A concordancer is a computer program that automatically constructs a concordance. The output of a concordancer may serve as input to a translation memory system for computer-assisted translation, or as an early step in machine translation.
Roberto Busa was an Italian Jesuit priest and one of the pioneers in the usage of computers for linguistic and literary analysis. He was the author of the Index Thomisticus, a complete lemmatization of the works of Saint Thomas Aquinas and of a few related authors.
Digital humanities (DH) is an area of scholarly activity at the intersection of computing or digital technologies and the disciplines of the humanities. It includes the systematic use of digital resources in the humanities, as well as the analysis of their application. DH can be defined as new ways of doing scholarship that involve collaborative, transdisciplinary, and computationally engaged research, teaching, and publishing. It brings digital tools and methods to the study of the humanities with the recognition that the printed word is no longer the main medium for knowledge production and distribution.
Natural Language & Linguistic Theory is a quarterly peer-reviewed academic journal covering theoretical and generative linguistics. It was established in 1983 and originally published by Kluwer Academic Publishers. Since 2004 the journal is published by Springer Science+Business Media. The editor-in-chief is Julie Anne Legate.
Boundary 2, often stylized boundary 2, is a quarterly peer-reviewed academic journal of postmodern theory, literature, and culture. Established in 1972 by William V. Spanos and Robert Kroetsch, under the title boundary 2, a journal of postmodern literature, the journal moved to Duke University Press in the late 1980s and is now edited by Paul A. Bové.
The Miguel de Cervantes Virtual Library is a large-scale digital library project, hosted and maintained by the University of Alicante in Alicante, Spain. It comprises the largest open-access repository of digitised Spanish-language historical texts and literature from the Ibero-American world. When officially launched in 1999, the BVMC was the first digital archive of Spanish-language texts on the internet, initially reproducing some 2,000 individual works by 400 of the most significant authors in Spanish, Latin American literary and Hispanic Africa. By 2005–2006 the number of registered and available works had reached over 22,000.
The British Journal of Aesthetics is a quarterly peer-reviewed academic journal covering philosophical aesthetics and the philosophy of art. It was established in 1960 and is published by Oxford University Press on behalf of the British Society of Aesthetics. The first issue was edited by Harold Osborne in November 1960. The journal was originally published by Routledge and then by Thames & Hudson, before switching to its current publisher in 1975.
American Literature is a literary journal published by Duke University Press. It is sponsored by the American Literature Section of the Modern Language Association. The current editors are Priscilla Wald and Matthew A. Taylor. The first volume of this journal was published in March 1929.
The Alliance of Digital Humanities Organizations (ADHO) is a digital humanities umbrella organization formed in 2005 to coordinate the activities of several regional DH organizations, referred to as constituent organizations. ADHO's constituent organizations are the European Association for Digital Humanities (EADH), the Association for Computers and the Humanities (ACH), the Canadian Society for Digital Humanities (CSDH/SCHN), centerNet, the Australasian Association for Digital Humanities (aaDH), the Japanese Association for Digital Humanities (JADH), Humanistica, the french-speaking association for Digital Humanities, and the Taiwanese Association for Digital Humanities (TADH), Digital Humanities Alliance for research and teaching innovations (DHARTI)from india etc.
The UCL Centre for Digital Humanities is a cross-faculty research centre of University College London. It brings together digital humanities work being done in many of the university's different departments and centres, including the library services, museums and collections. The Centre counts among the "most visible" in the field and facilitates various opportunities for study at post-graduate level, including the MA/MSc in Digital Humanities, doctoral study, and short courses as part of the Department of Information Studies.
Digital Scholarship in the Humanities is a peer-reviewed academic journal of the European Association for Digital Humanities that covers all aspects of computing and information technology applied to Arts and Humanities research. It is one of the main journals in the field of Digital Humanities. The journal is published by Oxford University Press. The journal was formerly known as Literary and Linguistic Computing, but was renamed to emphasise a broadening in its subject focus beyond literary studies.
The European Association for Digital Humanities (EADH), formerly known as the Association for Literary and Linguistic Computing (ALLC), is a digital humanities organisation founded in London in 1973. Its purpose is to promote the advancement of education in the digital humanities through the development and use of computational methods in research and teaching in the Humanities and related disciplines, especially literary and linguistic computing. In 2005, the Association joined the Alliance of Digital Humanities Organizations (ADHO).
The Association for Computers and the Humanities (ACH) is the primary international professional society for digital humanities. ACH was founded in 1978. According to the official website, the organization "support[s] and disseminate[s] research and cultivate[s] a vibrant professional community through conferences, publications, and outreach activities." ACH is based in the United States, and has an international membership. ACH is a founding member of the Alliance of Digital Humanities Organizations (ADHO), a co-originator of the Text Encoding Initiative, and a co-sponsor of an annual conference.
Planned Obsolescence: Publishing, Technology, and the Future of the Academy is a book by Kathleen Fitzpatrick, Director of Scholarly Communication at the Modern Language Association and Visiting Research Professor of English at New York University, published by NYU Press on November 1, 2011. The book provides an overview of issues facing contemporary academic publishing, including the closing of academic presses and the increased pressure on faculty to publish to achieve tenure. Fitzpatrick's central argument is that academia should embrace the possibilities of digital publishing, which will in turn change the culture of academic writing and publishing.
Susan Hockey is an Emeritus Professor of Library and Information Studies at University College London. She has written about the history of digital humanities, the development of text analysis applications, electronic textual mark-up, teaching computing in the humanities, and the role of libraries in managing digital resources. In 2014, the University College of London created a Digital Humanities lecture series in her honour.
Electronic Book Review (ebr) is a peer-reviewed scholarly journal with emphasis on the digital. Founded in 1995 by Joseph Tabbi and Mark Amerika, the journal was one of the first to devote a lasting web presence to the discussion of literature, theory, criticism, and the arts.
Ray Siemens is a professor in the faculty of humanities at the University of Victoria, British Columbia, Canada and former Canada Research Chair in Humanities Computing. Siemens is a recipient of the Antonio Zampolli Prize, presented by the Alliance of Digital Humanities Organizations (ADHO) for outstanding contributions to the field of Digital Humanities.
The Programming Historian is a peer-reviewed academic journal of digital humanities and digital history methodology. It publishes tutorials that help humanists learn a wide range of digital tools, techniques, and workflows to facilitate research and teaching. It was based upon an original series of lessons written by William J. Turkel and Alan MacEachern of the University of Western Ontario in 2008. The project launched as an academic journal in 2012 at the Digital Humanities 2012 conference in Hamburg.
Lou Burnard is an internationally recognised expert in digital humanities, particularly in the area of text encoding and digital libraries. He was assistant director of Oxford University Computing Services (OUCS) from 2001 to September 2010 where he officially retired from OUCS. Prior to that, he was manager of the Humanities Computing Unit at OUCS for five years. He has worked in ICT support for research in the humanities since the 1990s. He was one of the founding editors of the Text Encoding Initiative (TEI) and continues to play an active part in its maintenance and development, as a consultant to the TEI Technical Council and as an elected TEI board member. He has played a key role in the establishment of many other key activities and initiatives in this area, such as the UK Arts and Humanities Data Service, and the British National Corpus and has published and lectured widely. Since 2008 he has also worked as a Member of the Conseil Scientifique for the CNRS-funded "Adonis" TGE.
