Versatilism is an artistic movement proposed in 2007, by Brazilian artist Denis Mandarino, from a literary manifesto, [2] with the intention of freeing people from the expert analysis [3] and promote the practice of art as a form of self-knowledge and spiritual enhancement. [4] In the body of text are present the following aesthetic principles and propositions:
"New ideas are hard to identify, hard to assimilate, and only detachment may be able to evaluate them in a more open way. When a man assumes the role of giving the verdict about what artists are doing, or the society gives him this role, we are one step closer to repeat the greatest injustices that men of science, philosophy, arts and religion have suffered throughout history." -- Interview about the Versatilist Manifesto [1]
Full transcription: [9]
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: CS1 maint: numeric names: authors list (link) Full transcription (in English and Portuguese).Remodernism is an artistic and philosophical movement aimed at reviving aspects of modernism, particularly in its early form, in a manner that both follows after and contrasts against postmodernism. The movement was initiated in 2000 by stuckists Billy Childish and Charles Thomson, with a manifesto, Remodernism in an attempt to introduce a period of new "spirituality" into art, culture and society to replace postmodernism, which they said was cynical and spiritually bankrupt. In 2002, a remodernism art show in Albuquerque was accompanied by an essay from University of California, Berkeley art professor, Kevin Radley, who said there was a renewal of artists working without the limitation of irony and cynicism, and that there was a renewal of the sense of beauty. Adherents of remodernism advocate it as a forward and radical, not reactionary, impetus.
Timothy Blake Nelson is an American actor and playwright. Described as a "modern character actor", his roles include Delmar O'Donnell in O Brother, Where Art Thou? (2000), Gideon in Minority Report (2002), Dr. Pendanski in Holes (2003), Danny Dalton Jr. in Syriana (2005), Samuel Sterns in the Marvel Cinematic Universe, Richard Schell in Lincoln (2012), the title character in The Ballad of Buster Scruggs (2018), and Henry McCarty in Old Henry (2021). He portrayed Wade Tillman / Looking Glass in the HBO limited series Watchmen (2019), for which he received a Critics' Choice Television Awards nomination for Best Supporting Actor in a Drama Series in 2020.
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Nick Zedd was an American filmmaker, author, and painter based in Mexico City. He coined the term Cinema of Transgression in 1985 to describe a loose-knit group of like-minded filmmakers and artists using shock value and black humor in their work. These filmmakers and artistic collaborators included Richard Kern, Tessa Hughes Freeland, Lung Leg, Kembra Pfahler, and Lydia Lunch. Under numerous pen names, Zedd edited and wrote the Underground Film Bulletin (1984–1990) which publicized the work of these filmmakers. The Cinema of Transgression was explored in Jack Sargeant's book Deathtripping.
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An art manifesto is a public declaration of the intentions, motives, or views of an artist or artistic movement. Manifestos are a standard feature of the various movements in the modernist avant-garde and are still written today. Art manifestos are sometimes in their rhetoric intended for shock value, to achieve a revolutionary effect. They often address wider issues, such as the political system. Typical themes are the need for revolution, freedom and the implied or overtly stated superiority of the writers over the status quo. The manifesto gives a means of expressing, publicising and recording ideas for the artist or art group—even if only one or two people write the words, it is mostly still attributed to the group name.
The Anthropophagic Manifesto, also variously translated as the Cannibal Manifesto or the Cannibalist Manifesto, was published in 1928 by the Brazilian poet and polemicist Oswald de Andrade, a key figure in the cultural movement of Brazilian Modernism and contributor to the publication Revista de Antropofagia. It was inspired by "Abaporu," a painting by Tarsila do Amaral, modernist artist and wife of Oswald de Andrade. The essay was translated to English in 1991 by Leslie Bary;
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