Distant Light | ||||
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Studio album by | ||||
Released | 8 October 1971 (UK) April 1972 (US) | |||
Recorded | 14 April–30 July 1971 [1] | |||
Studio | AIR Studios, London | |||
Length | 44:14 | |||
Label | UK: Parlophone PAS 10005 US: Epic KE 30958 | |||
Producer | Ron Richards, The Hollies | |||
The Hollies chronology | ||||
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Singles from Distant Light | ||||
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Review scores | |
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Source | Rating |
AllMusic | [4] |
Christgau's Record Guide | C+ [5] |
Distant Light is a 1971 album released by the Hollies, their 11th UK album and their last before brief departure of lead vocalist and founding member Allan Clarke (who was absent on the following album and returned for their 1974 self-titled album), and reputedly the first album to come out of AIR Studios.[ citation needed ] The album spawned two hit singles: the Allan Clarke penned "Long Cool Woman in a Black Dress", which peaked at number two in the US and number 32 in the UK; and Tony Hicks penned "Long Dark Road", which reached number 26 in the US. The US version of the album peaked at number 21 in the album charts. The summer scene on the cover is rendered as a winter scene on the next Hollies album Romany .
The album was the band's biggest experiment to date. The use of saxophones, girl choruses, and more complex compositions in the style of the Moody Blues ("You Know The Score"), was very unusual for the Hollies. The lyrics were more serious, containing, for example, anti-war messages ("You Know The Score" or "Promised Land") or dramatic stories ("What A Life I've Led", "Hold On"). Only a few songs were in the traditional Hollies style and sound ("Long Dark Road", "A Little Thing Like Love", "To Do with Love").
The recording featured guest appearances by pianist Gary Brooker (Procol Harum), guitarist Mick Abrahams (Jethro Tull) and saxophonist Jim Jewell. Vocals were sung by Madeline Bell, Doris Troy and Liza Strike. The LP was released on 8 October 1971 in a gatefold sleeve with a painted woodland and summer scene by Colin Elgie of Hipgnosis. The idea was conceived by Storm Thorgerson, famous for his work with Pink Floyd. There were many hidden messages and a good deal of symbolism and, years later, the artist admitted that there were so many that he couldn't remember some of them. [6] The inside cover art consisted of pictures of the band members taken at a house party at Tony Hicks' apartment.
The band performed the first three songs from the album ("What a Life I've Led" and "Look What We've Got" and "Long Cool Woman in a Black Dress") live on the television show "Meet the Hollies" on July 25, 1971. Later, they performed "Long Cool Woman in a Black Dress" and "A Little Thing Like Love" again on another TV show, "It's Lulu". The album was highly praised by critics, Record Mirror wrote: "You could use the word sensational about The Hollies' new album." and it became the biggest success they've had in America (including records with Graham Nash). However, in their native United Kingdom, the LP was only a modest success for the band. The album's biggest hit was the song "Long Cool Woman in a Black Dress", composed by Allan Clarke and Roger Cook (whose co-writer Roger Greenaway was also credited by verbal agreement between the two songwriters). [7] The single reached No. 2 in America, No. 1 in Canada and No. 32 in England. It was the Hollies' biggest American hit ever. The song "Long Dark Road" was also released as a single in America and reached No. 26 (and No. 24 in Canada).
All tracks composed by Tony Hicks and Kenny Lynch; except where indicated
Side one
Side two
with:
Album
Year | Chart | Position |
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1972 | Billboard Pop Albums [4] | 21 |
The Hollies are a British rock and pop band, formed in 1962. One of the leading British groups of the 1960s and into the mid-1970s, they are known for their distinctive three-part vocal harmony style. Allan Clarke and Graham Nash founded the band as a Merseybeat-type group in Manchester, although some of the band members came from towns further north in East Lancashire. Nash left the group in 1968 to form Crosby, Stills & Nash, though he has reunited with the Hollies on occasion.
"Long Cool Woman in a Black Dress" (also titled "Long Cool Woman" or "Long Cool Woman (in a Black Dress)") is a song written by Allan Clarke, Roger Cook and Roger Greenaway, and performed by the British rock group the Hollies. In an interview with Johnnie Walker on Radio 2 on Sounds of the 70s in April 2023, Clarke said it had been written by himself and Cook, who however had a long-standing agreement with Greenaway that any songs written by one of them should be credited to both. Originally appearing on the album Distant Light, it was released as a single on 17 April 1972 (on Parlophone in the United Kingdom), selling 2 million copies worldwide, including 1.5 million in the United States. It reached No. 2 on the Billboard Hot 100 in September 1972 for two weeks, behind Gilbert O'Sullivan's "Alone Again (Naturally)". Billboard ranked it as the No. 24 song for 1972.
Harold Allan Clarke is an English rock singer, who was one of the founding members and the original lead singer of the Hollies. He achieved international hit singles with the group and is credited as co-writer on several of their best-known songs, including "On a Carousel", "Carrie Anne", "Jennifer Eccles" and "Long Cool Woman in a Black Dress". He retired from performing in 1999, but returned to the music industry in 2019. Clarke was inducted into the Rock and Roll Hall of Fame in 2010.
Roger Frederick Cook is an English singer, songwriter and record producer, who has written many hit records for other recording artists. He has also had a successful recording career in his own right.
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Anthony Christopher Hicks is an English guitarist and singer who has been a member of the British rock/pop band the Hollies since 1963, and as such was inducted into the Rock and Roll Hall of Fame in 2010. His main roles within the band are lead guitarist and backing singer.
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Terence Sylvester is an English musician and songwriter. He is a former member of the Escorts, the Swinging Blue Jeans (1966–1969), and the Hollies. In the latter role, he took on the high parts formerly sung by Graham Nash, who had left the band in December 1968.
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