Ecce homo are the Latin words used by Pontius Pilate in the Vulgate translation of the Gospel of John, when he presents a scourged Jesus, bound and crowned with thorns, to a hostile crowd shortly before his Crucifixion. The original New Testament Greek: "ἰδοὺ ὁ ἄνθρωπος", romanized: "idoù ho ánthropos", is rendered by most English Bible translations, e.g. the Douay-Rheims Bible and the King James Version, as "behold the man". The scene has been widely depicted in Christian art.
The Denial of Death is a 1973 book by American cultural anthropologist Ernest Becker. The author builds on the works of Søren Kierkegaard, Sigmund Freud, Norman O. Brown, and Otto Rank to discuss the psychological and philosophical implications of how people and cultures have reacted to the concept of death. The author argues most human action is taken to ignore or avoid the inevitability of death. It was awarded the Pulitzer Prize for General Nonfiction in 1974, two months after the author's death. It is the main work responsible for the development of terror management theory, which provides empirical support for Becker’s ideas.
Guillermo Gómez-Peña is a Mexican/Chicano performance artist, writer, activist, and educator. Gómez-Peña has created work in multiple media, including performance art, experimental radio, video, photography and installation art. His fifteen books include essays, experimental poetry, performance scripts, photographs and chronicles in both English, Spanish and Spanglish. He is a founding member of the pioneering art collective Border Arts Workshop/Taller de Arte Fronterizo (1985-1992) and artistic director of the performance art troupe La Pocha Nostra.
Riojasaurus was a herbivorous sauropodomorph dinosaur named after La Rioja Province in Argentina where it was found in the Los Colorados Formation in the Ischigualasto-Villa Unión Basin by José Bonaparte. It lived during the Late Triassic and grew to about 6.6 metres (22 ft) long. Riojasaurus is the only known riojasaurid to live in South America.
The culture of Burkina Faso in West Africa is also called the Burkinabé culture.
Joseph E. LeDoux is an American neuroscientist whose research is primarily focused on survival circuits, including their impacts on emotions such as fear and anxiety. LeDoux is the Henry and Lucy Moses Professor of Science at New York University, and director of the Emotional Brain Institute, a collaboration between NYU and New York State with research sites at NYU and the Nathan Kline Institute for Psychiatric Research in Orangeburg, New York. He is also the lead singer and songwriter in the band The Amygdaloids.
For the Love of God is a sculpture by artist Damien Hirst produced in 2007. It consists of a platinum cast of an 18th-century human skull encrusted with 8,601 flawless diamonds, including a pear-shaped pink diamond located in the forehead that is known as the Skull Star Diamond. The skull's teeth are original, and were purchased by Hirst in London. The artwork is a memento mori, or reminder of the mortality of the viewer.
Guillermo Vargas Jiménez, also known as Habacuc, is an artist best known for the controversy caused when he exhibited an emaciated dog in a gallery in Nicaragua in 2007.
Greed is an insatiable desire for material gain or social value, such as status, or power. Greed has been identified as undesirable throughout known human history because it creates behavior-conflict between personal and social goals.
Cartonería or papier-mâché sculptures are a traditional handcraft in Mexico. The papier-mâché works are also called "carton piedra" for the rigidness of the final product. These sculptures today are generally made for certain yearly celebrations, especially for the Burning of Judas during Holy Week and various decorative items for Day of the Dead. However, they also include piñatas, mojigangas, masks, dolls and more made for various other occasions. There is also a significant market for collectors as well. Papier-mâché was introduced into Mexico during the colonial period, originally to make items for church. Since then, the craft has developed, especially in central Mexico. In the 20th century, the creation of works by Mexico City artisans Pedro Linares and Carmen Caballo Sevilla were recognized as works of art with patrons such as Diego Rivera. The craft has become less popular with more recent generations, but various government and cultural institutions work to preserve it.
Jordan Wolfson is an American visual artist who lives in Los Angeles. He has worked in video and film, in sculptural installation, and in virtual reality.
The Ecce Homo in the Sanctuary of Mercy church in Borja, Spain, is a fresco painted circa 1930 by the Spanish painter Elías García Martínez depicting Jesus crowned with thorns. Both the subject and style are typical of traditional Catholic art.
The Order of the Good Death is a death acceptance organization founded in 2011 by mortician and author Caitlin Doughty. The group advocates for natural burial and embracing human mortality.
Gilvan Samico was a painter, teacher and Brazilian engraver of the Armorial Movement of graphic design.
John "Paul" Fauves is a Costa Rican visual artist who lives and works in San José.
Brad Evans is a British academic, and Professor of Political Violence at the department of Politics, Languages & International Studies at the University of Bath, United Kingdom. He is the founder and director of the Centre for the Study of Violence.
Chawky Frenn is a Lebanese-born American artist, author, and art professor. He currently teaches art at George Mason University in northern Virginia. His highly realistic paintings have strong narrative social and political elements. Frenn is a former Fulbright scholar, and currently resides in the Greater Washington, D.C. area.
The Fathers is a conceptual and performative work of critical and biographical content by artist Abel Azcona. The Fathers was first performed in 2016 in Madrid with the final performance, also in Madrid, in 2017 in an exhibition format. The durational piece included dozens of female survivors of prostitution who gave a physical description of their last client. On the other side of a ten-meter-long table, composite artists listened to them and drew images of the clients. The performance generated dozens of portraits which, at the closing of the work in 2017, were exhibited with the premise that any of them could be Azcona's father. The biographical work creates a critical discourse with prostitution and its inheritance, and in the case of Azcona himself, of an unknown father, having been conceived during an act of prostitution.
Abel Azcona, the son of a prostituted woman who is looking for his whoremonger father, because it perfectly summarizes everything that the patriarchy has built on their subordination and for our autonomy. Abel represents the aching son of an unknown father. All of us are those men who walk on their backs. To those who do not see their faces until the end. Those parents who sign unwritten covenants and who leave their semen springs across the planet. Those who rent vaginas, wombs, and maids. It is urgent to face those who prefer to remain installed in comfort. Only in this way will it be possible to turn our face towards the camera, without fear of being recognized in a robot portrait of a whoremonger father. Without fear of the mirror returning the image of a monster.
The COVID-19 pandemic swept the world in the early months of 2020, causing massive economic and social disruption. In addition to the disease itself, populations have often dealt with lockdowns, shortages and pandemic fatigue, political and cultural turmoil. This has made the pandemic era a time of exceptional stress. The pandemic has driven some people to seek peaceful escapism in media, but others towards fictional pandemics as an alternate form of escapism.
Turn of the Tide is a Portuguese drama television series based on a true story, created by Augusto Fraga. It follows Eduardo, a young fisherman, and his friends who find a boat full of cocaine washed up on the shore in the Azorean village of Rabo de Peixe in São Miguel Island. They decide to sell the drug, but soon they face the wrath of the drug lord who owns it, the police who are after it, and a series of unpredictable events that put their lives at risk. The series is a thrilling and realistic tale of greed, ambition and survival.
