Lobgesang, Op. 52, is an 11-movement "Symphony-Cantata on Words of the Holy Bible for Soloists, Choir and Orchestra" by Felix Mendelssohn. After the composer's death it was published as his Symphony No. 2 in B-flat major, a naming and a numbering that are not his. The required soloists are two sopranos and a tenor. The work lasts almost twice as long as any of Mendelssohn's purely instrumental symphonies.
Jesu, der du meine Seele, BWV 78 is a church cantata of Johann Sebastian Bach. He composed the chorale cantata in Leipzig for the 14th Sunday after Trinity and first performed it on 10 September 1724. It is based on the hymn by Johann Rist.
Antonín Dvořák's Requiem in B♭ minor, Op. 89, B. 165, is a funeral Mass scored for soloists, choir and orchestra. It was composed in 1890 and performed for the first time on 9 October 1891, in Birmingham, England, with the composer conducting.
Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105 is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the ninth Sunday after Trinity and first performed it on 25 July 1723. The musicologist Alfred Dürr has described the cantata as one of "the most sublime descriptions of the soul in baroque and Christian art".
Herr, wie du willt, so schicks mit mir, BWV 73, is a church cantata by Johann Sebastian Bach. He composed it for the third Sunday after Epiphany and first performed it in Leipzig on 23 January 1724. It was probably composed shortly before the first performance.
Gott, man lobet dich in der Stille, BWV 120.1, is a sacred cantata by Johann Sebastian Bach. He composed it in Leipzig for the occasion of Ratswechsel, the inauguration of a new town council in a church service, probably before 1730. Parts of the cantata appeared in a wedding cantata and a cantata commemorating the Augsburg Confession in 1730. Bach reworked the choral second movement for the Symbolum Nicenum of his Mass in B minor.
Ärgre dich, o Seele, nicht, BWV 186 is a church cantata by Johann Sebastian Bach. He composed it originally in Weimar in 1716 for Advent, BWV 186a, and expanded it in Leipzig in 1723 for the seventh Sunday after Trinity, where he first performed it on 11 July 1723.
Lobe den Herrn, meine Seele, BWV 69, also BWV 69.2, is a cantata by Johann Sebastian Bach.
Johann Sebastian Bach composed the church cantata Nimm von uns, Herr, du treuer Gott, BWV 101 in Leipzig for the tenth Sunday after Trinity and first performed it on 13 August 1724. The chorale cantata is based on the hymn by Martin Moller (1584).
Johann Sebastian Bach composed the church cantata Herr Jesu Christ, du höchstes Gut, BWV 113 in Leipzig for the eleventh Sunday after Trinity and first performed it on 20 August 1724. The chorale cantata is based on the hymn "Herr Jesu Christ, du höchstes Gut" by Bartholomäus Ringwaldt (1588).
Meinen Jesum laß ich nicht, BWV 124, is a church cantata written by Johann Sebastian Bach. He composed the chorale cantata in Leipzig for the first Sunday after the Epiphany and first performed it on 7 January 1725. It is based on the hymn "Meinen Jesum laß ich nicht" by Christian Keymann.
In allen meinen Taten, BWV 97, is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig in 1734 for an unspecified occasion. The text consists of the unchanged words of the hymn by Paul Fleming (1642).
Sei Lob und Ehr dem höchsten Gut, BWV 117, is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig between 1728 and 1731 for no specific occasion, based on the hymn by Johann Jacob Schütz.
Das neugeborne Kindelein, BWV 122, is a church cantata by Johann Sebastian Bach. Bach composed the chorale cantata in six movements in Leipzig for the Sunday after Christmas and first performed it on 31 December 1724.
Süßer Trost, mein Jesus kömmt, BWV 151, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the third day of Christmas and first performed it on 27 December 1725.
Gott ist unsre Zuversicht, BWV 197.2, is a church cantata by Johann Sebastian Bach.
Laßt uns sorgen, laßt uns wachen, BWV 213, is a secular cantata by Johann Sebastian Bach. Bach composed it in Leipzig on a text by Picander and first performed it on 5 September 1733. It is also known as Die Wahl des Herkules and Hercules am Scheidewege.
Preise dein Glücke, gesegnetes Sachsen, BWV 215, is a secular cantata by Johann Sebastian Bach. He composed the cantata gratulatoria or Dramma per musica in Leipzig as a Festmusik für das kurfürstlich sächsische Haus for the anniversary of the election of August III, Elector of Saxony, as King of Poland, and first performed it on 5 October 1734 in the presence of the Elector.
Auf, schmetternde Töne der muntern Trompeten, BWV 207.2, is a secular cantata composed by Johann Sebastian Bach and likely premiered in 1735. It utilizes the music from the third movement of the Brandenburg Concerto No. 1 in F major.
Cantate pour le Mariage de l'Empereur Napoleon avec Marie Louise d'Autriche is a wedding cantata for orchestra, choir and soloists composed by Johann Nepomuk Hummel in 1810. The piece was performed at the wedding ceremony of Napoleon Bonaparte and Marie Louise of Austria in March, but was not published in the composer's lifetime. It received a first performance in the UK in 2016, with instrumentalists and singers from Clare College, Cambridge conducted by Toby Hession.
