| Diamond Girl | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | April 1973 | |||
| Studio | Sound Factory (Hollywood) | |||
| Genre | Folk rock, soft rock | |||
| Label | Warner Bros. | |||
| Producer | Louie Shelton | |||
| Seals and Crofts chronology | ||||
| ||||
| Singles from Diamond Girl | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
| Creem | C− [2] |
Diamond Girl is the fifth studio album by pop/folk duo Seals and Crofts. It was released in 1973 on Warner Bros. Records.
The album contains a number of different musical styles and themes. "Nine Houses" is one of two intimate, religious songs, which the band would often reserve for after concert performances. [1] "Ruby Jean and Billie Lee" is another, written for their spouses, Ruby Jean Anderson (Seals) and Billie Lee Day (Crofts). The first verse is sung by Seals, and the second by Crofts, with both singing the chorus. Their children (Lua Crofts and Joshua Seals) are mentioned in the chorus.
Diamond Girl peaked at #4 on the U.S. album charts. [3] Its title track "Diamond Girl" reached #6 on the Billboard Hot 100 chart in the summer and #13 in Canada. The follow-up single "We May Never Pass This Way (Again)" attained the #21 position late in the year (#33 in Canada).
All songs written by Jim Seals and Dash Crofts, unless otherwise indicated.
| Chart (1973) | Peak position |
|---|---|
| Australia (Kent Music Report) [4] | 48 |
| Canada [5] | 8 |
| United States (Billboard 200) | 4 |
Talking Book is the fifteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on October 27, 1972, by Tamla, a subsidiary of Motown Records. This album and Music of My Mind, released earlier the same year, are generally considered to mark the start of Wonder's "classic period". The sound of the album is sharply defined by Wonder's use of keyboards and synthesizers.
One Man Dog is the fourth studio album by singer-songwriter James Taylor. Released on November 1, 1972, it features the hit "Don't Let Me Be Lonely Tonight", which peaked at number 14 on the Billboard charts on January 13, 1973. The follow-up single, "One Man Parade", also charted but less successfully, peaking at number 67 in the US and reaching number 55 on the Canadian Adult Contemporary chart. The basic tracks were primarily recorded in Taylor's home studio.
Diamonds & Rust is the sixteenth studio album by American singer-songwriter Joan Baez, released in 1975. The album covered songs written or played by Bob Dylan, Stevie Wonder, The Allman Brothers, Jackson Browne and John Prine. Diamonds & Rust, however, also contains a number of her own compositions, including the title track, a distinctive song written about Bob Dylan, which has been covered by various other artists.
Seals and Crofts were an American soft rock duo made up of James Eugene Seals and Darrell George "Dash" Crofts They are best known for their hits "Summer Breeze" (1972), "Diamond Girl" (1973), and "Get Closer" (1976), each of which peaked at No. 6 on the Billboard Hot 100 chart. Both Seals and Crofts were publicly outspoken advocates for the Baháʼí Faith. Though the duo disbanded in 1980, they reunited briefly in 1991–1992, and again in 2004, when they released their final album, Traces. Seals and his younger brother, the charting singer-songwriter "England" Dan Seals, later performed publicly together as Seals & Seals.
No Secrets is the third studio album by American singer-songwriter Carly Simon, released by Elektra Records on November 28, 1972.
TNT is the ninth studio album by American country music singer Tanya Tucker. It was released on November 6, 1978, by MCA Records. Working with a new producer in Jerry Goldstein, Tucker drifts away from her earlier country style to do a much more rock-based effort. She covers well-known rock songs originally performed by such artists as Buddy Holly, Elvis Presley, and Chuck Berry. Tucker also covers John Prine's "Angel from Montgomery". The album was Tucker's second-highest ranked ever on the Billboard Country charts at #2, and even reached #54 in the Pop category. Released singles and their Billboard positions were: "Texas " at #5, "Not Fade Away" at #70, and "I'm the Singer, You're the Song" at #18. While not necessarily embraced by the country music establishment, the album garnered critical and commercial success. It was certified Gold by the RIAA and earned her a Grammy nomination for Best Rock Vocal Performance, Female.
Summer Breeze is the fourth album by the American soft rock band Seals and Crofts, released in 1972 through Warner Bros. Records. It was a major commercial breakthrough for the group peaking at No. 7 on the Billboard Top LPs chart, their highest position on the chart. The title track was released as a single on August 31, 1972, peaking at No. 4 on the Easy Listening chart and No. 6 on the Hot 100. "Hummingbird" was the second single, climbing to No. 12 on the Easy Listening chart, No. 20 on the Hot 100, and No. 40 on the Canadian RPM Magazine chart. Summer Breeze finished second on Billboard's Top Pop Albums of 1973 list.
Thighs and Whispers is the fifth studio album by American singer Bette Midler. Released in 1979, the album reached No. 65 on the Billboard Pop Albums chart.
"Summer Breeze" is a 1972 song by American soft rock duo Seals and Crofts. It is the title track of their fourth studio album, and was released as the album's lead single in August 1972. The song reached No. 6 on the US Billboard Hot 100 chart in the US. In 2013, it was ranked No. 13 in Rolling Stone′s "Best Summer Songs of All Time". The song also became a hit for the Isley Brothers in 1974.
Seals and Crofts is the debut album of pop/folk duo Seals and Crofts.
Down Home is the second studio album by pop-folk duo Seals and Crofts, released in 1970.
Unborn Child is the sixth studio album by American music duo Seals and Crofts, released on February 8, 1974 by Warner Bros. Records. It features two singles, "Unborn Child" and "The King of Nothing", which reached number 66 and number 60 on the Billboard Hot 100 respectively. The title track reached number 63 in Canada. Upon release, the album caused controversy for its anti-abortion message.
I'll Play For You is Seals & Crofts' seventh studio album. The title cut reached #18 on the U.S. Billboard Hot 100 and #4 on the Adult Contemporary charts in the summer of 1975. It was equally successful in Canada. It also charted in New Zealand (#30). "Castles in the Sand" also charted in the U.S. and Canada, peaking at #21 U.S. AC, and #27 Can Pop.
Get Closer is Seals and Crofts's eighth studio album. The title cut made the top 10 on 2 charts in early 1976, reaching #6 in Pop, and #2 in Adult Contemporary. It would be their final top 10 pop hit. "Goodbye Old Buddies" reached #10 on the US AC chart as well and #8 on the Canadian AC chart.
Sudan Village is a live album by Seals & Crofts. It features the single "Baby I'll Give It to You", which reached #58 on Billboard's charts, #85 on the RPM charts, and #5 on the RPM AC charts.
Takin' It Easy is the ninth studio album by Seals and Crofts, released in 1978 by Warner Bros. Records.
Jamaica Say You Will is the fifth studio album by Joe Cocker, released in April 1975. The songs from the album come from the same sessions that produced the highly acclaimed LP I Can Stand A Little Rain (1974). Jamaica Say You Will wasn't, however, as successful as its predecessor. It reached number 42 on the US album charts.
Aretha is the thirty-first studio album by American singer Aretha Franklin, originally released on October 27, 1986, by Arista Records. It is the third album with the Aretha title to be released by Franklin, following her 1961 album and 1980 album.
Sings Kristofferson is a studio album recorded by Willie Nelson in 1979 consisting of covers of Kris Kristofferson songs. It reached No. 5 on the US Country albums chart, No. 42 on the US Pop albums charts, and was certified gold in Canada and platinum in the US.
Heartlight is the fifteenth studio album by Neil Diamond. It was released in August 1982 on Columbia Records. The album spent 34 weeks on the charts and peaked at #9. For shipments of a million copies it was certified Platinum by the RIAA.
 | This 1970s rock album–related article is a stub. You can help Wikipedia by expanding it. |
