| Do You Hear What I Hear? Christmas with Anita Bryant | ||||
|---|---|---|---|---|
| Studio album by Anita Bryant | ||||
| Released | 1967 | |||
| Genre | Christmas | |||
| Label | Columbia CL 2720 CS 9520 | |||
| Producer | Jay Darrow | |||
| Anita Bryant chronology | ||||
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Do You Hear What I Hear? Christmas with Anita Bryant is an album by Anita Bryant released by Columbia Records in 1967. [1]
Anita Jane Bryant is an American singer and political activist. She scored four Top 40 hits in the United States in the late 1950s and early 1960s, including "Paper Roses" which reached No. 5 on the charts. She was also a former Miss Oklahoma beauty pageant winner, and was a brand ambassador from 1969 to 1979 for the Florida Citrus Commission which marketed orange juice. She was voted the most admired woman in America three years in a row by Good Housekeeping magazine and one of the Most influential Women in America in Gallup's most admired man and woman poll.
Columbia Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese conglomerate Sony. It was founded in 1887, evolving from the American Graphophone Company, the successor to the Volta Graphophone Company. Columbia is the oldest surviving brand name in the recorded sound business, and the second major company to produce records. From 1961 to 1990, Columbia recordings were released outside North America under the name CBS Records to avoid confusion with EMI's Columbia Graphophone Company. Columbia is one of Sony Music's four flagship record labels, alongside former longtime rival RCA Records, as well as Arista Records and Epic Records.
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The album landed on the Billboard 200 chart, reaching #25. [2]
The Billboard 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by Billboard magazine. It is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its "number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 in May 1967, and acquired its present title in March 1992. Its previous names include the Billboard Top LPs (1961–72), Billboard Top LPs & Tape (1972–84), Billboard Top 200 Albums (1984–85) and Billboard Top Pop Albums.
