| "King Midas in Reverse" | ||||
|---|---|---|---|---|
 US picture sleeve | ||||
| Single by the Hollies | ||||
| B-side |
| |||
| Released | 22 September 1967 | |||
| Recorded | 3–4 August 1967 [1] | |||
| Studio | EMI, London [1] | |||
| Genre | ||||
| Length | 3:07 | |||
| Label |
| |||
| Songwriter(s) | ||||
| Producer(s) | Ron Richards | |||
| The Hollies singles chronology | ||||
| ||||
"King Midas in Reverse" is a song by English pop group the Hollies, written by Graham Nash but credited to Allan Clarke, Nash and Tony Hicks. It was released as a single in September 1967 in anticipation of the band's album Butterfly .
The track was a departure in style and influenced by Graham Nash's visits to America. Nash wanted to take the band in a new direction which was resisted by other members of the band, and this led to his departure and move to the United States. It was released in the UK on the Parlophone label (R5637) and in the US on the Epic label (10234). While a critical success, the song was a commercial failure by the Hollies' standards, prompting them to write and record the more commercial song "Jennifer Eccles" for their next single.
Cash Box said that it's "a crashing folk-drenched rock side with heavy push in the rhythm section and some fine group vocal work" that also has "stunning production." [4] Record World called it a "compelling rock ballad about a destructive young chap.." [5]
| Chart (1967) | Peak position |
|---|---|
| Australia ( Go-Set ) [6] | 17 |
| Netherlands (Dutch Singles Chart) [7] | 16 |
| UK Singles (OCC) [8] | 18 |
| US Billboard Hot 100 [9] | 51 |
| West Germany (Official German Charts) [10] | 31 |
The song features in The Limey , when Peter Fonda's character, an ageing record producer, is introduced.
Graham William Nash is an English-American musician, singer and songwriter. He is known for his light tenor voice and for his contributions as a member of the Hollies and Crosby, Stills & Nash.
The Hollies are an English rock and pop band formed in 1962. One of the leading British groups of the 1960s and into the mid-1970s, they are known for their distinctive three-part vocal harmony style. Singer Allan Clarke and rhythm guitarist/singer Graham Nash founded the band as a Merseybeat-type group in Manchester, although some of the band members came from towns further north, in east Lancashire. Nash left the group in 1968 to co-form Crosby, Stills & Nash, though he has reunited with the Hollies on occasion. As well as Clarke and Nash other members have included lead guitarist Tony Hicks, rhythm guitarist Terry Sylvester, bassists Eric Haydock and Bernie Calvert, and drummers Don Rathbone and Bobby Elliott.
"Look Through Any Window" is a song by the British beat group the Hollies. It was their follow-up single to their first UK chart-topper, "I'm Alive", and reached No.4 in the UK Singles Chart at the beginning of October 1965.
Butterfly is the seventh UK studio album by British band the Hollies, released in November 1967. It was the final Hollies album to feature Graham Nash before his departure from the group in 1968. The album consisted solely of songs written by the trio of Nash, Allan Clarke, and Tony Hicks, with Nash leading the sessions. It showcased the band's pop-oriented approach to psychedelia.
In the Hollies Style is the second album by the British rock band the Hollies and was released in November 1964 on Parlophone Records. It missed the official Record Retailer album chart in the United Kingdom, which at the time only had a total of 20 available spots. The album charted in the top 10 at No. 6 on New Musical Express magazine's competitive chart. In Canada, it was released on Capitol in October 1965, with an altered track listing.
Evolution is the first of two albums released in 1967 by British pop rock band the Hollies. It is their sixth UK album and peaked at number 13 on the UK Albums Chart.
Anthony Christopher Hicks is an English guitarist and singer who has been a member of the British rock/pop band the Hollies since 1963, and as such was inducted into the Rock and Roll Hall of Fame in 2010. His main roles within the band are lead guitarist and backing singer.
"Teach Your Children" is a song written by Graham Nash in 1968 when he was a member of the Hollies. Although it was never recorded by that group in a studio, the Hollies did record it live in 1983. After the song was initially recorded for the album Crosby, Stills & Nash in 1969, a much more enhanced version of the song was recorded for the album Déjà Vu by Crosby, Stills, Nash & Young, released in 1970. As a single, the song peaked at No. 16 on the Billboard Hot 100 charts that year. On the Easy Listening chart, it peaked at No. 28. In Canada, "Teach Your Children" reached No. 8. Reviewing the song, Cash Box commented on the "incredible soft harmony luster" and "delicately composed material." Billboard called it "a smooth country-flavored ballad that should prove an even bigger hit on the charts [than 'Woodstock']." Stephen Stills gave the song its "country swing", replacing the "Henry VIII" style of Nash's original demo.
The Hollies' Greatest Hits was the first greatest hits collection by English pop group the Hollies. The album was released by Imperial Records in the US in May 1967 and by Capitol Records in Canada, under the title The Hits of the Hollies and with two different tracks, in July 1967. It was the Hollies' highest charting album in the US, peaking at number eleven during a chart stay of forty weeks. When Imperial was dissolved into United Artists Records in 1971, this album went out of print, prompting Epic to issue its own "Greatest Hits" album two years later.
4 Way Street is a live album by Crosby, Stills & Nash, and their second album as Crosby, Stills, Nash & Young. It was originally released as Atlantic Records SD-2-902, shipping as a gold record and peaking at No. 1 on the Billboard 200. A document of their tour from the previous year, the live recordings presented were taken from shows at the Fillmore East on June 2 through June 7, 1970; The Forum on June 26 through June 28, 1970; and the Auditorium Theatre on July 5, 1970.
"I Can't Let Go" is a song co-written by Al Gorgoni and Chip Taylor, who also wrote "Wild Thing". "I Can't Let Go" was originally recorded by the blue-eyed soul singer Evie Sands' on George Goldner's Blue Cat label, which was popular in New York City in 1965. The song became popular in 1966 for the group the Hollies, who charted at number two in the UK Singles Chart with their version. Linda Ronstadt covered the song in 1980 and had a number 31 hit on the US Billboard Hot 100 chart.
"Carrie Anne" is a song written by Allan Clarke, Graham Nash, and Tony Hicks and released by British pop rock group the Hollies. It was recorded on 1 May 1967 and was released as a single in the same month by Parlophone Records in the United Kingdom and Epic Records in the United States. It became a hit in 1967, reaching No.3 on the UK Singles Chart. It was also a hit in the US and Canada, peaking at No.9 on both pop charts. It also reached No.4 in the Irish charts.
The Hollies' Greatest Hits is a compilation of singles by the Hollies, released on Epic Records in April 1973. It includes hit singles by the group on both the Epic and Imperial labels over a time span of 1965 to 1971. It spent seven weeks on the Billboard 200 charts, peaking at number 156.
"Jennifer Eccles" is a single by the Hollies. It was released in 1968 with the B-side "Open Up Your Eyes" on the Parlophone label, Catalogue number R5680. The track reached No.7 on the UK singles chart in March 1968. It was released in the US with a different B-side, "Try It", and reached No.40 on the Billboard Hot 100. The song was written by members of the band with input from their wives and the title is a combination of their names. After the disappointing chart performance of the psychedelic-leaning "King Midas in Reverse", this song was a return to the popular style that had been commercially successful for the group.
"Stop Stop Stop" is a song by British pop group the Hollies that was written by group members Allan Clarke, Tony Hicks, and Graham Nash. The song was the band's first to credit Clarke, Nash and Hicks as songwriters, as all their previous original songs had been published under the collective pseudonym "L. Ransford". It later appeared on the album For Certain Because in the United Kingdom.
"On a Carousel" is a song written by Allan Clarke, Graham Nash and Tony Hicks. It was released by the Hollies as a single in February 1967, having been recorded the previous month, on the Parlophone label in the UK and Imperial in the US. Nash would opine: "We knew it was a hit from the get-go." "
"Listen to Me" is a 1968 single by the Hollies, written by Tony Hazzard. It was the last Hollies single of Graham Nash's original tenure in the group. The song reached number 11 on the UK Singles Chart in October 1968 and received praise from critics.
Hollies' Greatest is the only number one album in the UK by British band the Hollies. It was released shortly before Graham Nash's departure from the Hollies and was intended to include all of their British hit singles with Nash, as well as filling in for the lack of an original LP by the group in 1968. Only 3 of the 14 songs on the album – "Stay", "I Can't Let Go" and "Stop! Stop! Stop!" had previously been released on UK albums.
Dear Eloise / King Midas in Reverse is the seventh U.S. studio album by the British pop band the Hollies, released in November 1967. "King Midas in Reverse" and "Leave Me" were slotted onto the album while deleting "Pegasus", "Try It" and "Elevated Observations" from the UK Butterfly track listing. It was the Hollies' last album to feature Graham Nash until 1983's What Goes Around, as well as the last to feature songs written solely by members Allan Clarke, Graham Nash and Tony Hicks.
What Goes Around... is the 21st studio album by English rock/pop group, the Hollies. It includes their version of The Supremes' "Stop! In the Name of Love", which became their last US hit single. The Hollies reunited with Graham Nash for this album and for the following US tour. The LP was the band's first and last album with Nash since Butterfly (1967) and also their last one with lead singer Allan Clarke. Among the guest musicians, you can find Brian Chatton who was formerly keyboardist for The Warriors with Jon Anderson, and Flaming Youth with Phil Collins.
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