| Dieter Dierks Jerks | ||||
|---|---|---|---|---|
 | ||||
| Live album by | ||||
| Released | 28 April 2014 | |||
| Recorded | 17 January 2014 | |||
| Studio | Dulcimer, Chorlton, Manchester | |||
| Genre | Psychedelic rock | |||
| Length | 30:53 | |||
| Label | Golden Lab | |||
| Desmadrados Soldados de Ventura chronology | ||||
| ||||
Dieter Dierks Jerks is a live album by Desmadrados Soldados de Ventura, released on 28 April 2014 by Golden Lab Records. [1]
| No. | Title | Length |
|---|---|---|
| 1. | "[untitled]" | 15:34 |
| No. | Title | Length |
|---|---|---|
| 1. | "[untitled]" | 15:19 |
Adapted from the Dieter Dierks Jerks liner notes. [2]
|
|
| Region | Date | Label | Format | Catalog |
|---|---|---|---|---|
| United Kingdom | 2014 | Golden Lab | LP | ROWF 43 |
Ventura may refer to:
Unbreakable is the fifteenth studio album by German hard rock band Scorpions, released in 2004. In this release, Scorpions return to the style of music of their most successful albums, after experimenting with many different concepts and influences in the 1990s. This was the first album with Paweł Mąciwoda on bass guitar. Despite critical acclaim and extensive touring of the album, Unbreakable was not a big hit on the charts.
Roberto Soldado Rillo is a Spanish professional footballer who plays for Granada CF as a striker.
Dieter Dierks born 9 February 1943 in Stommeln, is a German musician, sound engineer, producer, music publisher and studio owner. He became well known as producer of Scorpions who were signed to him between 1975 and 1988. Before that time he had already successfully established Hamburg-based band Atlantis in the US. Between 1969 and 1975 numerous albums of the "Krautrock" era were produced at Dierks Studio. From 1975 onwards more and more international artists started booking his state-of-the art sound and TV studios.
Michael Dierks is a German actor from Cologne.
"Rock You Like a Hurricane" is a song by German rock band Scorpions, considered as their signature song. The song was released as the lead single from their ninth studio album, Love at First Sting (1984). It was written by Klaus Meine, Herman Rarebell, Rudolf Schenker and arranged/produced by Dieter Dierks. The lyrics of "Rock You Like a Hurricane" also reference the title of the album on which it originally appeared – Love at First Sting.
Metal Heart is the sixth studio album by German heavy metal band Accept, released in 1985. Although the group had recorded before at Dierks-Studios, this was the first album produced by Dieter Dierks himself. It marked the return of guitarist Jörg Fischer after a two year absence, with Herman Frank having been his replacement. This album was a cautious attempt to crack the lucrative American market with more accessible songcraft and emphasis on hooks and melodies. Although critically panned at the time, today Metal Heart is often considered by fans as one of the band's best records. It contains several of their classic songs such as "Metal Heart" and "Living for Tonite". The band also makes a detour into jazz metal territory with the unusual song "Teach Us to Survive".
"No One Like You" is a song by German rock band Scorpions. It was written by band members Rudolf Schenker (guitar) and Klaus Meine (frontman), and released as the lead single from the band's eighth studio album Blackout (1982). Produced by Dieter Dierks, the song was recorded at Dierks' own studio.
Russian Roulette is the seventh studio album by German heavy metal band Accept, released in 1986. It was again recorded at Dierks-Studios, but the band chose to self-produce rather than bring back Dieter Dierks as producer. It would be the last Accept album to feature Udo Dirkschneider as lead vocalist until the 1993 reunion album Objection Overruled.
Eat the Heat is the eighth studio album by German heavy metal band Accept, released in 1989. It was recorded at Dierks-Studios, in Cologne, from September 1988 to January 1989. Although Jim Stacey is presented as rhythm guitar player in the album line-up, the album credits also state that all guitar work on the album was played by Wolf Hoffmann. Jim Stacey did perform second guitar live with the band. Until 2010's Blood of the Nations, this was Accept's only album without Udo Dirkschneider as lead vocalist. U.D.O. contributes with crowd vocals on "Turn the Wheel". U.D.O. has also covered the song "X-T-C" on the 2001 compilation A Tribute to Accept II. Accept later recorded "Generation Clash II" based on "Generation Clash" with Udo Dirkschneider on vocals for their 1994 album Death Row. U.D.O. will still regularly perform tracks from this album, including "X-T-C".
Journey to the Centre of the Eye is the debut album from English progressive rock band Nektar that came out in November 1971. Though formally divided into 13 tracks, the entire album consists of a single continuous piece of music, with some musical themes which are repeated throughout the work. Because of its narrative nature, it has been called a rock opera and/or dense concept album. The story follows an astronaut who, while on a voyage to Saturn, encounters aliens who take him to their galaxy, where he is suffused with knowledge and wisdom. It is usually interpreted as a commentary on the nuclear arms race.
The Cosmic Jokers were a German krautrock supergroup, though they were never a proper ensemble, per se; their music was created from sessions put together by label head Rolf-Ulrich Kaiser and Gille Lettman in early 1973, without the performers' knowledge. They were a primary example of space rock.
American country music singer and songwriter Dierks Bentley has released nine studio albums, one live album, one compilation album, and 32 singles. In 2003, Capitol Nashville released Bentley's self-titled debut album. The album's first single, "What Was I Thinkin'", reached number 1 on the US Billboard Hot Country Songs chart, and 22 on the Billboard Hot 100, his highest charting single there to date. Bentley then released two studio albums in 2005 and 2006 and produced several number 1 hits on Billboard Hot Country Songs. In 2007, Bentley released a live concert DVD, Live and Loud at the Fillmore, which was recorded in Denver, Colorado.
"Riser" is a song recorded by American country music artist Dierks Bentley. It was released to radio on June 15, 2015 as the fifth and final single from his seventh studio album of the same name. The song was written by Travis Meadows and Steve Moakler.
Desmadrados Soldados de Ventura is a psychedelic music ensemble formed in Manchester. It features an ever-rotating line-up of musicians who share an admiration for Santana, Royal Trux, Boredoms, Vermonster, Glenn Branca and Funkadelic. The most consistent members between releases have been drummer Andrew Cheetham and guitarists Nick Mitchell and Edwin Stevens. Since 2013, the band have released six full-length studio albums with Golden Lab Records.
Interpenetrating Dimensional Express is the third full-length studio album by Desmadrados Soldados de Ventura, released on 6 January 2014 by Golden Lab Records.
Striiide is the second studio album by Desmadrados Soldados de Ventura, released on 1 October 2013 by Deep Distance. The cover art, illustrated by Rudy Rucker, made number twenty-five out of thirty on Tiny Mix Tapes' album covers of the year list.
The Empire Never Ended is the fourth full-length studio album by Desmadrados Soldados de Ventura, released in November 2014 by Golden Lab Records.
Clifton Park, NY, Vol. 1 is the fifth studio album and first part of the Clifton Park, NY double album by Desmadrados Soldados de Ventura, released on 5 July 2015 by Golden Lab Records. Edwin Pouncey of The Wire drew favorable comparisons to the music of Glenn Branca and The Velvet Underground's "Sister Ray", saying "the music here sounds like a celebration of being alive and totally absorbed in the process of creation."
Clifton Park, NY, Vol. 2 is the sixth studio album and second part of the Clifton Park, NY double album by Desmadrados Soldados de Ventura, released on 9 July 2015 by Golden Lab Records. In writing for The Wire, Edwin Pouncey noted that "the tough Mancunian edge to the playing [...] reveals its true source on Vol 2, an almost industrial attack that is the abrasive obverse of Vol 1's easy gliding approach"
