Type | Algerian clothing |
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Material | Velvet |
Place of origin | Algeria [1] |
The women’s ceremonial costume in the Eastern region of Algeria: knowledge and skills associated with the making and adornment of the 'Gandoura' and the 'Melehfa' | |
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Country | Algeria |
Reference | 02139 |
Region | Arab States |
Inscription history | |
Inscription | 2024 (19th session) |
List | Representative |
A djebba fergani or gandoura is a traditional long velvet dress adorned with elaborate embroidery, originating in Constantine, Algeria. [1] [2] It is made from black or burgundy velvet and features elaborate golden embroidery. [2] It is also worn in Tizi Ouzou, where it is typically made using cotton. [2]
The dress is frequently adorned with majboud, golden Algerian embroidery that has been named an Intangible Cultural Heritage by UNESCO, along with the melhfa the wedding costume of Tlemcen. [3]
A kaftan or caftan is a variant of the robe or tunic. Originating in Asia, it has been worn by a number of cultures around the world for thousands of years. In Russian usage, kaftan instead refers to a style of men's long suit with tight sleeves.
1860s fashion in European and European-influenced countries is characterized by extremely full-skirted women's fashions relying on crinolines and hoops and the emergence of "alternative fashions" under the influence of the Artistic Dress movement.
An evening gown, evening dress or gown is a long dress usually worn at formal occasions. The drop ranges from ballerina, tea, to full-length. Such gowns are typically worn with evening gloves. Evening gowns are usually made of luxurious fabrics such as chiffon, velvet, satin, or organza. Silk is a popular fibre for many evening gowns. Although the terms are used interchangeably, ball gowns and evening gowns differ in that a ball gown will always have a full skirt and a fitted bodice, while an evening gown can be any silhouette—sheath, mermaid, fit and flare, A-line, or trumpet-shaped—and may have straps, halters or even sleeves.
A kebaya is an upper garment traditionally worn by women in Southeast Asia, notably in Brunei, Indonesia, Malaysia, Singapore, and Southern Thailand. It is also worn in parts of southern Philippines
Kurdish traditional clothing, also known as Kurdish dress, refers to the folk costumes of the Kurdish people. The traditions typically vary across different regions and tribes of Kurdistan, but it has some common elements. Historically, Kurdish clothing was more complex and varied, but it has evolved to a simpler form over time. It is also prominently worn during festivals and special occasions such as Newroz.
Serbian traditional clothing, also called as Serbian national costume or Serbian dress, refers to the traditional clothing worn by Serbs living in Serbia, Croatia, Bosnia and Herzegovina, Montenegro, and the extended Serbian diaspora communities in Austria, Australia, Bulgaria, Canada, France, Germany, Greece, Hungary, North Macedonia, Romania, Russia, Slovenia, United States, etc. Like any traditional dress of a nation or culture, it has been lost to the advent of urbanization, industrialization, and the growing market of international clothing trends. The wide range of regional folk costumes show influence from historical Austrian, Hungarian, German, Italian, and Ottoman Turkish presence. Nonetheless, the costumes are still a pinnacle part of Serbian folk culture. From the 19th century and onwards, Serbs have adopted western-styled clothing. This change has started in larger settlements such as cities and towns, although it was not uncommon to see rural women in traditional working costumes all the way until the end of 1970s. Today, these national costumes are only worn by some elderly in rural areas but are most often worn with connection to special events and celebrations, mostly at ethnic festivals, religious and national holidays, weddings, tourist attractions, and by dancing groups who dance the traditional Serbian kolo, or circle dance.
The Armenian Taraz, also known as Armenian traditional clothing, reflects a rich cultural tradition. Wool and fur were used by the Armenians along with the cotton that was grown in the fertile valleys. During the Urartian period, silk imported from China was used by royalty. Later, the Armenians cultivated silkworms and produced their own silk.
In clothing, a train describes the long back portion of a robe, coat, cloak, skirt, overskirt, or dress that trails behind the wearer.
Palestinian traditional clothing are the types of clothing historically and sometimes still presently worn by Palestinians. Foreign travelers to Palestine in the 19th and early 20th centuries often commented on the rich variety of the costumes worn, particularly by the fellaheen or village women. Many of the handcrafted garments were richly embroidered and the creation and maintenance of these items played a significant role in the lives of the region's women.
Kalaga is a heavily embroidered appliqué tapestry made of silk, flannel, felt, wool and lace against a background made of cotton or velvet indigenous to Burma (Myanmar). The word kalaga, which means "curtain," comes from the Burmese language, although Burmese refer to such tapestries as shwe gyi do. These tapestries use a sewing technique called shwe gyi (ရွှေချည်)
Croatian national costume, also called as Croatian traditional clothing or Croatian dress, refers to the traditional clothing worn by Croats living in Croatia, Bosnia and Herzegovina, Serbia, with smaller communities in Hungary, Austria, Montenegro, and Romania. Since today Croats wear Western-style clothing on a daily basis, the national costumes are most often worn with connection to special events and celebrations, mostly at ethnic festivals, religious holidays, weddings, and by dancing groups who dance the traditional Croatian kolo, or circle dance.
Kate Reily was a noted British dressmaker, active in the late 19th- and early 20th-century.
Queen Elizabeth II's coronation took place on 2 June 1953. Ordered in October 1952, her gown took eight months of research, design, workmanship, and intricate embroidery to complete. It featured the floral emblems of the countries of the United Kingdom and those of the other states within the Commonwealth of Nations, including the English Tudor rose, Scots thistle, Welsh leek, Irish shamrock, Canadian maple leaf, Australian wattle, New Zealand silver fern, South African protea, Indian lotus flower for India, the Lotus flower of Ceylon, and Pakistan's wheat, cotton, and jute.
The national costume of Indonesia is the national attire that represents the Republic of Indonesia. It is derived from Indonesian culture and Indonesian traditional textile traditions. Today the most widely recognized Indonesian national attires include batik and kebaya, although originally those attires mainly belong within the island of Java and Bali, most prominently within Javanese, Sundanese and Balinese culture. Since Java has been the political and population center of Indonesia, folk attire from the island has become elevated into national status.
Kazakh clothing, worn by the Kazakh people, is often made of materials suited to the region's extreme climate and the people's nomadic lifestyle. It is commonly decorated with elaborate ornaments made from bird beaks, animal horns, hooves and feet. Although contemporary Kazakhs usually wear Western dress, the Turkic people wear more traditional clothing for holidays and special occasions.
Embroidery was an important art in the Islamic world from the beginning of Islam until the Industrial Revolution disrupted traditional ways of life.
Clothing in Myanmar varies depending on the ethnicity, geography, climate and cultural traditions of the people of each region of Myanmar (Burma). The most widely recognized Burmese national costume is the longyi, which is worn by both males and females nationwide. Burmese clothing also features great diversity in terms of textiles, weaves, fibers, colours and materials, including velvet, silk, lace, muslin, and cotton.
The chedda of Tlemcen is a traditional Algerian dress, more precisely of the city of Tlemcen, but also worn in the west of the country, in particular in Oran and Mostaganem. A product of the local craftsmanship, it is worn by brides in Tlemcen for their wedding ceremony.
The Karakou is a long-sleeved fitted velvet jacket embroidered with golden and silvered threads, it is a traditional Algerian garment originating from Algiers.
Khit er rouh, also known as Zerouf, is a type of Algerian diadem or headband made up of nineteen carved chatons linked together by rings, forming rosettes or rosaces and zerraref pendeloques made of gold set with diamonds or other precious stones. It is worn across the forehead with traditional outfits like the Karakou, where it is worn with a pair of earrings encrusted with tiny gemstones and several strands of baroque pearls. This Algerian accessory was inscribed in 2012 in the UNESCO, as an Intangible Heritage Of Humanity, along with The Algerian Kaftan and Chedda Of Tlemcen.