œil, the art of making a two-dimensional representational painting look like a real three-dimensional space – and does the opposite, making real life appear to be a painting.
Versatilism is an artistic movement proposed in 2007, by Brazilian artist Denis Mandarino, from a literary manifesto, with the intention of freeing people from the expert analysis and promote the practice of art as a form of self-knowledge and spiritual enhancement. In the body of text are present the following aesthetic principles and propositions:
"New ideas are hard to identify, hard to assimilate, and only detachment may be able to evaluate them in a more open way. When a man assumes the role of giving the verdict about what artists are doing, or the society gives him this role, we are one step closer to repeat the greatest injustices that men of science, philosophy, arts and religion have suffered throughout history." -- Interview about the Versatilist Manifesto
New possibilities opened up by the concept of four-dimensional space helped inspire many modern artists in the first half of the twentieth century. Early Cubists, Surrealists, Futurists, and abstract artists took ideas from higher-dimensional mathematics and used them to radically advance their work.
Who's Afraid of Red, Yellow and Blue is a series of four large-scale paintings by Barnett Newman painted between 1966 and 1970. Two of them have been the subject of vandalistic attacks in museums. The series' name was a reference to Who's Afraid of Virginia Woolf?, the 1962 play by Edward Albee, which was in itself a reference to "Who's Afraid of the Big Bad Wolf?", the 1933 song immortalized in Disney cartoons.
Tjaša Iris is a Slovenian-born artist, known for her digital art, photographs and large paintings painted with bright colors, vivid atmospheres of gardens with lush vegetation and bright light. Color is the main concern in her painting, exploring its emotional and expressive qualities.
Au Vélodrome, also known as At the Cycle-Race Track and Le cycliste, is a painting by the French artist and theorist Jean Metzinger. The work illustrates the final meters of the Paris–Roubaix race, and portrays its 1912 winner Charles Crupelandt. Metzinger's painting is the first in Modernist art to represent a specific sporting event and its champion.
The National Gallery of Kosovo, formerly known as the Kosova National Art Gallery, is an art gallery situated at the University of Pristina Campus that focuses on 20th-century art.
Adolf Benca is an American painter of Slovakian origin.
Andrea Benetti is an Italian painter, the author of the Manifesto of Neo Cave Art presented in 2009, at the 53rd Venice Biennale, at the Ca' Foscari University.
Jacob Wexler was an Israeli artist and art teacher. He was one of the founders of the Ofakim Hadashim art movement.
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