Diwan Manna | |
---|---|
Born | 1958 (age 65–66) |
Nationality | Indian |
Alma mater | Government College of Art, Chandigarh |
Known for | Conceptual photography |
Awards | National Academy Award (by Lalit Kala Akademi) |
Website | Official website |
Diwan Manna (born 17 June 1958) is an Indian conceptual artist and photographer. He completed his study in graphic art and printmaking from the Government College of Art, Chandigarh in 1982. [1] [2] He exhibited in India, United Kingdom, Germany, France, Poland, and Italy. From 2014 to 2015 he served as the director of Triennale India, organised by Lalit Kala Akademi, National Academy of Art, Ministry of Culture, Govt of India. [3] He served as the chairman of Chandigarh Lalit Kala Akademi, State Academy of Art, Department of Culture, Chandigarh Administration. Currently, he is serving as the president of Punjab Lalit Kala Akademi, State Academy of Art, Ministry of Culture, Government of Punjab, India. [4]
He is a recipient of the National Academy Award by the Lalit Kala Akademi, New Delhi. [5] Some of his artworks include Alienation (1980), Violence (1985), Waking the Dead (1996), Shores of the Unknown (2000), After the Turmoil (2003), and Master of Light, and Le Corbusier (2006).
Manna was born in 1958, in Bareta, [6] [5] a town in Bathinda district (now Mansa district) of Punjab, India. [2] He completed his matriculation from the Government High School, Bareta in 1975. In his early years, he studied fiction and poetry, and was active in sports, played leading role as an actor in theatre and local Ramlila, a popular theatrical folk form in India. [7] [4]
He studied printmaking at the Government College of Art, Chandigarh, India, from 1978 to 1982. [1] [2]
Manna has been practising art since 1980. In 2006, he was artist in residence at Firminy, Saint-Etienne, France, as a part of a cultural exchange program to photograph architecture of Le Corbusier. [8] [9]
On 17 June 2008, he was appointed the chairman of Chandigarh Lalit Kala Akademi, and held the position until 31 July 2015. [6] From 2014 to 2015 he served as the director of Triennale India, organised by Lalit Kala Akademi India's National Academy of Arts, Ministry of Culture, Govt of India. [3] Since 2016, he is the president of Punjab Lalit Kala Akademi. [4]
He is a recipient of the National Academy Award by Lalit Kala Akademi. [2] [10] He first received the All India Fine Arts and Crafts Society award in 1995, and the second time in 1996. [11]
Manna is one of the first artists from India to practice conceptual photography. [12] His work combines images with objects, moving within a consciously chosen space in order to create a multimedia reality. [13]
He is known for his work revolving around socio-cultural and socio-political concerns, [14] in which he depicts the collapse of human sensitivities in the face of violence, turbulence, hypocrisy, alienation, dehumanization, war and death. [15] According to the art historian Raffael Dedo Gadebusch in The Museum's Journal, Berlin, "...a rather thoughtfull laconic picture of the social reality emerges from Manna's compositions...". [16]
By using existing icons and symbols of tradition and culture as a reference point, he creates visuals, which acquire a deeper meaning in the mind of the viewer, leading to a multitude of interpretations. His interest does not lie in creating pretty visuals but to transport the viewers from the image into their own perceived, imagined and lived experiences by inviting them to respond to these. [17]
Diwan has pushed the boundaries of photography by developing a technique of combining painting, acting, and photography to narrate his personal impressions and experiences of the world in and around him. He creates a three-dimensional immersive environment in which there is a painting in the backdrop, actors whose bodies are painted and props [14] created specifically around the themes he is working on (in the series Violence, Waking the Dead, Shores of the Unknown and After the Turmoil). [18] This temporary installation of various elements is photographed on a transparency film which is further exposed in the darkroom on a normal photographic paper by controlling the rendition of images with the play of filters. [17]
His artworks are not frozen mirror images of banal objects but there is certain remoteness from a routine visual experience. [19] Camera for him is not merely a copying device to document [17] the existing reality around him rather he constructs it in an effort to look beyond the obvious. He is often seen in the images (series - Waking the Dead, Shores of the Unknown and After the Turmoil), outside it, besides it, looking at it and looking from it thereby inhabiting space which is inner (mind), real (studio) and the social at the same time. [20] His conceptual artworks began with the series Alienation in 1980 and continued with the series Violence, Waking the Dead, Shores of the Unknown, After the Turmoil, Master of Light-Le Corbusier [21] over the next three decades. [19] Through his works, Manna tries to express his concerns about the working class and the social inequality in Indian society. [9]
Some of his artworks include:
His individual exhibitions include: [25]
His work has been exhibited in some group exhibitions, including: [25]
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