| Dolly Gets Ahead | |
|---|---|
 | |
| Directed by | Anatole Litvak |
| Written by | |
| Produced by | |
| Starring | |
| Cinematography | |
| Music by | |
Production company | UFA |
| Distributed by | UFA |
Release date |
|
Running time | 87 minutes |
| Country | Germany |
| Language | German |
Dolly Gets Ahead (German : Dolly macht Karriere) is a 1930 German musical film directed by Anatole Litvak and starring Dolly Haas, Oskar Karlweis, and Grete Natzler. [1] It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by Heinz Fenschel and Jacek Rotmil.
Boyish Dolly Klaren, who makes a living as a hat shop clerk, is an energetic tomboy. She would like to live out her full power as an artist and dreams of an acting career in the theater. She is close friends with the equally talented and unsuccessful musician Fred, who only laughs at Dolly when she tells him about her stage plans. With a trick, she can visit the local theater director Silbermann, who is in dire need: the leading role in a play has to be filled again because the previous star has ignominiously let him down. Silbermann, a compact, always a bit hectic and spirited theater man through and through, knows how PR works. Since he recognizes talent in Dolly, he vigorously beats the publicity drum and praises the completely unknown to the public with great Bohei.
In order to make the delicate girl a little more interesting for the audience, Silbermann also started the rumor that Dolly was the mistress of the noble Duke Eberhard von Schwarzenburg. Of course, he doesn't know anything about his happiness and is now beginning to develop an interest in the young girl. For this reason he attends the first performance of the new revue with Dolly, which turns out to be quite a failure for the debutante. The nobleman takes care of Dolly and tries to comfort her as much as possible. The man "in his prime" quickly falls in love with the girl, but has to rethink his attitude when he overhears a conversation about Dolly's (supposedly platonic) friend Fred. The duke withdraws in his calm, elegant manner. After various misunderstandings, not only do Dolly and Fred come together as a couple, but the lively theater novice also succeeds in turning the unsuccessful clarinettist into a sought-after hit composer who, thanks to Dolly's efforts, is soon able to land his first big hit.
Dorothy Clara Louise Haas was a German-American actress and singer who played in German and American films. After moving to the United States, she often appeared in Broadway plays. She became a naturalized US citizen and married Al Hirschfeld, a noted portraitist and caricaturist in New York City.
Grete Natzler was an Austrian actress and operatic soprano. Born in Vienna, she was the daughter of actress Lilli Meißner and actor and opera singer Leopold Natzler (1860–1926). Two of her younger sisters were also actors and singers. Her sister, Alice Maria ('Lizzi'), performed under the stage name of Litzie Helm, and Hertha Natzler performed under her own name. Grete began her career on the stage in her native country and in Germany as a performer in operettas. In the early 1930s she appeared in films in both Germany and England, including The Scotland Yard Mystery (1933) and in several film versions of German operettas. After moving to the United States in the late 1930s, she signed a contract with MGM and adopted the pseudonym Della Lind. She is perhaps best known for portraying the role of Anna Albert in the 1938 Laurel and Hardy film Swiss Miss. She was married to composer Franz Steininger (1906–1974).
Girls Will Be Boys is a 1934 British comedy film directed by Marcel Varnel and starring Dolly Haas, Cyril Maude and Esmond Knight. It is based on The Last Lord, a play by Kurt Siodmak. The film was shot at Elstree Studios with sets designed by the art director Cedric Dawe. Haas made this, her first English-language film, following a Nazi-led riot at the premiere of her previous film Das häßliche Mädchen, and in 1936 fled Germany altogether.
Das häßliche Mädchen is a German comedy film made in early 1933, during the transition from the Weimar Republic to Nazi Germany, and premièred in September that year. It was the first or second film directed by Hermann Kosterlitz, who left Germany before the film was completed and later worked in the United States under the name Henry Koster, and the last German film in which Dolly Haas appeared; she also later emigrated to the US. A riot broke out at the première to protest the male lead, Max Hansen, who was supposedly "too Jewish." The film's representation of the "ugly girl" as an outsider has been described as a metaphorical way to explore the outsider existence of Jews.
Oskar Leopold Karlweis was an Austrian-American stage and film actor, active internationally.
Paul Kemp was a German stage and film actor. Kemp worked as a piano accompaniest for silent films, and then served as an ambulance driver on the Western Front during the First World War. Post-war he moved into acting on the stage in Düsseldorf and Hamburg. His career really took off when he moved to Berlin in 1929, appearing in the hit stage version of the novel Menschen im Hotel by Vicki Baum. He made his film debut in 1930, shortly after the introduction of sound film. He appeared prolifically in German and Austrian films until his death in 1953.
I Entrust My Wife to You is a 1943 German comedy film directed by Kurt Hoffmann and starring Heinz Rühmann, Adina Mandlová, and Werner Fuetterer. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art director Willi Herrmann.
Peter is a 1934 Austrian-Hungarian comedy film directed by Henry Koster and starring Franciska Gaal, Felix Bressart and Richard Eybner.
Elisabeth and the Fool is a 1934 German drama film directed by Thea von Harbou and starring Hertha Thiele, Theodor Loos and Rudolf Klein-Rogge. The film was the directing debut of Harbou, who was known for her screenplays for directors such as Fritz Lang and F. W. Murnau. Filming began on 12 October 1933 in Meersburg and the Lake Constance area. The film's sets were designed by the art directors Kurt Dürnhöfer and Walter Reimann. The film premiered on 24 January 1934.
No Day Without You is a 1933 German comedy film directed by Hans Behrendt and starring Lee Parry, Oskar Karlweis, and Paul Hörbiger. It was shot at the Johannisthal Studios in Berlin.
One Hour of Happiness is a 1931 German drama film directed by William Dieterle and starring Dieterle, Evelyn Holt, and Harald Paulsen.
Don't Dream, Annette is a 1949 German comedy film directed by Eberhard Klagemann and Helmut Weiss and starring Jenny Jugo, Max Eckard and Karl Schönböck. It was made by DEFA in the Soviet Zone of Germany which was soon afterwards to become East Germany. The film's sets were designed by the art directors Wilhelm Depenau, Otto Erdmann and Kurt Herlth.
Little Girl, Great Fortune is a 1933 German comedy film directed by E. W. Emo and starring Dolly Haas, Carl Esmond, and Adele Sandrock. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art director Fritz Maurischat.A separate Italian version One Night with You was also made.
Dutch Girl is a 1953 German musical comedy film directed by Johann Alexander Hübler-Kahla and starring Sonja Ziemann, Gunnar Möller and Hans Moser. It was shot at the Spandau Studios in Berlin. The sets were designed by the art director Rolf Zehetbauer.
Who Is This That I Love? is a 1950 West German musical comedy film directed by Géza von Bolváry and starring Jester Naefe, Adrian Hoven, and Iván Petrovich. It was shot at the Wiesbaden and Bavaria Studios and on location around Lake Starnberg. The film's sets were designed by the art directors Fritz Lück and Hans Sohnle.
The Gentleman from Maxim's is a 1933 German comedy film directed by Carl Boese and starring Lee Parry, Johannes Riemann and Oskar Karlweis. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art director Gustav A. Knauer and Walter Reimann.
The False Adam is a 1955 West German comedy film directed by Géza von Cziffra and starring Waltraut Haas, Rudolf Platte and Doris Kirchner.
The Sins of the Mother is a 1921 German silent drama film directed by Georg Jacoby and starring Carl Auen and Käthe Dorsch.
Today Is the Day is a 1933 German comedy film directed by Kurt Gerron and starring Hans Albers, Luise Rainer and Oskar Karlweis. It features a number of jazz interludes. The film's sets were designed by the art directors Max Knaake and Julius von Borsody.
As Long as There Are Pretty Girls is a 1955 West German musical comedy film directed by Arthur Maria Rabenalt and starring Georg Thomalla, Alice Kessler and Ellen Kessler. It was based on the play Okay Mama by Annemarie Artinger. It was shot at the Bavaria Studios and Carlton Studios in Munich. The film's sets were designed by the art directors Kurt Herlth and Robert Herlth.
 | This article related to a German film of the 1930s is a stub. You can help Wikipedia by expanding it. |
 | This article about a musical film is a stub. You can help Wikipedia by expanding it. |
