Related Research Articles
"Spanish Harlem" is a song recorded by Ben E. King in 1960 for Atco Records. It was written by Jerry Leiber and Phil Spector and produced by Jerry Leiber and Mike Stoller. "Spanish Harlem" was King's first hit away from The Drifters, peaking at number 15 on Billboard's rhythm and blues and number 10 in pop music chart.
"Teach Me Tonight" is a popular song that has become a jazz standard. The music was written by Gene De Paul, the lyrics by Sammy Cahn. The song was published in 1953.
"I'll Take You There" is a song written by Al Bell, and originally performed by soul/gospel family band the Staple Singers. The Staple Singers version, produced by Bell, was released on Stax Records in February 1972, and spent a total of 15 weeks on the charts and reached #1 on the Billboard Hot 100. It is ranked as the 19th biggest American hit of 1972.
"(You've Got Me) Dangling on a String" is a 1970 soul music song by the Chairmen of the Board. The single reached No. 38 on the US Billboard Hot 100, No. 19 on the US Billboard R&B chart, and No. 5 on the UK Singles Chart. The song was written by Ronald Dunbar and Edythe Wayne.
"Wake Up Everybody" is an R&B song written by John Whitehead, Gene McFadden and Victor Carstarphen.
"Love Ballad" is a song by R&B/Funk band L.T.D. Jeffrey Osborne is the lead singer.
"Trust in Me" is a song written by Ned Wever, Milton Ager, and Jean Schwartz. Popular versions in 1937 were by Mildred Bailey and by Wayne King & his Orchestra.
"Love on a Two-Way Street" is a soul ballad written by Sylvia Robinson, Lezli Valentine and Bert Keyes in 1968. The song was originally recorded by Lezli Valentine, an artist signed to All Platinum, the record label that Sylvia Robinson co-owned with her husband, Joe. The song was then recorded by The Moments, an R&B vocal group signed to All Platinum subsidiary Stang Records, as filler for their 1968 album Not on the Outside, But on the Inside, Strong!. Sylvia and Joe decided to release the song as a single in March 1970 and it went on to become one of the biggest R&B hits of that year, spending five weeks at number one on Billboard's Soul Singles chart and reaching number three on the Hot 100 chart. Billboard ranked the record as the No. 25 song of 1970. It was also certified gold by the RIAA for sales of one million copies.
"Love or Let Me Be Lonely" is a pop song recorded by the soul group The Friends of Distinction and released as a single in early 1970. The song was a multi-format success, peaking in the top 10 of the Billboard Hot 100 at #6 on May 1, 1970 and at #13 on the R&B chart. On the Adult Contemporary singles charts, "Love or Let Me Be Lonely" went to #9. The song is ranked as the 63rd biggest hit of 1970.
"Stop to Love" is a song by American recording R&B/soul artist Luther Vandross. Released in 1986 as the lead single from his album Give Me the Reason. It was his first number-one single on the R&B chart since "Never Too Much" in 1981. The upbeat single was also a crossover hit, peaking at number fifteen on the Billboard Hot 100.
"A Rockin' Good Way (to Mess Around and Fall in Love)" is a song first recorded in 1958 by Priscilla Bowman, on the Abner Records label (ABNER DJ 1018). Bowman was given vocal backing by The Spaniels.
"A Woman, a Lover, a Friend" is the 1960 follow up single to "Doggin' Around" performed by Jackie Wilson. Just as its predecessor, the single made it to number one on the R&B charts, where it stayed at the top spot for one month. "A Woman, a Lover, a Friend", also charted on the Hot 100 peaking at number fifteen.
"A Lover's Question" is a 1958 Pop, R&B hit for Clyde McPhatter. The single was written by Brook Benton and Jimmy T. Williams and was Clyde McPhatter's most successful Pop and R&B release. The bass singer is Noah Hopkins. "A Lover's Question" made it to #6 on the Billboard Hot 100 and was #1 for one week on the R&B chart.
"Reach Out for Me" is a 1963 a song written by Burt Bacharach and Hal David and originally recorded by Lou Johnson. In the US, the original version peaked at number seventy-four on the Billboard Hot 100 the week ending December 7, 1963.
"Funny How Time Slips Away" is a song written by Willie Nelson and first recorded by country singer Billy Walker. Walker's version was issued as single by Columbia Records in June 1961 and peaked at number 23 on the Hot C&W Sides chart. The song would go on to be featured in several live action films and shows, such as in the first episode of the second season of AMC’s “Better Call Saul,” or the 2020 Netflix drama “The Devil All the Time.”
"Don't Let Go" is a song written by Jesse Stone. The song was first a hit for Roy Hamilton in 1958. The Roy Hamilton version reached number 2 on the R&B charts and number 13 on the pop charts.
"Take Good Care of Her" is a 1961 song written by Arthur Kent and Ed Warren and recorded by Adam Wade. It reached number twenty on the R&B charts and number seven on the Hot 100. In the song, the narrator speaks to the groom of his ex-girlfriend.
"Reconsider Me" is a country/soul ballad written by Margaret Lewis and Mira Smith.
The singles discography of American Jazz artist Sarah Vaughan contains 89 singles, two promotional singles and seven other charted songs. Vaughan recorded her first singles in 1946, with her first release being "If You Could See Me Now". Soon after, she saw her first major chart success on the Billboard pop list with "Tenderly" and "It's Magic." Moving to Columbia Records, she had further pop hits in the late 1940s with covers of "Black Coffee" and "Nature Boy." She had her second top ten hit in 1950 with "(I Love the Girl) I Love the Guy." Vaughan moved to Mercury Records during the 1950s and recorded more pop music. At Mercury, she had her biggest chart success, with the top ten hits "Make Yourself Comfortable" and "Whatever Lola Wants." In 1959, Vaughan's single "Broken Hearted Melody" reached number seven on the Billboard pop chart and became an international success, becoming the biggest single of her career.
References
- ↑ Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942–2004. Record Research. p. 629.
- ↑ Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942–2004. Record Research. p. 329.
 | This 1980s R&B/soul music song-related article is a stub. You can help Wikipedia by expanding it. |
| | This 1960s pop song–related article is a stub. You can help Wikipedia by expanding it. |