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Cuore di cane Dog's Heart | |
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Directed by | Alberto Lattuada |
Written by | Mario Gallo |
Screenplay by | Alberto Lattuada Viveca Melander |
Based on | Heart of a Dog by Mikhail Bulgakov |
Starring | Max von Sydow Eleonora Giorgi Mario Adorf |
Cinematography | Lamberto Caimi |
Edited by | Sergio Montanari |
Music by | Piero Piccioni |
Distributed by | Constantin Film |
Release dates |
|
Running time | 113 min |
Countries | Italy, Germany |
Language | Italian |
Cuore di cane (German : Warum bellt Herr Bobikow?, International title - Dog's Heart) is a 1976 joint Italian-German comedy film directed by Alberto Lattuada based on a novel Heart of a Dog by Mikhail Bulgakov adapted by Mario Gallo. Screenplay by Alberto Lattuada with Viveca Melander. Composer - Piero Piccioni, editor - Sergio Montanari. Cinematography by Lamberto Caimi. Production companies - Corona Filmproduktion, Filmalpha, distribution by Constantin Film. Runtime - 113 min.
Mario Alberto Ettore Monicelli was an Italian film director and screenwriter, one of the masters of the commedia all'italiana. He was nominated six times for an Oscar, and received the Golden Lion for his career.
Mario Alberto Lattuada was an Italian film director.
Piero Piccioni was an Italian film score composer.
Maria Luisa Attanasio, known by her stage name Carla Del Poggio, was an Italian cinema, theatre, and television actress. A native of Naples, she was the wife of Italian director Alberto Lattuada for 60 years, from 2 April 1945 until his death 3 July 2005. She died at the age of 84 from undisclosed causes.
A Hero of Our Times is a 1955 Italian comedy film directed by Mario Monicelli and starring Alberto Sordi. In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978."
Piccolo mondo antico, known in English as Old-Fashioned World, is a 1941 Italian drama film directed by Mario Soldati and based on the 1895 novel by Antonio Fogazzaro. It belongs to the movies of the calligrafismo style.
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Don Giovanni in Sicilia, internationally released as Don Juan in Sicily, is a 1967 Italian comedy-drama film directed by Alberto Lattuada. It is loosely based on the novel with the same title by Vitaliano Brancati.
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Sono stato io is a 1973 Italian comedy-drama film co-written and directed by Alberto Lattuada. For his role Giancarlo Giannini was awarded as best actor at the San Sebastián International Film Festival.
The list of the A hundred Italian films to be saved was created with the aim to report "100 films that have changed the collective memory of the country between 1942 and 1978". Film preservation, or film restoration, describes a series of ongoing efforts among film historians, archivists, museums, cinematheques, and nonprofit organization to rescue decaying film stock and preserve the images they contain. In the widest sense, preservation assures that a movie will continue to exist in as close to its original form as possible.
The Beach also internationally released as Riviera and The Boarder) is a 1954 French-Italian comedy drama film directed by Alberto Lattuada and starring Martine Carol, Raf Vallone and Mario Carotenuto. In 2008 the film was selected to enter the list of the 100 Italian films to be saved.
The Mill on the Po is a 1949 Italian historical drama film directed by Alberto Lattuada and starring Carla Del Poggio, Jacques Sernas and Mario Besesti. It is based on the third part of the novel of the same name by Riccardo Bacchelli. It premiered at the 1949 Venice Film Festival. The films was produced and distributed by Lux Film, one of Italy's leading companies of the postwar years. Extensive location shooting took place around Lombardy including at Bagnolo San Vito, Porto Mantovano and Curtatone. The films sets were designed by the art director Luigi Gervasi.
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I due mafiosi is a 1964 Italian-Spanish crime comedy film directed by Giorgio Simonelli and starring the comedy duo Franco and Ciccio. It is a parody of Alberto Lattuada's Mafioso.
Calligrafismo is an Italian style of filmmaking relating to some films made in Italy in the first half of the 1940s and endowed with an expressive complexity that isolates them from the general context. Calligrafismo is in a sharp contrast to Telefoni Bianchi-American style comedies and is rather artistic, highly formalistic, expressive in complexity, and deals mainly with contemporary literary material, above all the pieces of Italian realism from authors such as Corrado Alvaro, Ennio Flaiano, Emilio Cecchi, Francesco Pasinetti, Vitaliano Brancati, Mario Bonfantini, and Umberto Barbaro.